Lovely anime song

Unforgettable Classics: Theme and Insert Songs from Doraemon Through the Ages

DancerFukkun:)Tatsuki Fukuda
Primarily active in Tokyo, I have experience as a backup dancer for artists, a music video dancer, and a commercial dancer. I continue to work as a dancer while also engaging in article production. After discovering Michael Jackson in junior high school, I began dancing in my second year of high school. Since starting dance, in addition to the J-Pop and Japanese rock I had been listening to, I began exploring Western R&B, rap, alternative music, and other tracks commonly used for dance. In elementary school, I spent three years in a choir, and because I love singing, I often go to karaoke for fun. These days, I enjoy a wide range of music, from Japanese rock and rap to K-pop.
Accompanist / Piano InstructorYuri
Accompanist pianist × piano instructor × web writer. I began piano lessons at age four and, inspired by my piano teacher, decided to pursue music. I went on to specialized music programs in high school and university, where I discovered the appeal of accompanying instrumentalists and singers. Currently, alongside teaching piano, I work mainly in my home region of Aichi as an accompanist for flute, voice, choir, and more. Through lessons, my students often introduce me to trending songs, and my hobby is trying anything on the piano—Japanese and Western pop, commercial jingles, and beyond. Since 2021, I’ve also been active as a web writer, covering music and a variety of other genres.

Introducing the theme songs of Doraemon, Japan’s beloved national TV anime.

Doraemon is the longest-running program among TV Asahi’s anime, and many adults today likely grew up watching it.

With his cute, round silhouette and his constant willingness to help Nobita, Doraemon is a true fan favorite.

As for the question, “What’s the Doraemon theme song?” the answer may differ by generation—but chances are, the songs you’re thinking of are mostly included here.

This time, we’re also covering the theme songs from the films.

Be sure to listen while reminiscing about your childhood.

[Generations] Unforgettable Masterpieces Among Doraemon’s Theme and Insert Songs (31–40)

The sea is with us.Makoto Iwabuchi

The Sea Is Us by Makoto Iwabuchi [Doraemon: Nobita and the Castle of the Undersea Devil Theme Song] [Doraemon 50th Anniversary]

The Sea Is Us and Makoto Iwabuchi

Makoto Iwabuchi’s expansive, gentle singing voice seems to wrap around the heart like a calm sea itself.

This song was used as the ending theme for the film Doraemon: Nobita and the Castle of the Undersea Devil, released in March 1983.

Its lyrics, which stay close to Nobita and his friends after their adventure and portray the sea as a nurturing, motherly presence, leave listeners with a warm feeling.

The rhythmic sound of the words, reminiscent of ocean waves, is also striking.

This work is the third consecutive Doraemon movie theme sung by Iwabuchi, and the single was released in April of the same year following the film’s premiere.

Give it a listen when you want to linger in the afterglow of the epic story.

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Something good will surely happen.Wakako Shimazaki

Something good will surely happen - Wakako Shimazaki [Doraemon: Nobita and the Tin Labyrinth Theme Song] [Doraemon 50th Anniversary]

Something good will surely happen. Wakako Shimazaki

This is a song that reminds us that shimmering hope is hidden in the small happenings of everyday life.

Released in March 1993 as Wakako Shimazaki’s eighth single—she’s also well known as a TV personality—the track became widely remembered as the ending theme for the film “Doraemon: Nobita and the Tin Labyrinth.” With lyrics written by Tetsuya Takeda, it weaves a poetic world that draws out a sense of anticipation for the future from studying and the casual scenes of daily life.

The gentle melody combined with Shimazaki’s warm vocals feels like a soft “It’s going to be okay.” Many people were surely encouraged by how the song dovetails with the film’s moving finale.

When you stumble over something, it will surely lift your spirits and help you face forward.

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Reach to the heavensTetsuya Takeda

Reach Up to the Heavens - Tetsuya Takeda [Doraemon: Nobita and the Animal Planet Theme Song] [Doraemon 50th Anniversary]

Takeda Tetsuya, Reach Up to the Sky

This is Takeda Tetsuya’s ninth single, released in March 1990, which was chosen as the theme song for the film Doraemon: Nobita and the Animal Planet.

