Have you ever gone to karaoke with friends, only to run through all the classics or end up overlapping on the same songs, making it hard to pick the next one?
In times like that, here’s a selection of Japanese songs that are sure to hype up guys in their 20s.
With these, you might just be able to take control of the vibe in the room (lol).
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Top 10 Japanese karaoke songs that get men in their 20s hyped
PropositionNEW!RADWIMPS

The RADWIMPS song “Meidai,” known as the theme for the popular news program news zero.
Their recent tracks tend to have dramatic pitch leaps, and this one is no exception, featuring a succession of phrases that require intense rises and falls in pitch.
The vocal range here is quite wide, from mid1 C to hi A#, and since there isn’t much leeway either lower or higher, you’ll need to break through the range barrier on your own.
The pitch movement in the chorus—where the energy peaks—is relatively gentle, so the chorus shouldn’t be an issue; however, there are very few breathing points, so make sure to study the vocal line in advance.
7th TriggerNEW!UVERworld

UVERworld is a band that commands overwhelming support from men with their motivational messaging and razor-sharp musicality.
While they have many exhilarating tracks, a lot of them are also quite challenging.
Among them, the one I especially recommend is “7th Trigger.” The vocal range in this song is extremely high, spanning from mid2A to hiF, with the chorus repeatedly hitting hiA to hiD.
It’s a piece that stands out for its sheer height, but since there’s room to lower the key, try tackling it in the key that suits you best.
Youthful AmigoNEW!Shuji and Akira

The famous song “Seishun Amigo,” known as the theme for the popular drama Nobuta wo Produce, is sung by the duo Shuuji to Akira—Tomohisa Yamashita and Kazuya Kamenashi.
It features a passionate melody with a slight kayōkyoku flavor, yet it also carries a certain laid-back, Heisei-era nonchalance that leaves an impression.
Although falsetto appears, the overall range is narrow, so even men in their 30s can sing it comfortably while reminiscing.
IRIS OUTNEW!Kenshi Yonezu

Kenshi Yonezu’s masterpiece “IRIS OUT.” Known as a theme song for the anime Chainsaw Man, this track has been crafted with a rather unusual tone to match the show’s atmosphere.
While it carries an overall rock flavor, you can glimpse gothic elements here and there—likely to align with the series’ world, where devils appear.
It has a somewhat matter-of-fact delivery yet interweaves shouts, making it thoroughly engaging to listen to.
Be sure to check it out.
Dance, please.DISH//

DISH//’s masterpiece Odoryanse, released digitally in September 2025.
It’s a highly unique track, with a distinct, shallow-sounding auto-tune applied throughout.
Overall it follows a J-rock flow, but the pre-chorus shifts into a slightly reggae-like feel, and the chorus unfolds with a murky, almost visual kei-style melody.
Because the song packs so many developments into a single track, it’s a bit less singable, but you can expect it to be a real crowd-pleaser in terms of energy.
AsymmetryNaniwa Danshi

With the recent boom of K-POP and the like, I think it’s become more common for guys to sing idol songs even at karaoke with just men.
One track I recommend is Naniwa Danshi’s “Asymmetric.” Naniwa Danshi have always excelled at a more orthodox musical style, and this song in particular is crafted with an extremely catchy melody reminiscent of Arashi in the mid-Heisei era, so it’s sure to get everyone hyped.
The phrase right before the chorus is a bit distinctive, so be mindful of the sudden pitch changes there and prepare to handle them.
Deeper DeeperONE OK ROCK

The 2013 release “Deeper Deeper.” The vocal range in this piece is from mid2B to hiB, so the overall range isn’t particularly wide.
However, since the tessitura is very high, male singers should take caution.
Additionally, the highest note, hiB, appears more than 40 times in total, so vocal stamina is required.
Fortunately, there are very few sustained high notes, so focus on cleanly executing each high-voice phrase one by one.






