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[Folk Songs and Children's Songs of Akita] A curated selection of local masterpieces that evoke love for one’s hometown

A wealth of folk songs and children’s songs that have long been close to the lives of the people of Akita.

Nurtured amid abundant nature and a harsh climate, Akita’s folk songs are imbued with people’s joys and sorrows, and with hearts of prayer.

Still sung at local festivals and traditional events and passed down to children, these songs are, quite literally, the very heart of Akita.

In this article, we introduce the musical world that Akita proudly offers—a region renowned nationwide for its vibrant folk song culture—from well-known folk and children’s songs everyone has heard at least once, to hidden gems known only to the initiated.

[Akita Folk Songs and Children’s Songs] A Curated Selection of Beloved Local Classics That Evoke Hometown Love (11–20)

Akita Obako

Akita Obako - Keiko Kawasaki
Akita Obako

This piece originated from Yamagata’s “Obako,” which spread to Akita and became beloved as “Akita Obako.” “Akita Obako” is a term that refers to a girl born and raised in Akita.

It’s a lively folk song with a feminine elegance that evokes the image of a beautiful young woman.

The swiftly shifting tones of the flute are also striking.

Donpan-bushi

Donpan Bushi (Akita Prefecture folk song) ~ ZENZI
Donpan-bushi

Donpan Bushi is a folk song from Akita that is known throughout Japan.

It is a jinku (a type of rhythmic song) written and composed by master temple and shrine carpenter Ichizo Takahashi, and it was apparently sung as a celebratory song during ridge-raising ceremonies.

After it was arranged into a more upbeat style for popular audiences, it came to be used for various parody versions and became widely beloved.

It’s the perfect folk song for livening up a gathering.

Akita-bushi

Akita Bushi / Performance with Shamisen and Vocals: Koyama Koken
Akita-bushi

Akita Bushi is characterized by lyrics lined with Akita’s signature specialties—Akita beauties, delicious rice, fine sake, and more.

As each local treasure is sung with care, you can feel the love for Akita.

The shamisen’s gentle tone, placing each note softly one by one, creates a heartwarming mood—an enchanting folk song that soothes the soul.

Aikawa Ondo

Aikawa Ondo Dance Folk Song National Competition 2010
Aikawa Ondo

This folk song is said to be a Bon dance song from The Tale of the Heike passed down in Sado City, Niigata Prefecture, and it is frequently performed at folk song competitions.

It is also often presented together with dance and is even played during Bon dances.

A must-listen for anyone who loves Bon dancing!

Akita Ondo

Akita Ondo - Yuri High School Folk Song Club
Akita Ondo

Akita Ondo is a folk song whose verse-free puns make for an entertaining narrative.

It’s sung alongside a dance with distinctive hand movements.

With one lively refrain after another, you can’t help but feel your body start to move.

The accompaniment is bustling and uplifting, making it the perfect ondo to enliven any gathering.

Look up

Song of the Snow in Akita Prefecture <If You Look Up> Iwao & Sumiko Yamaguchi
Look up

A charming children’s song that captures the never-ending snowfall so typical of Akita: when you look up it looks like bugs, when you look straight ahead it looks like cotton, and when you look down the snow has piled up.

It’s a well-known song in Akita Prefecture, but the lyrics vary slightly by region.

For example, in Niigata they say, “The ceiling is pampas grass, below are peonies,” and in Gifu, “Look at the roof—it’s cotton.” You can really feel each region’s character.

[Akita Folk Songs and Children's Songs] A curated selection of beloved local classics that evoke hometown love (21–30)

Akita Nikata-bushi

Akita Nikata-bushi (Vocals) Harumi Wakui (Tsugaru shamisen) Takehiro Kurihara
Akita Nikata-bushi

Because the opening word is “nigata,” it is said that the Niigata-bushi that came to Akita became dialectally altered into “Nikata-bushi.” It is a very elegant ozashiki song, sung in a resonant yet sultry manner.

One is also captivated by the shamisen’s tone, which, like a swiftly shifting kudoki-style instrumental passage, changes rapidly.