A must-see for the yutori generation! Songs women want men to sing at karaoke
Many people probably find themselves hesitating every time they have to choose songs at karaoke.
Of course this happens when you go with friends, but if you’re a man, you might also wonder what to sing when you go to karaoke with a woman.
So this time, we’ve listed songs we recommend for the yutori generation that we’d love to hear men sing.
They’re all famous tracks, so they’re sure to go over well no matter who you’re with at karaoke!
They’re also great for those who aren’t very used to karaoke, so be sure to check them out.
- Karaoke songs that are easy to sing and recommended for men of the Yutori generation
- Karaoke songs popular with women that they want men to sing
- Perfect for karaoke or background music! Energetic songs recommended for men of the Yutori generation
- Songs that make women fall in love! Karaoke picks for men, from timeless classics to the new generation
- Iconic songs men will want to sing! Karaoke tracks recommended for Gen Z
- Various difficulty levels! Recommended karaoke songs for men of the Yutori generation
- Now karaoke isn’t scary! Easy-to-sing songs recommended for the Yutori generation
- Packed with masterpieces! Karaoke songs recommended for women of the Yutori generation
- Easy-to-sing karaoke songs recommended for men in their 50s
- A must-see for Gen Z men! Easy-to-sing songs by male artists for karaoke
- Karaoke songs for men in their 40s: a curated selection of hit tracks women want to hear!
- [Must-See for Men] Karaoke Songs Popular with Women in Their 20s: A Curated Selection of Standout 'Attractive' Tracks!
- [For Men] Cool, Popular Songs That Impress at Karaoke
A must-see for the Yutori generation! Top karaoke songs we want men to sing (31–40)
On a boring nightcompletely; drastically; entirely; with a bang (sound of sliding door opening)
Singer-songwriter Garari has been steadily gaining momentum since his debut.
He’s known for drastically changing his musical style from song to song and has produced numerous classics.
Among his works, the one I especially recommend is “On a Boring Night.” Its musicality is somewhat close to Sakanaction, featuring a smooth, low-dynamic vocal line.
There’s a slight rise in voltage during the rap part in the middle, but otherwise the vocals remain very uniform—making it perfect if you’re aiming for a perfect score.
freesiaMarcy
Marcy is a band that’s gaining popularity for its warm, gentle vocals.
They’ve been on a remarkable rise recently, especially winning huge support from men and women in their teens to early twenties.
Among their songs, the one I especially recommend is Freesia.
The vocal line is fundamentally orthodox and relaxed, making it a very singable track.
However, be aware that the chorus features falsetto several times.
That said, with key adjustments, these parts can be sung in chest voice without any trouble, so they aren’t real stumbling blocks.
Rather than focusing on the falsetto itself, I recommend paying attention to the pitch jumps between high and low notes when you sing.
Riding the sound so hard it hurtsSuganoya Ayaka
A newcomer artist whose breathy vocals and catchy sound are rapidly gaining momentum, Yua Sugaya.
He already has a few hit tunes under his belt, but the one I especially recommend is “Ride the Sound Till It Hurts.” It’s a bright, upbeat track, yet surprisingly the vocal line’s pitch movement is gentle, and the long tones aren’t all that long.
If you track the pitch accurately, it’s a song where you can easily aim for a perfect score.
KusushikiMrs. GREEN APPLE
This is the opening theme for the second cour of Season 2 of the Nippon TV anime “The Apothecary Diaries,” which skillfully expresses the mystery and wonder of kotodama—the spiritual power of words.
Created by Mrs.
GREEN APPLE in April 2025, the piece brilliantly fuses an oriental atmosphere with band-driven sound.
Interweaving contrasting elements like the moon and the sun, love and apology, it powerfully sings of an eternal love that lasts into the next life.
Like a medicine that can both heal and harm, this grand work delves deeply into the duality of emotions and the power inherent in words.
For karaoke, we recommend singing with heartfelt emotion, keeping in mind vocalist Motoki Omori’s richly expressive delivery.
Precious thingsRoad of Major
The debut single by Road of Major passionately sings of the bittersweetness and hope of youth.
Released in September 2002, it powerfully portrays the importance of bonds, the sadness of parting, and the determination to set out on a new journey, all carried by a driving, exhilarating melody.
An exceptional feat for an indie single, it spent 19 consecutive weeks in the Oricon Top 10 and sold over 900,000 copies.
It is one of the band’s signature songs and was even used in 2009 as the commercial theme for the Mazda Mazda3 in Taiwan.
While it’s by no means easy to nail at karaoke, its refreshing melody makes it the perfect track for honestly conveying your feelings to someone important.
A must-see for the yutori generation! Karaoke songs we want men to sing (41–50)
Prayer FlowerHirai Dai
A warm and gentle song that tenderly embraces gratitude and prayers for a loved one.
This piece is included on Dai Hirai’s debut mini-album “ALOHA,” released in October 2011 during his indie days.
Its soothing sound—woven from acoustic tones and Hawaiian flavors—gently wraps around the sorrow and loneliness in your heart.
It’s the perfect track for those who want to lighten the mood at karaoke or convey their feelings to someone special.
peace signKenshi Yonezu
This is a song by Kenshi Yonezu that stirs the heart with its powerful vocals and exhilarating sound.
Produced in June 2017 as the opening theme for the first cour of Season 2 of the Yomiuri TV–affiliated anime “My Hero Academia,” it resonates with the desire to become stronger on nights spent crying over one’s own inadequacy, and with the resolve to become a hero to protect someone important.
The contrast between high and low registers carefully expresses emotional shifts, so when singing, it’s best to pay attention not only to pitch but also to dynamics and phrasing.