The soul’s cry woven into Japanese elegies: unraveling supreme masterpieces that resonate with the heart.
The world of Japanese laments that sublimate sorrow and wistfulness into beautiful melodies.
From the desolate scenes woven by RC Succession led by Kiyoshiro Imawano, to the soul-stirring poetic realm of Agata Morio, and even the transparent feelings sung by the VOCALOID GUMI.
Timeless masterpieces that have continued to stay close to people’s hearts speak of heartbreak, loneliness, farewells.
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They carry the cries of the soul felt in many moments of life.
Alongside vocals that quietly seep into the heart, they invite you into a deeply moving world.
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The soul’s cry woven into Japanese elegies: Unraveling supreme, heart-stirring masterpieces (51–60)
elegySaori Yuki

Since her debut with “Yoake no Scat” in 1969, Saori Yuki has continued to release sophisticated adult kayōkyoku.
In the world of kayōkyoku, the word “banka” is treated as synonymous with “elegy,” and in this 1974 release she sings, as usual, in a mature, adult mood.
Elegy of the Hot Spring TownToshiro Omi

This is a song by Toshiro Omi that was released in 1948, shortly after the end of the war.
Selling 400,000 records was a major hit for the time.
Masao Koga’s many masterpieces, whose plaintive guitar melodies stirred the hearts of the Japanese people back then, came to be known as the “Koga Melody.”
Enoshima ElegyTsutoko Sugawara

After the war ended, the elegy genre experienced a brief boom.
Among its performers, Totoko Sugawara—known for her distinctive, vibrato-rich singing style—was called the “Queen of Elegies.” This “Enoshima Elegy” was released in 1951 and was adapted into a film the same year.
Transparent ElegyGUMI

This is an original song for the VOCALOID “GUMI,” created by the Vocaloid producer nabuna.
Its melody line, which skillfully makes use of the high register, perfectly matches the poignancy and beauty of the lyrics, powerfully stirring the listener’s heart.
It could be called a masterpiece of a new-generation elegy.
A soul’s cry woven into Japanese elegies: unraveling the ultimate masterpieces that resonate with the heart (61–70)
The Watchmaker Who Didn’t ReturnEtsuro Wakakouchi

Aired in 1978 on Hirake! Ponkikki.
The lyrics tell a sad story that feels more like a science fiction movie than a fairy tale.
Incidentally, Etsuro Wakokunai also sang “Yatsura no Ashioto no Ballad” (the ending theme of Hajime Ningen Gyatoruz) under the name Chino Hajime.
Ranchu (a breed of goldfish)tama

This is the B-side track from when Tama, who came from ‘Ika-ten,’ made their professional debut in 1990 with ‘Sayonara Jinrui.
‘ It has a unique worldview, but it may reflect the sad feelings of a ranchu living as a ‘spectacle,’ which they perhaps linked to themselves as they stepped into the entertainment world.
Showa ElegyNaomi Chiaki

Naomi Chiaki, who has many classic songs like “Kassai” that sing of urban melancholy, recorded this as a “hidden gem” on her 1988 album.
With lyrics by Osamu Yoshida and music by Toru Funamura—the golden duo of the enka era—the song features evocative lyrics that nostalgically reflect on the Showa period.
In conclusion
We have introduced a number of elegies that resonate deep within the heart—timeless masterpieces by artists like nabuna, Agata Morio, and Masashi Sada.
Each gem reflects the subtleties of human emotion while staying true to the background of its era.
If you listen closely, you can still hear the cry of Japan’s soul even now.
I hope you’ve found a song that will linger in your heart.





