Showa-era kayōkyoku: hit songs by male singers, classic masterpieces of Japanese popular music.
Showa-era kayōkyoku have seen revival hits and renewed booms, becoming beloved across generations.
What songs do you like?
In this article, we’re spotlighting songs by male artists from the Showa kayōkyoku scene!
Through our research this time, we discovered a variety of hit songs.
From masterpieces that bring back memories the moment you hear them, to kayōkyoku that feel fresh and comfortably familiar even to younger listeners—there are so many captivating Showa-era songs.
Please use this as a reference when you’re looking for men’s kayōkyoku tracks.
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[Showa-era Kayōkyoku] Hit songs by male singers, classic kayōkyoku masterpieces. (11–20)
Azusa No. 2hunter
Even people who don’t usually listen to Showa-era pop have likely thought, “I’ve heard this melody before!” when it comes to Azusa No.
2—an iconic, widely known classic.
The song was released as a single in 1977 (Showa 52) by the brother duo Kariudo.
Its biggest highlight is the exquisite harmony between the older brother, Kunihiko Kato, and the younger brother, Takamichi Kato.
The call-and-response–like section at the end of the chorus, in particular, features such a satisfying melody that it makes you want to sing it at karaoke.
If you’re heading to karaoke with fellow Showa pop fans, be sure to pick this song!
Look up at the stars in the nightKyu Sakamoto
It’s one of Kyu Sakamoto’s signature songs; he was active not only as a singer but also as an actor and host.
The piece was created as the theme song for a musical of the same name, and its gentle atmosphere—quietly savoring happiness—leaves a strong impression.
A major hallmark is Sakamoto’s voice, which combines tenderness with strength, so it’s important to keep that in mind.
Aim for a performance that preserves a softly conversational feel, and let listeners savor the moving mood.
To my distant loverHideki Saijo
A heartwarming medium-tempo ballad by Hideki Saijo that poignantly sings of his feelings for the lover he left behind in his hometown after moving to the city.
Released in November 1978, the song reached No.
8 on the Oricon chart.
With a powerful voice, it gently embraces the yearning for a dear one far away and the hope for the arrival of spring.
The strong will to reunite with his lover after a long winter resonates with a beautiful melody, leaving a deep impression on listeners.
This work stands as a classic that conveys the preciousness of love that remains unchanged despite distance, offering comfort to everyone living apart from their loved ones.
Elegy of SpringShirō Shōji
One of the classic gems that colored the Showa-era pop scene.
Portraying lost love and the fleeting nature of spring, this piece resonates deeply with listeners.
Shiro Shoji’s vocals gently embrace the heartrending lyrics, delivering a performance that truly moves the heart.
Released by Columbia Records, it is considered a pivotal song that changed the musical lives of both Shiro Shoji and composer Yuji Koseki.
In a February 1980 interview, Koseki praised Shoji’s singing, and at the Yuji Koseki Memorial Museum in Fukushima City, items such as the score are on display.
Highly recommended for those who want to savor the poignant sadness and wistfulness that come with the arrival of spring.
In conclusion
We introduced classic Showa-era kayōkyoku masterpieces by male singers.
They’re all wonderful songs that have been passed down and loved for many years! I’m sure many people find that listening to them brings back precious memories.
And of course, even if you didn’t hear them in real time back then, I’d be happy if this gives you a chance to delve into the charm of Showa kayōkyoku.