From Showa-era kayōkyoku to pop: songs that sound cool when you can really sing them
Many of you probably want to sing cool, deep tracks at karaoke with style.
In particular, Showa-era kayōkyoku and New Music, as well as early-to-mid Heisei J-POP, are packed with timeless masterpieces that still sound fresh decades after their release—a real treasure trove of cool, mature songs.
It’s precisely because of that universal appeal that these songs continue to be sung by today’s younger generation.
In this article, I’ll introduce plenty of those songs that, if you can pull them off, will give you that sophisticated edge.
I’ve picked selections mainly from Japanese music of the ’70s through the ’90s, with some of the latest J-POP mixed in, so use this as a reference when choosing songs for karaoke!
- A collection of nostalgic hits from the ’70s to 2000s that are perfect for livening up karaoke
- [For Men] Cool, Popular Songs That Impress at Karaoke
- Easy-to-sing karaoke songs recommended for men in their 50s
- Classic Showa-era songs that are easy to sing at karaoke
- Karaoke songs for men in their 40s: a curated selection of hit tracks women want to hear!
- A lineup of classics! Easy-to-sing Heisei-era songs, perfect for karaoke picks
- [For Men in Their 40s] A Collection of Songs That Score High at Karaoke [2025]
- Karaoke songs popular with women that they want men to sing
- [2025] Songs I Want to Try Singing at Karaoke! A Roundup of Popular Showa-Era Kayōkyoku
- Even karaoke beginners can relax! Easy-to-sing songs for men
- [Popular and Crowd-Pleasing!] Stylish Song Selections and Karaoke Tracks
- A lineup of classic hits! Karaoke songs recommended for the yutori generation
- [50s] Karaoke Popularity Rankings by Generation [2025]
From Showa-era kayō to pop: Cool songs to master (41–50)
Ballad of a SingerKazuyoshi Saito

Released in 1997 as Kazuyoshi Saito’s 15th single.
The song was used as the ending theme for TBS’s COUNT DOWN TV, and in 2017 it was also chosen as the theme song for the film Lu Over the Wall.
It’s a cool, understated track that has been covered by many artists, regardless of gender.
milk teaMasaharu Fukuyama

Masaharu Fukuyama is an artist who really showcases the charm of his deep voice.
Since this song is a talk-like ballad, that low voice stands out even more.
His pronunciation has a distinctive style, so if you can imitate it to that extent, it might make the coolness stand out even more.
Ti AmoEXILE

It’s a song included on EXILE’s 28th single, “The Birthday 〜Ti Amo〜,” released in 2008.
Chosen as the CM song for Meiji’s “Meltykiss,” it became a major hit.
It won the Grand Prize for the first time at both the 50th Japan Record Awards and the 41st Japan Cable Radio Awards.
It’s a track that exudes masculine allure.
LaughobiaMINAKEKKE

MINAKEKKE is the solo project of Yui Minako.
Characterized by a sound rooted in goth, new wave, acid folk, and trip-hop, it has earned high praise from hardcore music aficionados.
The new track “Laughobia” blends acid folk and trip-hop, boasting a very wide vocal range.
Although it’s sung with a downbeat, moody delivery, the abundance of long tones likely demands more diaphragm and breath control than one might expect.
Together forever…GLAY

Released in 1995 as GLAY’s fifth single.
It’s a re-cut single from their first album, SPEED POP, and the song was written by TAKURO for TERU’s sister who was getting married.
Although it’s one of GLAY’s early ballads, it has become a popular wedding staple, especially as a song men sing to women.
I'll walk home.Kazuyoshi Saito

This song fully brings out the coolness of a straight-ahead band sound.
The guitar, the organ, the chord progression—everything is straightforward.
That’s exactly why the skillful musicianship that makes it all sing really stands out.
Kazuyoshi Saito’s vocals have a rough, gritty texture that matches beautifully with the guitar’s distorted grit.
Sorrow like snowShogo Hamada

Sadness Is Like Snow is a classic by Shogo Hamada, released in 1981.
He wrote the song after his mother suffered a stroke, and its lyrics carry the message that it’s precisely when we face sorrow that we can become gentle.
Although the song gained popularity in the early ’90s, the version most people know is the 1992 remake used as a TV drama theme.
The original version has a cool, understated vibe too, so why not give it a try and sing it?






