Easy-to-sing Naniwa Danshi songs and popular tracks that hype up karaoke
Naniwa Danshi, shining as the newest stars of Kansai.
Their songs, each showcasing the unique personality of every member, capture the hearts of fans.
In an era when many lean toward K-POP-inspired sounds, they proudly uphold a classic idol style—another key part of their appeal.
Why not explore the charm of Naniwa Danshi’s singable tracks that you’ll find yourself humming along to? We’ll highlight songs featuring expansive melodies and lyrics that resonate deeply.
You’re sure to discover a track you’ll want to add to your playlist.
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Easy-to-sing Naniwa Danshi songs: Popular tracks that hype up karaoke (1–10)
Poppin’ Hoppin’ Lovin’Naniwa Danshi
The song “Poppin’ Hoppin’ Lovin’” is notable for its bright melody.
Released in 2023, it delivers a highly pop-oriented sound just as the title suggests.
This kind of style can be considered Naniwa Danshi’s forte.
The song’s vocal range is an average mid1F to hiC.
While the pitch movement is somewhat lively, the standard range and mid-tempo make it overall easy to sing.
Youth RhapsodyNaniwa Danshi
When it comes to Naniwa Danshi’s appeal, it’s definitely their bright and refreshing vocals, right? With that in mind, I recommend this song, “Youth Rhapsody.” The rapid-fire part appears right from the intro, so it might seem difficult, but it isn’t a flow-heavy rap—it’s a more monotonous, chant-like section.
As long as your enunciation is steady, you should be able to get through it without trouble.
The highest note is hi F, while the lowest is mid C#; so while the range reaches high, it isn’t very wide overall.
As long as you adjust the key properly, it’s a song that’s quite easy to sing.
Koisuru HikariNaniwa Danshi
The masterpiece “Koisuru Hikari,” which serves as Naniwa Danshi’s seventh single, was used as the theme song for the film “We Who Don’t Know Love,” starring group member Ryusei Onishi.
Thanks in part to the movie’s popularity, the song is widely supported among fans.
While the range spans a fairly wide mid1 D to high C#, it’s still easy to sing in terms of tempo and diction.
You might find the falsetto at the end of the chorus challenging, but at that pitch, difficulty often comes from not being able to produce a low falsetto.
So it can be a good idea to boldly raise the key, centering it around the falsetto section.
Easy-to-sing Naniwa Danshi songs: Popular tracks that hype up karaoke (11–20)
I wish you lots of happinessNaniwa Danshi
Naniwa Danshi’s classic “Sachiare” is memorable for its poppy melody.
Although the range is on the higher side at mid1D to hiD, it’s not particularly difficult for female singers.
For male singers, the B-melody before the final chorus may feel high, so it’s a good idea to lower the key with that section as the reference point.
The vocal line itself is straightforward without quirks, so as long as you can handle the range, it shouldn’t feel difficult to sing.
Because I just love youNaniwa Danshi
Naniwa Danshi’s classic song “Because I just love you.” While it isn’t widely known to the general public, it’s a deeply memorable piece for both the group and their fans, often performed at the end of livestreams.
The song has the feel of a quintessential idol track, featuring a pop style tied together with a catchy vocal line.
Though it sits a bit high, the range isn’t excessively wide, so with the right key adjustment it’s quite singable.
Join us !Naniwa Danshi
One of the tracks included on the sixth single “I Wish,” “Join us!” Despite being a B-side, it has enjoyed exceptional popularity, even receiving a music video.
It features the refreshing, bright melodies that are a hallmark of Naniwa Danshi.
The vocal range is mid1 E to mid2 G#, which is fairly narrow for a Naniwa Danshi song, so it should be easy for men to sing.
However, the chorus contains prolonged mid-to-high phrases, so be sure to choose a key that doesn’t strain your throat or temples.
Glaring SummerNaniwa Danshi
Naniwa Danshi’s summer song “Gira Gira Summer,” released in 2025.
It starts with a samba-style intro, but quickly shifts into orthodox J-pop, so there’s no particular quirk to the vocal lines.
The samba element in the chorus is basically just the whistle, and since it’s not in a 16-beat feel, it’s an easy song to sing rhythmically as well.
The melody stays on the higher side and there’s a key change toward the end, but the overall range isn’t wildly wide, so there’s plenty of room to lower the key.
Find the range that suits you and give it a try.