Easy-to-sing Japanese karaoke songs recommended for women in their 50s
Some women in their 50s may have drifted away from listening to or singing music because they’re so busy with everyday life.
Even when they occasionally go to karaoke with friends, they often struggle to choose songs.
There are probably quite a few people who feel that way.
This time, we’ve put together a selection of songs for women in their 50s—nostalgic and, we hope, easy to sing.
We hope this article will inspire you to rediscover the joy of singing.
- Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
- Famous songs we’d like women in their 50s to sing (by age group)
- [In Their 50s] Ranking of Easy-to-Sing Karaoke Songs [2025]
- Recommended for women in their 50s! A curated selection of classic and popular karaoke hits that will get the crowd going
- Recommended for women in their 60s! Easy-to-sing Japanese karaoke songs
- [Karaoke] A roundup of songs that are easy for women to sing!
- [Women in Their 40s] Even If You’re Tone-Deaf, You Can Sing! Karaoke Songs That Fit a Woman’s Vocal Range
- Popular Japanese songs among women in their 50s: recommended classics and staple tracks
- Easy Karaoke Songs for Women in Their 40s — Great Even for Lower Voices!
- A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
- [2025] A roundup of autumn songs for people in their 50s. Showa-era classics that bring back those days
- Recommended for women in their 60s! Songs that get the crowd going at karaoke
- Karaoke songs that are easy to sing for women, even for those who are tone-deaf
Karaoke-friendly Japanese songs recommended for women in their 50s (21–30)
Embraced by the wintry windKyoko Koizumi

This was Kyoko Koizumi’s 20th single overall, released in November 1986.
It was also used as the theme song for the film “Don’t Lay a Hand on My Girl,” in which Koizumi starred for the second time.
The lyrics and composition were by Toshihiko Takamizawa of THE ALFEE.
While Takamizawa is often associated with a high-tone vocal image, perhaps because this was a song provided for Koizumi, the vocal range used in the melody is kept very singable, and the melody itself is easy to remember and hum, so even those who aren’t confident singers should find it comfortable to perform.
That said, precisely because the vocal range is narrow, singing it too flatly can make it dull.
Please be mindful to create clear contrasts in your delivery—for example, by singing the pre-chorus (B section) with a bit more strength.
Lush LifeNEW!Chara

Chara is a female singer-songwriter who gained popularity with her unique vocals.
Because her voice is high, her songs might seem difficult, but surprisingly she has a relatively narrow vocal range, so there are many tracks that women in their 50s can sing.
Among them, the one I especially recommend is Lush Life.
Its range is from mid1F to hiB, which falls within a typical range, and there are no rapid-fire phrases.
While the melody does have somewhat large jumps up and down, it still falls into the easier category in terms of difficulty.
The hottest summer in the worldNEW!PRINCESS PRINCESS

PRINCESS PRINCESS opened the door for girls’ bands.
Many women in their 50s probably admired them.
Among their songs, the one I especially recommend is “The Hottest Summer in the World.” This track is notable for its extremely catchy vocal line.
While the range is relatively high at mid2A to hiD, it’s quite narrow.
Since there aren’t any difficult phrases in any section, if you can keep your pitch steady, it’s definitely possible to aim for a score in the 90s at karaoke.
Opera Glasses in WinterEri Nitta

Known as a classic of idol pop, this song delicately expresses the loneliness and poignancy of a winter night, as well as the stirrings of love, while depicting the scene of white snow quietly piling up as if blooming on a windowpane.
Eri Nitta’s transparent, pure vocals further enhance the song’s world.
Released on January 1, 1986, it achieved great success, including reaching No.
1 on the Oricon weekly chart.
It’s a piece that lets you feel the beauty of moments when you face your own heart on a quiet snowy night, and the warmth that love brings.
Because the original track has a soft, floaty intonation, slight pitch deviations may seem like a faithful recreation of it.
Combined with the straightforward vocal line, these aspects make it a song that’s relatively easy to sing.
Into the DreamYuki Saito

Sung by Yuki Saito and written and composed by Yosui Inoue, this song is full of a mysterious charm that lightly moves between the boundaries of dreams and reality.
Set to a lively rhythm and a catchy pop melody, the lyrics—inviting you into a dream world while searching for something—leave a strong impression.
Released in April 1989 as Saito’s 13th single, it was also used as the theme song for the Nippon TV drama “Shonan Monogatari.” It’s a perfect track for anyone feeling a bit tired from daily life or looking to find some mental breathing room.
Why not give it a listen when you want to relax or reset your mood?
TouchYoshimi Iwasaki

It’s the opening theme of the anime Touch, based on Mitsuru Adachi’s original work! It’s a song loved by people of all ages even today—not just women in their 50s—and it’s still frequently sung at karaoke.
Since the story is about aiming for high school baseball, brass bands often perform it during cheering at Koshien and other games.
With memorable phrases like “Hoshikuzu Loneliness,” and a kind of classic kayōkyoku vibe yet a coolness that sets it apart from other songs, it’s no wonder this track draws you in.
Give Up on SummerNaoko Ken

Naoko Ken’s classic song “Natsu wo Akiramete” (“Giving Up on Summer”).
This melancholic piece, which portrays the bittersweet feelings of a summer love coming to an end, has remained in the hearts of many.
Among people in their 40s, the Southern All Stars’ version is the more common one, but for women in their 50s—especially the latter half—the original version by Naoko Ken may be the one that lingers in memory.
Overall, it’s a song arranged in a way that allows for a calm, composed delivery.






