The shamisen is the quintessential traditional Japanese instrument.
Of course, it’s used to perform classic pieces, but it’s also a highly versatile instrument that shines in solo performances of intense songs and in collaborations with rock bands—traditional yet packed with showmanship.
In this article, we’ll introduce a wide range of songs that feature the shamisen.
We’ve included everything from older works to the latest tracks!
If you’re thinking about starting the shamisen, you might find this helpful—so be sure to read to the end!
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[The Spirit of Japan] Shamisen Masterpieces and Popular Songs (1–10)
The Subscription ListAssociation of Taimyozō and Taimyo Jūrō

Kanjincho is the most famous piece in Kabuki and Nagauta, dynamically depicting the scene in which Minamoto no Yoshitsune and Musashibo Benkei perform an act to pass through a checkpoint.
The highlight is the build-up toward the finale, featuring a thrilling performance known as takinagashi (waterfall flow).
Senbonzakurakuro usagi P

This song, with its irresistibly intense rock-style arrangement, is actually based on a Vocaloid track produced by Kurousa-P.
Having been used as the theme for Toyota’s Aqua commercial and performed by Wagakki Band, it’s no exaggeration to say it helped spark a shamisen boom.
The video features Hatsune Miku’s crystalline vocals paired with virtuosic Tsugaru shamisen technique.
The lyrics are revolutionary, unfolding a unique worldview that could only be realized through Vocaloid.
Nambu Tawarazumi-utaKinsaburō & Maya

“Nanbu Tawarazumi-uta” traces its roots to songs performed by street entertainers in Sannohe District, Aomori Prefecture.
It is often sung at celebratory occasions such as New Year’s, and the piece maintains a lively, upbeat energy throughout.
The performance features Tsugaru-shamisen player Kinzaburo Abe and folk singer Maya Nemoto.
Tsugaru Yosare-bushiKatsunari Sawada

“Tsugaru Yosare-bushi” is one of the five major folk songs of the Tsugaru region.
“Yosare” means “let a world where bad things happen pass away.” It is a notoriously difficult piece, characterized by a distinctive triple meter with spacious phrasing and fiercely percussive playing.
Katsunari Sawada is a veteran shamisen performer who has toured as part of Japan’s cultural envoy, boasting live performances in more than 60 countries across Europe, the Americas, and Asia.
With outstanding skill, he delivers a passionate rendition of “Tsugaru Yosare-bushi.”
cherry blossom

It’s a classic tune that everyone’s heard at least once.
Composed in the late Edo period, its author is unknown.
Pentatonic scales often carry a hint of melancholy, but when played on the Tsugaru shamisen, the intense plectrum work transforms it into a modern, emotional piece.
The highlights are the delicate arrangement at the start and the technique in the latter half where rhythmic plectrum strokes intertwine.
If you’re thinking of trying Tsugaru shamisen, this piece is relatively easy to play, so start your practice with it!
Soran BushiTsugaru Shamisen Gajin

Soran-bushi is a folk song from Hokkaido—an upbeat tune that everyone knows and can easily sing like a chant.
It’s also popular at shamisen concerts as a song that gets the audience fired up together.
The ones performing it with high-energy flair are Wagatoko, who amp up the stage with Tsugaru shamisen playing and flashy showmanship.
Kuroda-bushiFujimoto Kanenosuke

Kuroda-bushi is a folk song from Fukuoka City in Fukuoka Prefecture.
It originated as a song sung by samurai of the Fukuoka Domain, known as Chikuzen Imayō, and later spread throughout Japan.
Its roots lie in Etenraku Imayō, in which various lyrics were set to the gagaku melody Etenraku.
When performed on the shamisen, there are two styles: solo instrumental performance, and accompaniment supporting vocals or other instruments.





