Enka that gets the crowd going at karaoke | Fire up the room with easy-to-sing classics!

O-Shichi and the Night Cherry BlossomsFuyumi Sakamoto

Fuyumi Sakamoto – Yozakura O-Shichi

Fuyumi Sakamoto is a female enka singer who studied under the acclaimed enka vocalist Yuriko Futaba.

With a highly original musical style that incorporates a wide range of genres, she has gained popularity both within and beyond the enka scene.

Her song “Yozakura Oshichi,” released in 1994, features an unusually upbeat melody for enka at the time.

The vocal range spans from mid1F to hiD, which is typical for female vocals, but the BPM is 140, making it relatively fast, so it’s best to master the rhythm thoroughly before singing.

TATSUYAAimi Tanaka

Aimi Tanaka 'TATSUYA' [57th Japan Lyricist Awards]

Aimi Tanaka is an enka singer known as the beloved disciple of Takashi Hosokawa.

She possesses a remarkably deep voice for someone in her early twenties, and on top of that, her expressive power is extraordinary.

She is undoubtedly expected to play a leading role in the future enka scene, yet she has also released many songs that are easy to sing.

Among them, the one you can especially expect to get the crowd going is “TATSUYA.” While the lyrics are sad, depicting a widow, the melody is powerful and still brings out a feminine quality, so you can expect it to be quite exciting.

It leans more toward kayōkyoku in style, and the absence of difficult pitch movements—such as the dramatic ups and downs often associated with kobushi—makes it notably easy to sing.

Your path of gloryYoshimi Tendo

[MV] Yoshimi Tendo / Your Path of Glory (full ver.)

Yoshimi Tendo, a songstress who represents Osaka.

Discovered by Takajin Yashiki, she rose to public prominence.

Her vocal ability and expressive power are truly top-class, yet she has an approachable personality that has long endeared her to many enka fans.

Her hit number “Anta no Hanamichi” is a prime example.

Among her works, it’s one of the brightest, so it’s sure to get the crowd going.

This song features the distinctive twisting kobushi (melismatic ornamentation) characteristic of the Kawachi Ondo style, but since most of the ornamentation involves shifts of only two or three notes, you won’t encounter the complex kobushi heard in Tsugaru folk songs.

Instead, it calls for the powerful delivery typical of Kawachi Ondo.

As long as you can keep your pitch in check, it’s by no means a high-difficulty piece, so consider adding it to your repertoire.

Dotonbori SentimentYoshimi Tendo

[MV] Yoshimi Tendo / Dotonbori (Tonbori) Ninjō (Full Ver.)

Yoshimi Tendo is an enka singer highly acclaimed for her live performances.

With first-class qualities across the board—vocal power, expressiveness, and fine techniques such as kobushi—she also has songs that are relatively easy to sing.

Among them, the one I especially recommend is Dotonbori Ninjo.

It’s a robust enka number with the flavor of Kawachi Ondo, but most of the kobushi are the type that undulate at the start of each phrase, so it’s not particularly difficult.

Of course, if you aim to replicate every detail, the difficulty is high; however, since most of the Kawachi Ondo-style kobushi occur in the lower register, anyone who can control pitch in the low range should be able to sing it without issue.

By the way, the reading of the title is not “Dotonbori Ninjo,” but “Tonbori Ninjo.”

festivalSaburō Kitajima

Saburo Kitajima “Matsuri” (Official Audio)

Saburo Kitajima is a great enka singer who has left behind many masterpieces.

His distinctive, undulating kobushi and vibrato are especially striking.

Among his songs, the one I particularly recommend is Matsuri.

While the piece is memorable for its low register, it surprisingly spans a range from mid1 A to high C.

However, because the pitch changes within the kobushi are contained within two notes, it is classified as a work with a lower level of difficulty in terms of overall technique.

If you adjust it to your suitable key, it’s not un-singable, so be sure to identify your own vocal range carefully.

I'm going to Tokyo.Ikuzo Yoshi

I'm going to Tokyo.

Enka singer Ichi Ikuzō, known for his wide-ranging musicality from comic songs to songs in a female voice and heart-wrenching ballads.

Unusual for an enka singer, he also has the side of a singer-songwriter, and his original songs, for which he writes both lyrics and music, are full of creativity and have remained beloved across generations.

Speaking of Ikuzō Yoshii’s masterpieces, it has to be “Ora Tokyo sa Iguda,” doesn’t it? While it has elements typical of enka, it features many spoken-style parts, so the overall difficulty is on the lower side.

As a comic song, it really gets the crowd going, so be sure to add it to your repertoire.

Come back.Kazuko Matsumura

Come back.

Kazuko Matsumura is an enka singer from Hokkaido.

While she also performs orthodox enka, her essence arguably lies in rock-influenced enka.

Many people have surely been moved by her performances, where she holds a shamisen and sings as if she were a rock musician doing an acoustic set.

“Kaette Koi yo” is one of her signature songs; it maintains the fundamentals of enka yet stands out with a rock-tinged power.

The range is somewhat high, from mid2 A# to hi D#, but since the overall span is narrow, it shouldn’t be difficult to sing if you adjust to a suitable key.

It also features fewer kobushi (ornamental turns) than typical enka, making it a recommended choice.