CM songs of dance music. Classic and popular commercial songs.
When you’re watching commercials, sometimes a danceable track comes on that makes you want to start moving, right? In fact, there are quite a few commercials where the performers actually show off their dance moves on screen.
In this article, we’ll introduce a whole lineup of dance music featured in commercials.
We’ve gathered songs from across different eras and genres, so you’re sure to discover a variety of tracks.
Use this as a guide to find that song you heard in a commercial and couldn’t get out of your head, or to pick the perfect track for your own dance performance.
Dance music commercial songs. Classic and popular commercial song hits (1–10)
My BodyHANA
HANA’s “My Body” is being released via streaming in October 2025, a song that powerfully expresses the pursuit of one’s true self.
The sound emphasizes a danceable rhythm while maintaining a gentle atmosphere, with a structure that gradually builds in strength as it’s sung.
The lyrics, which convey a resolve to live for oneself rather than for others, are striking and offer a gentle push forward.
It has also been selected as the CM song for Otsuka Pharmaceutical’s BODYMAINTÉ, reinforcing the theme of valuing one’s own body in a way that resonates with the song.
feels like HEAVEN ~Surely it will come, surely it will come~HIIH
H IIH’s “feels like HEAVEN ~Kitto Kuru Kitto Kuru~,” released in 1998, is strongly associated with the movie Ring.
While the opening part draws attention, the overall sound isn’t designed to incite fear; instead, an electronic timbre with a steady, light rhythm resonates throughout.
By deliberately offsetting the rhythms of the sound and the vocals, it creates a unique atmosphere along with a sense of groove.
A version with adapted lyrics was used in a Nissin Cup Noodles commercial, and, drawing on the film’s imagery, it portrays an eerie scene where something seems about to jump out.
ME ME MEMEOVV
MEOVV’s “ME ME ME,” released in 2024, is a striking track for a Japan-release single, notably featuring Japanese lyrics.
Sonically, it gives the impression of laid-back dance music, over which vocals with dynamic shifts are layered.
The calm sound lets the singing stand out clearly, further elevating its stylish atmosphere.
As a commercial song, it was used in a Kao ad featuring the members themselves, with content that seems to express a mindset of self-improvement.
99 Steps (feat. Kohjiya, Hana Hope)STUTS
STUTS’s “99 Steps,” released in 2025, is a meticulously crafted track featuring guest appearances by Kohjiya and Hana Hope.
While a powerful beat resonates to make the dance stand out, the overall feel is laid-back, and its gentle progression lends it a refreshing quality.
The lyrics emphasize depictions of natural scenery and light, conveying straightforwardly positive emotions.
It was also used in a Pocari Sweat commercial, where pairing it with dance creates a stylish sense of freshness.
Get WildTM NETWORK
TM NETWORK’s “Get Wild” is one of the band’s signature songs and is also well known as the theme song for the anime City Hunter.
The sound is built on Tetsuya Komuro’s keyboards, layered with guitar and vocals, giving it a strong techno vibe.
While the rhythm is steady, the song still unfolds with clear development, which is why it feels so danceable.
As for commercials, it was used in a Car Sensor ad, whose content blends the stylishness reminiscent of City Hunter with a touch of comedy.
FrankieBarrie
Barry began as a band led by Barry Lindsay, and from there the name evolved into a solo project.
The single that marked his restart as a solo artist was “Dig,” and “Frankie” is a track included on it.
It has a somewhat floating feel yet an assertive, forward-driving rhythm, and the structure of a steady beat overlaid with gentle vocals creates a curious, unique atmosphere.
As a commercial song, it was featured in a Mac ad, where the use of Mac in classes and how it leads to fulfilling days is depicted with a soft, warm tone.
Hit the BeatIamDayLight
“Hit the Beat” by I Am Daylight is a track included on the 2020 album “Up The Smoke.” Built on a low, resonant beat with vocals layering in irregularly, it powerfully conveys a sense of floating and unease.
The rhythm stays steady while the overlapping sounds evolve, which helps the song really stick in your ears.
It was also featured in a Galaxy Tab S11 Ultra commercial, where the music and visuals together evoke a sense of possibility moving toward the future.