[2025] Recommended for those who struggle with high notes! Enka by male singers that can be sung in a low register
For those of you with low voices who struggle with high notes… how about trying enka, where rich, deep tones shine?
While there are, of course, many classic enka songs that showcase everything from resonant low notes to soaring high tones through excellent vocal skill and wide range, this article focuses on songs built mainly around melodies in the low to mid register.
Every track here will bring out the charm of your lower range, and it’s also a recommended playlist for listeners who want to enjoy deep vocals—so be sure to check it out.
Please note, however, that we have not taken the overall difficulty of the songs into account.
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[2025] Recommended for those who struggle with high notes! Enka by male singers you can sing in a low range (41–50)
Omokage Main LineYutaka Yamakawa
Yutaka Yamakawa, who delivers emotionally charged performances and excels at both masculine and feminine songs, is renowned for many works—but among them, Omokage Honsen stands out as a track that exudes distinctly masculine allure.
While it firmly retains elements of enka, the overall piece leans strongly into mood kayō (mood pop), especially emphasized in the A and B sections.
As a result, there are fewer instances of kobushi (ornamental vocal turns) and no complex pitch movements, making it perfect for beginners to enka.
Be sure to add it to your repertoire.
[2025] Recommended for those who struggle with high notes! Enka by male singers that can be sung in a lower range (51–60)
SpotlightKeisuke Yamauchi
Released in 2015 as a commemorative work for Keisuke Yamauchi’s 15th anniversary, Spotlight received high acclaim.
Yamauchi’s superb, wistful vocals and the somewhat bittersweet lyrics depicting the joys and sorrows of men and women are outstanding.
If you sing it at karaoke, be sure to put your heart into it.
With an urban enka vibe, its phrasing and melody lean more toward kayōkyoku than heavily ornamented, kobushi-filled enka, making it easier to sing even for those not used to enka.
The overall key is on the lower side, so it’s a great choice for people who struggle with high notes.
Your sakeKeisuke Yamauchi
“Kimi no Sake” is an early signature song released in 2004, the year Keisuke Yamauchi—who debuted as an enka singer while still in high school—turned 21.
With lyrics of just four lines per verse, it exudes the classic feel of mainstream enka.
Yet, even within a genre where singers often portray a variety of characters, including female roles, Yamauchi himself describes “Kimi no Sake” as a song that reflects his true, unembellished self.
It’s a piece that fully showcases Yamauchi’s appeal as a skilled enka vocalist who delivers each word with care and precision.
As a quintessential enka number, experienced enka singers will likely find it straightforward to perform, while those new to the genre may need a bit of practice.
Try singing it with attention to the contrast between the calm first half and the soaring, expansive chorus.
The Bond Between Us TwoYuto Tatsumi
Released in 2022 as the coupling track to the historical enka song “Setsugekka,” themed around Okita Sōji of the Shinsengumi, “Futari no Kizuna” is, true to its title’s image, a quintessential “happy enka.” If you enjoy heartwarming enka brimming with love and happiness, you should definitely try singing it at karaoke.
Tatsumi’s performance avoids gimmicks and smoothly incorporates classic enka techniques like kobushi and vibrato, making it approachable even for beginners to enka.
A fresh startYuto Tatsumi
While Yuto Tatsumi masterfully handles pop kayōkyoku-style songs as well, if you prefer the classic enka he’s known for, we recommend “Shinki Itten.” Released in 2023 as his sixth single, it’s a traditional enka number that showcases Tatsumi’s strengths as a skilled enka singer.
It incorporates quintessential enka techniques like kobushi (melodic turns) and vibrato throughout, which may feel a bit challenging for absolute beginners.
That said, its structure is relatively simple for enka, and if you’re somewhat accustomed to singing enka, the difficulty is actually on the lower side.
For newcomers, this song is also a great piece to practice enka vocal techniques.
homesicknessYuto Tatsumi
Released in 2021 as a double A-side with Tatsumi Yuto’s fourth single, “Sasowarete Eden,” this song, “Bokyo,” comes from an artist who’s bringing a fresh breeze to the enka world as part of the seventh generation.
It’s a classic enka piece where Tatsumi’s tender, heartfelt vocals convey deep feelings for one’s hometown and family, moving listeners to the core.
While he firmly incorporates enka-specific techniques like kobushi and vibrato, his clean, unornamented delivery and the accessible melody make it approachable even for beginners to the genre.
The overall pitch is on the lower side, so it’s also recommended for those who struggle with high notes.
Inarimachi Love SongYuto Tatsumi
For Yuto Tatsumi, the coupling track “Inaricho Koiuta” from his second single “Otoko no Junjo” is a classic, heartwarming enka themed around “Inaricho,” which lies between the Ueno and Asakusa areas, just as the title suggests.
It has the feel of quintessential enka, so those accustomed to singing enka should handle it with ease.
Even beginners will likely find it approachable, as signature enka techniques like kobushi and vibrato aren’t overly emphasized.
The pitch range is on the lower side, making it a welcome choice for those who struggle with high notes.
Conversely, if low notes are difficult for you, try to focus on clearly enunciating the lyrics as you sing.
In conclusion
Songs that lean toward so-called J-pop or rock are often built around predominantly high-pitched melodies.
Of course, enka also features soaring high notes as one of its appeals, but this time I’ve selected tracks with relatively fewer lines in the higher register.
As I mentioned at the start, that doesn’t mean they’re easy to sing, so once you’ve gotten used to the melodies, try focusing on technique as well—like adding vibrato or kobushi (ornamental pitch bends) to your singing!