Easy-to-sing recommended songs by back number [for karaoke song selection]

003back number

003

The song “003,” a hidden gem by back number, is beloved by many fans.

While back number often paints vivid scenes, this track stands out with its abstract, slightly fantastical lyrics.

Above all, its biggest charm is the chord progression.

It closely resembles progressions long used in classic Japanese pop, making it feel familiar almost at a genetic level.

As long as you focus on the chorus’s voltage—that surge of intensity—it doesn’t actually demand a very high vocal range, so give it a try.

Ritz partyback number

Ritz Party

“Ritz Party,” included on their second album Superstar—their major-label debut—is a refreshing ensemble number whose very phrase may evoke a certain TV commercial for those of a certain generation.

With a narrow vocal range from the verse through the chorus and a relaxed melody, it’s likely easy to sing even for those not confident at karaoke.

However, since the pitch stays consistently high throughout, if high tones aren’t your forte, be sure to set the key to one that suits you.

From the train windowback number

Denshano Madokara

“From the Train Window,” included on their second album overall, Superstar.

This track was featured as an insert song in the film Navy-Blue Through Road, produced to commemorate the 10th anniversary of the merger that formed Ota City in Gunma Prefecture.

The lyrics, set on the Tobu Isesaki Line running through the prefecture, really evoke vivid scenes.

The song maintains a low overall tone and has a narrow vocal range, making it a good choice even for those who aren’t confident at karaoke.

Thanks to changes in the ensemble, the low pitch and limited range don’t feel burdensome—definitely a number worth adding to your repertoire.

Spilling downback number

Koboreochite

Back number’s mid-period was characterized by a slightly aggressive, sharp-edged sound.

Many fans probably love the youthful melodies from that time.

A highly recommended, easy-to-sing song representing this era is Kobore Ochite.

While the band often leans pop, this track is decidedly more rock.

Its distinctly masculine melody means you shouldn’t worry too much about precise pitch when singing—go for a rougher delivery.

There’s no falsetto, so it should be comfortable even for men with a slightly raspy voice.

Emeraldback number

back number – Emerald

Emerald, the second digital single selected as the theme song for the TV drama “Dangerous Venus.” The intro featuring tight guitar cutting gives the entire ensemble a refreshing sense of drive and tension.

While the vocal range itself is narrow, the melody moves back and forth between chest voice and falsetto throughout, so it’s important to stay mindful not to miss the pitch.

If the original key doesn’t suit your voice, adjust to a comfortable setting, taking into account the falsetto sections and the key change near the end.

howlback number

Tooboe

“Howling,” included as the coupling track to the 10th single “From the Hands We Held.” The lyrics, which bring out back number’s naïve side, together with the shadowy arrangement, create an addictive appeal.

Because the melody proceeds in a consistently low tone that aligns with the message, it’s easy to sing at karaoke.

The melodic range is narrow with a catchy hook, but since it’s also a bit idiosyncratic, it’s a number you’ll want to add to your repertoire only after checking who’s going to karaoke with you.

City of Lightback number

Hikarino Machi

Back number is notable for lyrics with a strong narrative quality.

Their superb emotional expression—so vivid it practically visualizes the story—is arguably their greatest strength.

A masterpiece where such lyrics shine is “Hikari no Machi.” Though the excellent lyrics may steal the spotlight, this song actually features a very catchy melody.

For a ballad-style track, it has relatively modest dynamic contrasts, and none of the parts require a particularly wide vocal range, making it approachable for those who aren’t confident singers.

For a back number song, there’s a slightly higher frequency of vibrato, so it might be a perfect choice as a practice piece for working on vibrato.