Famous songs we’d like women in their 50s to sing (by age group)
Do you all go to karaoke often?
Maybe you always sing the same songs and it feels a bit stale, or you’re not too familiar with recent hits—there are lots of dilemmas, right?
For those in that situation, especially women in their 50s, we’ve picked out songs that men would love to hear you sing.
We’re mainly featuring the J-pop that was popular during your youth, while also mixing in some recent tracks.
You might find yourself thinking, “Oh right, I used to love this song!”
Feel free to use this as a reference!
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[By age] Famous songs we’d like women in their 50s to sing (31–40)
foreignerSaki Kubota
Saki Kubota’s biggest hit song, “Ihoujin.” Chances are, everyone has sung this piece at least once.
Because the vocal range is fairly wide, many people may feel it’s difficult, but the truth is the vocal line is quite simple.
If the height makes it hard to sing, adjust the key so you can use chest voice—not mixed voice—for the high phrases in the A section and the chorus.
Doing so will also make it much easier to keep your pitch in check.
North WingAkina Nakamori
Akina Nakamori’s song, which portrays the resolve and inner conflict of a woman in love, was released in January 1984 and reached No.
2 on the Oricon Weekly Singles Chart.
On The Best Ten, it soared to No.
1 on January 19 and went on to hold the top spot for five consecutive weeks, becoming a major hit.
With a clear, transparent voice, it conveys the delicate emotions of a woman departing from Narita Airport for a foreign land.
Though there is anxiety in her decision to leave everything behind and fly off to follow her lover, her determination to move forward while holding onto hope for the future is striking.
The distinctive vocal style later known as the “Akina Vibrato” is also part of its appeal.
It’s the perfect song to sing at karaoke with friends while reminiscing about old times.
Pink sighMariko Takahashi
It is a masterpiece that fuses an exotic, Mediterranean-like atmosphere with an urban, sophisticated sound.
The song dreamily portrays a woman who blossoms like a flower when embraced by her lover, expressing both the beauty and the fragility of love.
Mariko Takahashi’s delicate yet powerful vocals further deepen the work’s unique world.
Released in May 1984 as the commercial song for Sanki’s “Camellia Diamond,” it was also included on the album Triad.
Highly acclaimed—including winning the Lyrics Award at the 26th Japan Record Awards—it became a long-running hit.
With a quiet mood that hints at hidden passion, this is a perfect track for spending peaceful moments with someone special.
CHA CHA CHAAkemi Ishii
Akemi Ishii’s biggest hit, “CHA CHA CHA.” Although it’s often thought to be an original, this song is actually a Japanese-language cover of a track by the Italian music group Finzi-Contini.
Its hallmark is a musical style that distills a somewhat Latin-tinged sound into Italo disco.
Because it’s based on Western pop, you might feel the rhythm is tricky, but the elements of the cha-cha-cha dance genre aren’t very pronounced; as long as you follow the bass line, you should be able to catch the rhythm in the B section without issue.
The chorus uses a standard Italo disco rhythm, so that shouldn’t pose any problems either.
The vocal range is narrow and there are hardly any long sustained notes, so you can definitely aim for a high score.
Lonely Tropical FishWink
WINK, a duo representing 1980s synth-pop.
Their vocals have a pleasantly laid-back quality, and that relaxed vibe earned them a passionate following among certain listeners.
Their song “Lonely Tropical Fish” is their biggest hit.
Because it features high-note phrases, it’s often misunderstood as being difficult to score well at karaoke.
In reality, there aren’t large melodic leaps within each section.
The high parts and mid-range parts are clearly separated, so if you can use mixed voice or falsetto, you shouldn’t have trouble staying on pitch.
By age group: Famous songs you’d like women in their 50s to sing (41–50)
Oneway GenerationMinako Honda
Minako Honda, who made a dazzling transformation from idol singer to musical theater star.
Since her debut in 1985, she shone on the idol scene while also taking on classical music and musicals, showcasing activities that transcended genres.
She successfully held her first concert at the Nippon Budokan and, in 1988, formed the female rock band MINAKO with WILD CATS.
In her debut year, she won the Japan Record Awards’ Best New Artist, earning high acclaim for her talent.
Chosen from 12,000 candidates to play Kim in the musical Miss Saigon, she captivated audiences with her outstanding vocal ability and expressive power.
As a songstress who combines a powerful voice with graceful poise, she is highly recommended for those seeking music of the highest quality.
Hold On MeKahoru Kohiruimaki
Kahoru Kohiruimaki is a female singer who garnered popularity for her strikingly low, cool vocal timbre and soulful singing.
It was an exceptional achievement for a Japanese artist at the time that she was recognized by figures like Maurice White and Prince.
Among her songs, the one I especially recommend is Hold On Me.
While the track carries hints of soul and R&B, the vocal lines themselves contain elements of Showa-era kayōkyoku, making it easier to sing than it might sound at first.
The range isn’t very wide either, so it’s a good choice for women in their 50s with lower voices.