[Women in Their 40s] Even If You’re Tone-Deaf, You Can Sing! Karaoke Songs That Fit a Woman’s Vocal Range
As you enter your 40s, not only does age-related decline set in, but the cumulative effects of lifestyle habits like drinking and smoking can also make it harder to produce your voice.
If you feel you’re tone-deaf, you may be even more sensitive to these changes.
This time, we’ve selected karaoke songs that are easy to sing for women in their 40s who struggle with being tone-deaf!
We also touch on specific tips, so if you want to build your vocal technique and overcome tone-deafness, don’t miss this!
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[Women in their 40s] Songs Even the Tone-Deaf Can Sing! Karaoke Tracks That Fit Female Vocal Ranges (71–80)
Angel's RestFumina Hisamatsu
Fumina Hisamatsu is a female singer who gained popularity for her musical style that incorporates glam rock and soft rock into J-pop.
She has a slightly low, full-bodied voice, and is known for vocals as robust as those of male rock singers.
Among her songs, the one I especially recommend is Tenshi no Kyūsoku (Angel’s Rest).
If you’re a rock fan in your late 40s, you might have listened to it back in the day.
While the song is notable for its powerful melody, it sits mostly in the low-to-mid range and has a narrow vocal range, making it a piece that doesn’t depend heavily on the singer’s specific timbre.
Consider adding it to your repertoire.
Goodbye, my beloved.Hana*Hana
This is the eighth single by Hana*Hana, a female duo formed by classmates majoring in Vocal and Jazz Piano at Koyo Conservatory of Music.
The song was used as the theme for the TV drama “Oyaji.” With its relaxed tempo, it’s easy to sing even for those who find it difficult to keep rhythm in karaoke.
The overall pitch range isn’t very wide, making it accessible, but there are spots where the melody leaps suddenly to higher notes, so care is needed to avoid going off pitch.
It’s a well-known song that many women in their 40s—its core generation—will likely have heard at least once, making it a recommended ballad to add to your karaoke repertoire.
BOY MEETS GIRLTRF
This is the seventh single by trf, the renowned production unit led by Tetsuya Komuro, released in June 1994.
The song came out in the mid-90s—arguably the height of the J-POP bubble—when being frequently sung at karaoke was considered a major factor for a hit.
So even if you’re not confident in your singing, I hope you’ll give it a try without hesitation.
It’s light and bright, and in a good way has a melody you could practically hum, so I’m sure even those who aren’t great singers will enjoy performing it! The fact that such a simple melody was elevated to this level makes me want to say: that’s the Komuro magic at its peak!
Yellow Yellow HappyPocket Biscuits
Pocket Biscuits is a musical unit that originated from the 1990s hit TV show “Ucchan Nanchan no Urinari!!”.
Unusually for a unit born from a TV project, they were active for five years, and at their peak they even held a solo concert at the Nippon Budokan.
Among their songs, the one I particularly recommend is “Yellow Yellow Happy.” It has a strong, uplifting melody, but the vocal line itself is simple, repeating similar phrases.
In addition, the vocal range is relatively narrow, so women in their 40s should be able to sing it without any trouble.
I miss youBEGIN
BEGIN is a band from Okinawa that has been active for many years.
With songs like Umi no Koe, which gained popularity through commercials, they’re still going strong at the forefront today.
Among their works, the song I especially recommend is Koishikute.
It sings of a faint, nostalgic love from the past and is arranged throughout with a blues feel.
While blues may often evoke a masculine image, this track also suits a woman’s supple vocal tone perfectly.
There aren’t any particularly high parts, so it’s easy to sing—even while having a drink.
You’re My Only Shinin’ StarMiho Nakayama
“You’re My Only Shinin’ Star” is a song by Miho Nakayama, written and composed by Toshiki Kadomatsu, released in November 1999 as her 25th single.
It was also used as an insert song in the TBS drama Mama wa Idol, in which she starred.
The song is notable for its very smooth and beautiful melody, and since the vocal range it requires isn’t particularly wide, it should be enjoyable even for women who aren’t confident singers to choose as a karaoke number.
Kadomatsu later released a self-cover version as well, so you might want to check that out too!
Winter StoryTakako Okamura
After her work as part of Aming, Takako Okamura also thrived as a solo artist.
She has left behind several classic songs, but the one I especially recommend is Winter Story.
The vocal range in this piece isn’t wide, and the melody line has relatively gentle contours.
Because the range isn’t broad, you can lower the key and still project the low notes sufficiently, making it undeniably easy to sing.
Consider adding it to your repertoire.