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Moving and iconic anime songs, popular tracks

From the latest anime songs to nostalgic national favorites everyone knows—opening themes, insert songs, ending themes—we present a selection of tear-jerking anime tracks, featuring classic and popular picks recommended by our editorial staff.

Some parts that were cut in the TV broadcast versions are included here—why not listen to the full-length versions from this list?

You’ll surely get chills when you discover deeper lyrics or keywords that tie directly into the anime’s scenes.

Moving/anime-inspiring theme song masterpieces and popular songs (61–70)

frecklesJUDY AND MARY

Freckles – JUDY AND MARY (Full)
Freckles JUDY AND MARY

It’s the first opening theme of the anime Rurouni Kenshin, released in 1996, and the 9th single by JUDY AND MARY.

It reached No.

1 on the Oricon charts.

The band reportedly wrote the song without knowing the anime’s story, and were very surprised when they learned about it after recording.

Still, it’s an amazing song that you’d never guess was made in just three days.

youHealing Moon

[When They Cry] ~you / Vocal~ [Yuduki Ver.]
you Yuzuki

Originally used as background music for Higurashi no Naku Koro ni Kai, it became so popular that it was released in various arrangements and multiple vocal versions.

The lyrics differ depending on the version, but all are related to the characters, and they are generally characterized by their bittersweet, melancholy themes.

With its catchy, memorable rhythm and lyrics that match the main story, it has become a very captivating song.

Melody of the HeartShirahamazaka High School Choir Club

TARITARI Melody of the Heart (5-person Ver. FULL)
Melody of the Heart: Shirahamasaka High School Choir Club

An in-story song from TARI TARI.

The fact that it was composed by the protagonist’s late mother is moving enough to bring tears.

With its beautiful melody and lyrics, I find it incredibly soothing.

It’s a piece I’d love to try singing in a choir.

I recommend it when you want to feel refreshed.

God knows…Haruhi Suzumiya (Aya Hirano)

The Melancholy of Haruhi Suzumiya "God knows…" FULL
God knows... Suzumiya Haruhi (Aya Hirano)

This song comes from the late-night anime “The Melancholy of Haruhi Suzumiya.” The anime became a huge hit and sparked much discussion, with multiple theatrical releases.

It’s also popular as a song by Aya Hirano, who plays the heroine, Haruhi Suzumiya.

only my railgunfripSide

It’s the opening theme of A Certain Scientific Railgun.

The song faithfully captures the anime’s world.

Although it’s a bit difficult to sing, its up-tempo beat really amps you up at karaoke.

Also, the singer, Yoshino Nanjō, has a very cute, idol-like voice.

RIVERTatsuya Ishii

Tatsuya Ishii “RIVER” [TATSUYA ISHII CONCERT TOUR 2003 “ISHYST”]
RIVER Tatsuya Ishii

A solo work by Tatsuya Ishii, released in 2003 as the ending theme for the third cour of Mobile Suit Gundam SEED.

Its lyrics, which sing of the resolve to face hardship, align perfectly with the struggles of characters buffeted by war, leaving a profound afterglow within the world of the series.

This dramatic ballad fuses the expressive power he honed through his activities with Kome Kome Club and a unique aesthetic sensibility informed by his art background.

In the later HD Remaster version, the song was replaced due to rights issues, prompting regret from some fans.

It’s a recommended track for those confronting difficult moments in life or wishing to linger in the afterglow of a grand narrative.

The world that was transparentMotohiro Hata

Motohiro Hata – “The World That Was Transparent” Music Video
The World That Used to Be Transparent by Motohiro Hata

This is a heartwarming song crafted by Motohiro Hata as the opening theme for the anime Naruto Shippuden.

Released in August 2010, its sweeping message—reflecting on what has been lost and the resolve to move forward after parting—ties in with the story.

The pop-rock melody, centered on acoustic guitar, is layered with powerful vocals that harmonize beautifully with the anime’s world.

This work is Hata’s 10th single, released in three editions: First Press Limited, Limited Period, and Regular, and it reached No.

13 on the Oricon Weekly Chart.

It’s a song that resonates deeply with those who have experienced parting from someone important or are trying to face events from their past.