A roundup of songs with titles that start with “pu.” Great for shiritori or picking songs!
When you hear “songs that start with ‘pu,’” what songs come to mind?
Words that start with “pu” include “play,” “pool,” and “propose,” and any of them sound like they could be used as song titles.
In this article, we’ll introduce a bunch of songs with titles that start with “pu.”
Use it as a reference when you’re looking for songs that start with “pu,” whether it’s for a “song-title shiritori” game, a karaoke shiritori session, or picking tracks for a playlist.
Searching for songs in an unusual way—like “songs that start with a certain syllable”—might lead you to music you’ve never encountered before.
Be sure to find a new favorite from the selections in this article.
- A roundup of Vocaloid songs with titles that start with “Pu”
- A roundup of songs with titles that start with “bu.” Handy for shiritori or playlist-making.
- Songs with titles starting with 'Fu': a unique and wide-ranging world of 'Fu'
- A collection of Vocaloid songs whose titles start with “Fu”
- Songs with titles that start with “Pi.” Useful for word-chain games or karaoke hints!
- Compilation of Vocaloid songs whose titles start with “Pi”
- Songs that start with “Pa.” Great for game hints or making playlists!
- Songs with titles that start with “po”
- Songs with titles that start with “Pe” (page, paper, paint, etc.)
- Summary of Vocaloid songs with titles starting with 'Pa'
- A collection of Vocaloid songs with titles starting with “Pe”
- A compilation of Vocaloid songs with titles starting with 'Po'
- Songs with titles that start with “Su.” A collection of tracks useful for shiritori.
A collection of song titles that start with “Pu.” Use it for shiritori or choosing songs! (91–100)
poor of lifeHitoshizuku-P
Rin Kagamine has a famous song known as one of the three great tragic Kagamine songs, a very sad story.
This is one of them.
It tells the story of a girl who stays positive even though she knows she is going to die; if you listen closely you can’t hold back your tears, yet you can’t help but be drawn to its beautiful melody.
Plus/SpaceAVtechNO!
A song by Kagamine Len released in 2011.
From the quiet, grand intro, it grabs your heart right away—a track that makes you feel like you’re in space.
The philosophical lyrics and the musical style are a perfect match.
PukeAge Factory
It’s a curious song that’s energetic yet somehow calming to listen to.
The opening features a breathy, near-fading vocal, slapped bass, and then a voice that bursts into a scream.
The guitar riff is insanely cool.
It even feels a bit languid.
I also like how the MV switches to live footage partway through.
Poolside GirlAge Factory
Vocalist Eisuke Shimizu’s raspy, husky voice carries a certain fragility.
It’s a track where each part’s technique truly shines.
You’d never guess it’s just a three-piece from the sheer power of the sound.
The female backing vocals add a great touch, too.
The song’s sharp contrasts keep it engaging from start to finish.
If you don’t know Age Factory yet, I’d love for you to start with this track.
PetiteBelleArt Farmer
An American jazz trumpeter.
He has taken part in many recordings as a sideman.
Although the trumpet is often associated with a flashy image, he is not particularly showy and has earned recognition for playing in line with his fellow musicians within the ensemble.
From around the 1960s, he frequently performed on flugelhorn, and in his later years he transitioned to the frumpet.
Pleasure ’98: The Pleasures of LifeB’z
I don’t know whether it reflects the friendship between the two members of B’z or Mr.
Inaba’s personal real-life experience, but it’s a song that seems to express a bond between men that endures throughout their lives.
The lyrics, which are rewritten with each album release, further accentuate that theme.
PLASTIC BOMBBOØWY
As the chilling title suggests, this is an adrenaline-charged song that drives straight to the chorus in one unstoppable rush.
At live shows, the entire audience shouts “Let’s go!” in unison, rallying together to lift the band.
Its brevity—beginning and ending like a storm—perfectly complements the song’s appeal.