[2025] Recommended Japanese songs for karaoke for men in their 50s
Company parties, local class reunions, family gatherings… If you’re a man in your 50s, you probably get plenty of chances to go to karaoke, right?
At times like that, do you ever find yourself unsure what to sing?
“I can’t really sing recent songs…” “Even if I go with older songs, I don’t know which ones are good…” If that sounds like you, this article will introduce karaoke songs recommended for men in their 50s!
Focusing on hits from the ’80s to the early ’90s, we’ve carefully selected classic karaoke staples and songs that women will think, “I’d love to hear him sing this!”
Use this as a guide for choosing your next songs!
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[2025] Recommended Japanese karaoke songs for men in their 50s (71–80)
Beloved DaysTakao Horiuchi

This is a single released by Takao Horiuchi in 1986, used as the theme song for Nippon TV’s year-end historical drama Byakkotai.
It peaked at No.
4 on the Oricon charts and was performed three times on NHK’s Kouhaku Uta Gassen.
The lyrics were written by Kei Ogura, and the music was composed by Takao Horiuchi.
It is considered one of Horiuchi’s signature songs.
I can't just leave you alone.Kusunose Kiyoshiro

The 1990s were an era when trendy TV dramas were all the rage.
This song, “Hottokenai yo,” is a single released by Seishiro Kusunose in 1991, and it became the theme song for the drama “AD Bugi” starring Taishu Kase, turning into a major hit alongside the show.
Many people remember the dramas of that time together with their theme songs.
It’s a love song that expresses straightforward, unclouded feelings, and if you sing it at karaoke, it will surely bring back the emotions of that era.
It’s also a highly popular track among women of the same generation.
SPARKTHE YELLOW MONKEY

This is a rock number by THE YELLOW MONKEY that sings of passionate love.
It paints a worldview where you close your eyes and share a space with the night, and within its sensual expressions lies a pure heart wishing for eternal love.
The energetic guitar riffs and rhythm section leave a strong impression, and Kazuya Yoshii’s distinctive vocals resound over the dynamic sound.
Released in July 1996, the song drew attention as the theme for the Fuji TV drama “Handsome Man.” It was also included on the album “SICKS” and reached No.
3 on the Oricon Weekly Singles Chart.
It’s a perfect song for enjoying karaoke with friends, full of a charm that lets everyone open their hearts and sing along.
[2025] Recommended Japanese karaoke songs for men in their 50s (81–90)
While shining...Hidemasa Tokunaga

It was released in 1987 as Hideaki Tokunaga’s fourth single.
A re-cut single from the original album “BIRDS,” it was used as the commercial song for Fujicolor Super HR featuring Yoko Minamino.
Even more than ten years after its release, it continued to receive numerous tie-ins, such as being used in a Suntory DAKARA commercial, and it remains one of Hideaki Tokunaga’s most popular signature songs.
a bright red sunHibari Misora

Needless to say, it’s one of Hibari Misora’s hit songs, but if you punch this in at karaoke right when the vibe is at its peak, it absolutely kills.
Don’t be shy—go all in and sing it with a bit of over-the-top dancing for the best effect.
Give it a try and see for yourself.
CheersTsuyoshi Nagabuchi

It may feel a bit less hyped these days, but it’s a song that has been loved for years as a graduation anthem.
Is there anyone who doesn’t know it? It’s perfect for celebrations like passing an exam, graduation, starting a job, or retirement.
The karaoke tip is to sing as if you’re breaking the words into phrases.
It gives a heartfelt vibe and makes you sound better.
It’s a cliché, but timing a toast to match the lyrics is a surefire way to get the crowd going.
Can't Say Anything... SummerTHE JAYWALK

Released in 1991 as J-WALK’s 18th single.
It’s a song that was originally included as “Nani mo Ienakute” on the 1990 album DOWN TOWN STORIES, then rearranged into a summer version with revised lyrics.
It became a major hit from 1992 to 1993, about a year after its release.
The song conveys regret and helplessness after losing a woman who once felt like a given presence.






