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[Flower News] A Collection of Hiroshi Takeshima’s Easy-to-Sing Songs [2026]
With his sweet looks and refined singing voice, Hiroshi Takeshima has continued to captivate many fans for over 20 years since his 2002 debut.
In recent years, his sincerity toward fans has also been a hot topic, such as his “Flower Tidings” posts on social media that he has continued daily since March 2020.
While Takeshima is seen as an enka singer—and even formed the unit “Ikemen 3” in the past with Daisuke Kitagawa and Keisuke Yamauchi—he’s the type of vocalist who doesn’t rely on traditional enka vocal flourishes, instead skillfully covering a wide range from mood kayō to pop.
We’ve put together a list of relatively easy songs by Takeshima that we highly recommend trying at karaoke—perfect for beginners to check out!
[Flower News] A Collection of Easy-to-Sing Songs by Hiroshi Takeshima [2026] (1–10)
The language of flowers of fleabane (Erigeron)Takeshima Hiroshi
Hiroshi Takeshima, who successfully completed his so-called “European Trilogy” that began in 2021 with the 2023 release of Santa Maria no Kane, unveiled a new song in 2024 titled The Language of Flowers of Fleabane.
Complementing his ongoing pandemic-era SNS posts called “Flower Letters,” in which he shares daily flower photos along with their meanings, this song—centered squarely on the theme of hanakotoba—arrives at just the right moment.
The melody, rich with an adult ambience, is very easy to remember, and the overall pitch sits on the lower side, making it a good choice for those who feel uneasy about high notes.
In particular, for the A section, avoid becoming too flat or mechanical; try singing as if speaking gently, imbued with a quiet, inner emotion like Takeshima himself.
At the same time, don’t forget to keep in mind fleabane’s hanakotoba: “a love of remembrance.”
Headwind InnocenceTakeshima Hiroshi
Released in 2021 and peaking at No.
5 on the Oricon chart, the hit song “Mukaikaze Junjō” is a track that showcases Hiroshi Takeshima’s refined vocals and is also known as the theme song for the NHK BS drama “Daifugō Dōshin 2.” With lyrics by Goro Matsui and composition by Takashi Toshimi—both giants in the field—it’s a killer tune that evokes the golden era of Showa-era pop.
Many people will likely want to try it at karaoke.
When singing it at karaoke, be sure to pronounce each word clearly, and consciously create contrast between the crisp, rhythmic parts and the expansive, sustained phrases.
While recreating the choreography that drew attention in the music video, don’t be shy—go all in and sing with bold, stylish flair, even to the point of overdoing it.
The first person I fell in love withTakeshima Hiroshi
Following the so-called “Trilogy of Being Led to Dance” — Koimachi Counter, Uwasa no Futari, and Yume no Furiko — Hatsumete Suki ni Natta Hito, released in 2020, is a beautiful, gently paced medium ballad that showcases Hiroshi Takeshima’s signature sweet and heartrending vocals to the fullest.
With its melody built almost entirely in the mid range and pitched quite low overall, it may feel refreshing to listeners accustomed to contemporary J-pop where high notes tend to take center stage.
Takeshima himself said at the time of the song’s release that he was “returning to basics and competing with just the singing,” so please take the time to fully grasp the world depicted in the lyrics by Goro Matsui — which earned the Special Jury Prize at the 53rd Japan Lyrics Awards — and sing it with all your heart!
Love Town CounterTakeshima Hiroshi
Released in 2018 as the first installment of Hiroshi Takeshima’s “Songs That Make You Dance” series, Koimachi Counter is a masterpiece that marked a new frontier for Takeshima, packed with the flavor of Showa-era kayōkyoku and popular songs.
The choreography known as the “Koimachi Dance” also became a hot topic, and it’s unquestionably a killer tune for karaoke.
There’s even a video where he performs the choreography together with fans, so be sure to check that out.
Koimachi Counter is easy to sing for anyone who loves Showa kayōkyoku, regardless of generation, and it’s perfect for getting everyone at a karaoke gathering to join in the choreography and get the party going—so definitely give it a try!
The Rumored TwoTakeshima Hiroshi
Following Koinmachi Counter—which also made waves for its choreography known as the “Koinmachi Dance”—Rumor Duo was released in 2019 as the second installment of the “irresistibly danceable kayōkyoku,” once again created with the golden duo of Goro Matsui and Takashi Toshimi.
You can also watch a performance video with the School Mates from a concert on the official YouTube channel, so be sure to check that out.
The song is packed with a Showa-era kayōkyoku vibe and has an up-tempo feel that’s perfect for karaoke, and its catchy melody is so easy to remember you’ll have it down after just one listen.
If possible, I’d love for you to aim for a complete copy, choreography and all!
Dawn DreamTakeshima Hiroshi
Although Dawn’s Dream is positioned as the B-side to the 2015 single Melancholy Story, it’s a popular track with its own music video and the kind of classic that’s sure to get the crowd going at karaoke! It’s an up-tempo number with elements reminiscent of kayōkyoku and GS, and if you enjoy the “dance-inducing kayōkyoku” style that Takeshima later released, you’re certain to love this one.
The song structure has great dynamics, and the melody is very easy to remember and sing, so even if you’re not confident in your singing, try riding the rhythm and singing comfortably first.
moon pillowTakeshima Hiroshi
Tsukimakura, released in May 2017 as a commemorative work for Hiroshi Takeshima’s 15th debut anniversary, became a long-running hit and was later certified Gold Disc.
Created by the golden duo of Goro Matsui and Takashi Toshimi—who gave rise to the “songs that make you dance (odorasarechau kayōkyoku)” series—it’s a masterpiece that lets you fully savor Takeshima’s refined, elegant vocal charm.
While retaining some enka-like elements, its core is a kayōkyoku-style medium ballad, so those who often sing Showa-era pop in karaoke should be able to handle it smoothly.
That said, delivering a mature, restrained performance without becoming overly emotional—like Takeshima does—is not easy to imitate.
I recommend listening to the original many times to deeply understand the song’s world before giving it a try!