Hall of Jazz: Classic Blue Note Records. Recommended jazz albums.
If you’ve developed an interest in jazz and picked up some classic CDs or records, you’ll likely notice that many albums have “BLUE NOTE” stamped on the jacket.
Blue Note Records is the most important label in jazz history and a legendary name admired by both aspiring jazz musicians and listeners alike.
Its stylish, timeless, and sophisticated artwork is also outstanding, and many fans want to own the records for that very reason.
In this article, we’re introducing classic jazz masterpieces released by this prestigious label.
We’re also featuring several recent standouts, so be sure to check them out!
- [Start Here] Jazz Masterpieces: A Must-Listen Album Selection
- [For Beginners] Classic Modern Jazz Albums: Recommended Records to Start With
- Start here first! Classic jazz-rock masterpieces. Recommended popular tracks.
- The Royal Road of Jazz: Classic modern jazz masterpieces. Popular tracks you should listen to at least once.
- A roundup of classic Western jazz-funk albums—from staples to the latest releases
- A classic jazz-funk masterpiece. A popular recommended track that offers a different flavor from traditional jazz.
- Famous jazz musicians. Players who have graced the history of jazz.
- Acid jazz masterpieces. Recommended popular tracks.
- Famous Western jazz classics. Recommended popular songs.
- A masterpiece of soul music. Recommended albums you should listen to at least once.
- Contemporary Jazz Masterpieces | A Selection of Classics, Old and New!
- [2025] Classic Jazz Vocal Albums: Must-Listen Recommendations
- [Jazz Intro] Classic Jazz Tracks Recommended for First-Time Listeners
Hall of Jazz: Classic Blue Note Records. Recommended Jazz Albums (11–20)
Cool Struttin’Sonny Clark
Sonny Clark was a jazz pianist from Pennsylvania, United States.
His signature album, Cool Struttin’, featuring Jackie McLean (saxophone) and Paul Chambers (bass), was released in 1958.
Maiden VoyageHerbie Hancock
Born in 1940, Herbie Hancock is a brilliant pianist known as an innovator in the jazz world.
While performing in Miles Davis’s band, he also released solo works on Blue Note Records.
One of Hancock’s signature albums is Maiden Voyage, released in 1965.
Centered on an ocean theme, this masterpiece shines with exquisite ensemble work featuring Freddie Hubbard and others.
The title track, Maiden Voyage, remains a beloved jazz standard to this day.
Its restrained, intellectual performances possess a majestic and poetic resonance.
It’s a perfect album for a solitary evening, inviting quiet reflection as you listen.
Fee-Fi-Fo-FumWayne Shorter
The title, quoted from the Japanese proverb about the Three Wise Monkeys—“see no evil, speak no evil, hear no evil”—is undeniably cool.
This is Speak No Evil, the third album released under his own name in 1964 by tenor and soprano saxophonist Wayne Shorter, who hails from New Jersey in the United States.
Shorter is a towering figure who left an extraordinary mark on jazz history: he played with Art Blakey’s Jazz Messengers and Miles Davis’s Quintet, and co-founded Weather Report, a pioneering force in fusion.
This album is a gem of modal jazz that fully showcases Shorter’s mysteriously shadowed allure, and it is widely regarded as one of his early masterpieces.
Thematically inspired by subjects like black magic, which Shorter was reportedly interested in at the time, it embodies the adventurous spirit of the new mainstream while remaining melodically beautiful and approachable.
It’s the kind of music you’ll want to listen to alone in your bedroom at midnight.
As We Fight (Willie Penrose)Ambrose Akinmusire
Ambrose Akinmusire, known as a trumpet virtuoso, has earned high acclaim for his innovative musicianship, including taking the top spot in DownBeat’s Critics Poll.
Released on Blue Note Records in 2014, The Imagined Savior Is Far Easier to Paint is his third studio album—an ambitious work that effortlessly crosses genre boundaries, from classical and pop to spoken word.
The album features a wide range of tracks, including songs with social messages and collaborations with vocalists.
In addition to Akinmusire’s razor-sharp trumpet, the intricate arrangements—woven with strings and synthesizers—are a major highlight.
Free from the confines of traditional jazz, he pursues a contemporary sound with a boldly imaginative approach.
It’s a recommended listen not only for jazz fans, but also for anyone seeking a fresh musical discovery.
Tupelo Honey (Van Morrison Cover)Cassandra Wilson
Cassandra Wilson is a rare talent who fuses a wide range of genres with jazz at the core.
Her 1993 release Blue Light ‘Til Dawn, her first album on Blue Note Records, is a masterpiece that marked a turning point in her career.
Departing from her previous electric style, she shifted to an acoustic, introspective approach that beautifully harmonizes elements of jazz, blues, and folk.
Alongside a diverse selection of covers—from artists like Robert Johnson and Joni Mitchell—the album also features original songs.
The world she creates with her distinctive voice and understated accompaniment resonates deeply with listeners.
Suggesting new possibilities for jazz, this is an album I highly recommend to anyone seeking sophisticated, adult music.
Arms Of A WomanAmos Lee
The celebrated album Amos Lee, which marked his debut on the Blue Note label.
Released in March 2005, the album drew attention for its distinctive blend of folk, soul, and jazz.
Amos Lee’s warm, slightly textured voice gently weaves together the subtleties of everyday emotions.
Tracks like Keep It Loose, Keep It Tight and Arms of a Woman resonated with many listeners through their poignant melodies and profound lyrics.
The album reached No.
113 on the Billboard 200 and was certified Gold.
He also appeared on the television program The Late Show with David Letterman.
When you want to quietly reflect on life’s joys and hardships, this is an album well worth listening to.
Hall of Jazz Fame: Blue Note Records Masterpieces. Recommended Jazz Albums (21–30)
Green StreetGrant Green
Green Street is an album released by Blue Note in 1961 by the trio of Grant Green (guitar), Ben Tucker (bass), and Dave Bailey (drums), and it’s a captivating classic that showcases Grant Green’s brilliant guitar playing.