Recommended for women in their 50s! A curated selection of classic and popular karaoke hits that will get the crowd going
Women now in their 50s are likely the generation who experienced the golden age of Japan’s music industry in real time, aren’t they?
Back in their school days, many probably went to karaoke all the time and sang the latest hits with enthusiasm, and some may even have formed bands during the band boom era and enjoyed performing live.
But decades have passed since those days, and in the busyness of everyday life, many have drifted away from music.
Even when invited to karaoke now, some may not know what to sing.
So this time, we’ve put together a selection of karaoke songs for women in their 50s—tracks that are sure to get the crowd going, as well as songs that will bring back fond memories of the past.
We hope these picks help you relive and enjoy those wonderful days.
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- [50s] Karaoke Songs That Get the Crowd Going: 2025 Rankings
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- [50s] Karaoke Popularity Rankings by Generation [2025]
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- [60s] Karaoke Crowd-Pleasers Ranking [2025]
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Recommended for women in their 50s! A curated selection of classic and popular karaoke hits that get the crowd going (21–30)
I am a piano.Mizue Takada

This song, released in 1980 by Southern All Stars with lyrics and music by Keisuke Kuwata, was recorded for an album featuring Yuko Hara on vocals.
At the strong request of Mizue Takada, it was covered later that same year and became a hit.
It’s a track that reaffirms how skilled idol singers were at the time.
I'm glad I met you.Kyoko Koizumi

Kyoko Koizumi, an idol who was hugely active from the late ’80s through the ’90s.
Her song “Anata ni Aete Yokatta” was released in 1992, and from around this track she began putting out increasingly original, distinctive songs.
This work emphasizes catchiness, featuring a very singable vocal line throughout.
In particular, the range—mid1 G# to hi B—is quite narrow for a female song, so as long as you adjust the key, it should be easy for singers of any voice type to perform.
Recommended for women in their 50s! A curated selection of classic and popular karaoke hits that will liven up the party (31–40)
The Refrain Is ScreamingYumi Matsutoya

Released in 1988 as a track on the album “Delight Slight Light KISS,” this song became a hit, and many women in their 50s who listened to it during their office lady days may find it nostalgic.
Among Matsutoya Yumi’s songs, it’s one that seems like everyone would sing but actually doesn’t, so I recommend it.
FriendsRebecca

People in their early 60s could be said to be the generation that lived right through the heart of the second band boom.
Among the bands that led that boom, Rebecca is likely a group many feel a deep attachment to.
Their song Friends is one of Rebecca’s best-known classics.
The vocal range is a typical mid2B to hiC, but because the highest note, hiC, appears frequently in the chorus, be sure to adjust the key so you can maintain sufficient volume.
Since it’s a famous song from the very intro, if you want to liven up a karaoke session, definitely consider adding it to your repertoire.
threadMiyuki Nakajima

A song released in 1998.
It was the theme song for the TBS drama “Seija no Kōshin” (March of the Saints).
Miyuki Nakajima’s songs are in a comfortable key for those in their 50s whose voices have lowered a bit.
It’s perfect for delivering a gentle, heartfelt performance and lifting the mood of the room.
As expected from Miyuki Nakajima, the meaningful lyrics are wonderful.
Regardless of age, it consistently ranks high on karaoke charts.
Pure Love RhapsodyMariya Takeuchi

A single released by Mariya Takeuchi in May 1994.
It has a relatively slow tempo, the pitch isn’t too high, and the lyrics are easy to remember.
Since it was also used as a TV drama theme song when it came out, it’s a sure hit to sing at karaoke with people a bit older than you!
My RevolutionMisato Watanabe

Here is Misato Watanabe’s fourth single, released in 1986.
The composer is Tetsuya Komuro.
This song made Misato Watanabe instantly famous, and it also marked a turning point for Tetsuya Komuro as a songwriter.
Masao Ōmura’s arrangement is excellent as well; the bold key changes around the chorus are striking, making it an energetic, youthfully vibrant song that gives you a boost.