The lyrics were written by Takeda Tetsuya himself, with music composed by Horiuchi Takao.

The song carries a message that gently affirms our true selves, embracing human frailties—such as hesitation and tears—as part of being human.

Its warm gaze softly envelops the listener’s heart and offers a quiet courage.

When you stumble and feel a bit worn out, listening to it can bring a sense of comfort that loosens a tightly wound heart.

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Where the clouds goTetsuya Takeda

Where the Clouds Go - Tetsuya Takeda [Doraemon: Nobita and the Kingdom of Clouds Theme Song] [Doraemon 50th Anniversary]

Takeda Tetsuya is the one the clouds follow

It’s a song with lyrics written by Tetsuya Takeda himself, one that gently stays close to the listener’s heart.

It was chosen as the theme song for the film Doraemon: Nobita and the Kingdom of Clouds, released in March 1992.

The story, which features the series’ first-ever development in which Doraemon breaks down, is movingly colored by this piece.

The lyrical guitar melody resonates deeply, conveying a warm message that feels like it’s comforting someone who’s been hurt.

The worldview of the lyrics—quietly layering one’s thoughts onto the clouds drifting across the sky—truly shows Takeda’s touch.

When you’re feeling down, listening to it while looking up at the sky can feel like a gentle push on your back.

You can also hear it on albums such as Doraemon Movie Theme Song Collection: Kumo ga Yuku no wa.

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Goodbye to goodbyeKaientai

Goodbye to Goodbye Kaientai [Doraemon: Nobita’s Diary on the Creation of the World theme song] [Doraemon 50th Anniversary]

Goodbye to Goodbye Kaientai

Parting may be sad, but this one song by the folk group Kaientai teaches us that it’s also something precious that leads to new beginnings.

The lyrics woven by Tetsuya Takeda are filled with hope, suggesting that even farewells spiral like a winding staircase and eventually lead to new encounters.

Many of you may know it as the theme song for the film Doraemon: Nobita’s Diary on the Creation of the World, released in March 1995.

Although it wasn’t released as a single, you can hear it on albums such as Namida, Mizukara Noguisa Reshi Toki (When Tears Wipe Themselves Away).

When you feel a touch of loneliness at life’s turning points, its warm message will fill your heart.

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All-Time Doraemon Theme and Insert Songs: Unforgettable Classics (41–50)

Happy Lucky Birthday!Doraemon, Nobita, Suneo, Gian, Shizuka

Doraemon ~Happy☆Lucky Birthday!~ [with lyrics]

Happy Lucky Birthday! Doraemon, Nobita, Suneo, Gian, Shizuka

This song is beloved as a piece that celebrates Doraemon’s birthday.

The warm, heartfelt singing by Doraemon, Nobita, and their friends is especially memorable.

Staying true to the world of Doraemon, its gentle melody highlights the importance of friendship and bonds through its lyrics.

Filled with sentiments like “Thank you for being born” and “I’m truly glad we met,” it’s a heartwarming track.

It’s a perfect choice for birthdays or any moment when you want to express gratitude to someone special.

Why not sing it together and immerse yourself in the world of Doraemon?

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The galaxy within meKazuomi Chiba (Kaientai)

[Takeda Tetsuya, not Kaientai] The Galaxy Within Me

Kazumi Chiba of Galaxy Within Me (Kaientai)

This song, created by Kazuomi Chiba of Kaientai, was used as the ending theme for the Doraemon movie “Nobita and the Galaxy Express.” A bittersweet heartbreak song, it weaves imagery from familiar natural phenomena—like the spiral of a seashell and the galaxy in the night sky—into its lyrics, stretching from the everyday to the cosmos.

Released in March 1996, it resonated with many listeners, aided by its tie-in with the film.

It’s a recommended track for those carrying the pain of unrequited love or anyone who wants to dwell on feelings for someone dear.

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