The latest dance music: EDM that energizes the clubhouse [2025]

Can’t DecideNEW!Max Dean, Luke Dean, Locky

Can’t Decide – Max Dean, Luke Dean, Locky

A collaborative track by Max Dean, Luke Dean, and Rocky, three artists based in London.

Created by a rising young trio gaining support in the UK underground house scene, this work delivers a club sound centered on minimal tech house.

It explores the turbulence of romantic emotions, the struggle with a partner’s ambiguity, and ways of confronting one’s own past, with vocalist Quendresa’s performance adding emotional depth.

Released in May 2025, it peaked at No.

13 on the UK Singles Chart.

Its groovy beats and catchy melodies are perfect for dance-floor moments at the club, and it’s highly recommended as background music for nights out with friends or whenever you want to lift your mood!

High On MeNEW!Rossi. X Jazzy

Rossi. X Jazzy – High On Me (Official Video)

A cutting-edge collaboration from the London-and-Dublin duo, Rossi and Jazzy.

Released in June 2025, this track is a deep house number that masterfully fuses refined minimal tech-house beats with emotionally rich vocals.

As the title suggests, the lyrics center on themes of euphoria and elation, unfolding over airy synths and a four-on-the-floor groove.

It racked up around 2.

1 million streams right after release and reached No.

33 on the UK charts.

Perfect for lighting up club floors, summer festivals, and parties alike.

Having been extensively test-played in Rossi’s DJ sets, it’s no surprise the track is exceptionally danceable.

Make Me FeelNEW!oskar med k

oskar med k – Make Me Feel (Official Video)

This track from Northern Europe is a standout that signals a new wave in melodic house.

Released in June 2025 by Norwegian producer Oskar Med K, the song is defined by spatial soundscapes where dreamy synth pads and floating chord progressions intertwine.

The emotive vocals and expertly balanced beat create a moving interplay.

Despite only about two years of activity, this work became a milestone in his career, during which his monthly listeners surged from 40,000 to over 9 million.

It’s perfect not only for club dance floors, but also for blasting in the car to wash away everyday stress.

With its approachable melody and club-ready elements, it’s an ideal entry point into house music.

Fired Up (Luca Debonaire Omerta Remix)Jade Starling

Fired Up (Luca Debonaire Omerta Remix)

Here’s a track with a deep house sound from Jade Starling’s remix album “Fired Up”! The four-on-the-floor house beat just makes your body start to sway as you listen.

With its synth-based modern sound, it’s a track that even newcomers to club music can easily enjoy.

It’s also perfect as background music for a home party.

TequilaJax Jones, Martin Solveig, RAYE, Europa

Jax Jones, Martin Solveig, RAYE, Europa – Tequila

A contemporary dance number with a future house flavor, where the saxophone sound carries a hint of melancholy.

It’s a comfortably steady track—neither overly upbeat nor too deep.

Am I the only one who gets the sense that it follows in the lineage of house music hits like Alexandra Stan’s “Mr.

Saxobeat” and “Destination Calabria” by Alex Gaudino featuring Crystal Waters?

HeavenAvicii

Avicii – Heaven (Tribute Video)

The sound of a man who left this world at a young age resonates with dance music fans.

This track was produced before his passing with Coldplay’s Chris Martin participating, and when you look at the lyrics, it’s as if they foresaw the future.

Yet the sound of the song is quintessentially Avicii, reminding us once again of his talent.

It will likely receive even more attention as a popular dance track going forward.

All Night (feat. Ally Brooke)Afrojack

Afrojack – All Night (feat. Ally Brooke) [Official Lyric Video]

No missing the mark with Afrojack! It’s catchy and happy—though it might lack a bit of novelty, this could be exactly the mood of club music as a greatest-common-denominator anthem.

In 2020, I have a feeling listeners will be clearly split into “love it” or “hate it.” But that’s when you’re listening on earphones; I feel it’s an essential number for a festival peak-time moment like in the music video.

So, which side are you on?