Dance music from Western artists that was a hit in the 1970s. World-famous and popular songs.
The 1970s gave birth to many genres and values that hadn’t existed in the music world before, such as distinctive melodies using electronic music and performances that emphasized visuals.
This time, I’d like to introduce dance music from the 1970s.
Even in the context of global music history, this era is packed with eccentric tracks, making a powerful impact.
With the disco boom in full swing, danceable music that you could really move to became all the rage.
We’ll be featuring several classics that capture the atmosphere of the time, so please sit back and enjoy until the very end.
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Dance music of Western songs that were hits in the 70s. World-famous and popular songs (41–50)
Don’t Leave Me This WayTHELMA HOUSTON

A towering landmark of 1970s disco—where passionate soul vocals fuse with an irresistible, dance-inducing rhythm—was created by American singer Thelma Houston.
Originally a funk-leaning number by Harold Melvin & the Blue Notes, this version, crafted by veteran Motown producer Hal Davis, transforms from a leisurely intro into a gradually swelling, majestic arrangement.
It topped the U.
S.
Billboard Hot 100 in 1977 and won the Grammy Award for Best Female R&B Vocal Performance.
That same year, it was featured on the soundtrack of the film Looking for Mr.
Goodbar, igniting dance floors and continuing to captivate listeners to this day as a timeless classic.
Its exquisite balance of elegance and passion delivers a supreme groove, perfect for warming up any party scene.
Le FreakChic

A disco classic! With light, choppy guitar and female vocals, it’s a stylish disco sound—the Japanese title even translates to “Le Freak” as “Oshare Freak.” Released in 1978, it hit number one in the U.
S.
and is one of Chic’s signature songs.
The JamGraham Central Station

It’s a funk band led by Larry Graham, the bassist from Sly & the Family Stone.
Naturally, Graham’s bass takes center stage, and I highly recommend it to anyone who wants to revel in slap bass! It’s also a masterpiece as dance music.
Instant ReplayDan Hartman

It boasts an irresistibly catchy, addictive disco sound.
The August 1978 single released by American artist Dan Hartman after his solo debut rides an exceptionally danceable beat to express a desire to turn back time and relive moments with a lover.
Following his tenure with the Edgar Winter Group, his solo debut—where he also showcased his skills as a producer—left a vivid impression.
The upbeat melody that kicks off with a countdown swept through the disco scene of the time.
It became an international hit, reaching No.
29 on the U.
S.
Billboard chart and No.
8 in the U.
K.
Perfect for glamorous party scenes, drives, and any situation that makes your heart race.
Let’s Start The DanceHamilton Bohannon

An exquisite dance floor number woven from overwhelmingly dynamic rhythms and sophisticated musicianship.
American drummer Hamilton Bohannon draws on his Motown-era experience to brilliantly fuse funk and soul.
Carolyn Crawford’s beautiful, powerful vocals strike a perfect balance with the groove-laden rhythm section.
Featured on the 1978 album “Summertime Groove,” this track reached No.
9 on the R&B chart and No.
7 on the Dance chart, and it was featured in the films “54” and “Rubber.” A disco classic recommended for hyping up the dance floor or instantly elevating the vibe at any party scene.
Heaven Must Be Missing An AngelTavares

Released in May 1976, this supreme disco tune by Tavares—five brothers from New England—radiates with sweet melodies and danceable rhythms.
Their signature, sophisticated harmonies ride over a tight rhythm section and funky guitar riffs to stirring effect.
Featured on the album Sky High!, the track reached No.
15 on the Billboard Hot 100 and hit No.
1 in the Netherlands.
It later appeared on the Charlie’s Angels soundtrack, continuing to captivate listeners.
Whether lighting up a glamorous party or powering a favorite driving playlist, it’s a track that makes every moment move.
Thank YouSly and the Family Stone

A track from the peak of Sly’s career.
It was the first song to feature slap bass.
Years later, producers Jam & Lewis created many classics inspired by this track (such as Janet Jackson’s “Rhythm Nation”).
When it comes to bright funk, this is it! Give it a listen.






