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Karaoke Popular Song Rankings of Anzen Chitai [2025]

Anzen Chitai, now considered one of Japan’s legendary bands.

Their polished band sound and Koji Tamaki’s vocal prowess are hugely popular.

We’ve gathered some of Anzen Chitai’s most popular karaoke songs.

Sing them stylishly and move everyone with your performance.

Karaoke Popular Songs Ranking of Anzen Chitai [2025] (1–10)

MasqueradeSafe zone8rank/position

It’s a song that evokes passionate emotions, depicting a sensuous figure and scenes of romance.

After being included on the 1984 album “Anzenchitai II,” it was later released as a double A-side single together with “Okitegami.” It’s also worth noting that this track marks the beginning of lyricist Goro Matsui’s collaboration with Anzenchitai.

The sound has a calm rhythm with underlying strength, conveying a quietly rising heat.

If you stay relaxed while keeping a solid sense of the rhythm, it should be a relatively easy song to sing.

JulietSafe zone9rank/position

Released in 1987.

At the time, 8 cm singles were still the norm, but this song also drew attention for being released on a 12 cm CD.

It’s the 16th single by Anzen Chitai.

The lyrics reflect on a love that came too early—deeply moving and tear-jerking.

FriendSafe zone10rank/position

A song released by Anzen Chitai in October 1986 that gained popularity on the TV show “Yoru no Hit Studio” was used in a Daio Paper commercial.

Featured on the album Anzen Chitai V, it drew strong response, reaching No.

7 on the Oricon chart and peaking at No.

2 on The Best Ten.

Koji Tamaki’s expressively rich vocals poignantly convey the delicate emotional shifts of a relationship transitioning from lovers to friends.

The beautiful melody, unfolding from a wistful piano intro into a grand orchestral arrangement, gently resonates with anyone feeling the loneliness of a changing bond with someone dear.

Karaoke Popular Songs Ranking of Anzen Chitai [2025] (11–20)

to youSafe zone11rank/position

A song that speaks words of deep affection to a loved one, set against a grand, expansive sound.

It was included on the 1984 album “Anzenchitai II.” The structure is striking: it begins with piano at the core and gradually adds strings and the band, conveying a rising swell of emotion.

In tandem with that, the vocals also build in intensity, so being mindful of dynamics is important when singing.

Since the tempo is gentle, aim to sing in a relaxed manner while treating the lyrics with care.

Don't be ordinary.Safe zone12rank/position

This song boldly sings of the rising swell of romantic feelings, layered over a warm sound.

It’s the closing track of the 1985 album “Anzenchitai IV,” and it even conveys a sense of looping back to the first track.

The gentle band sound is marked by a richly layered, depth-filled guitar tone, and its bright timbre evokes a sense of hope for the future.

The vocals grow more powerful toward the chorus, which highlights the emotional build—focusing on these dynamics will help convey the song’s atmosphere.

Imagining a gentle, conversational style of singing may also make it easier to perform.

Insolent phone.Safe zone13rank/position

This song paints a love scene centered around phone calls, marked by a light, charming sound that even feels a bit cute.

Included on the 1985 album “Anzenchitai IV,” it’s said to playfully poke fun at Koji Tamaki’s relationships with women.

Rather than a straightforward romance, it gives off a frivolous vibe, with the airy rhythm and gentle vocals reinforcing a flirtatious image.

If you lock into the rhythm and aim for a conversational singing style, it should be a relatively easy song to perform.

frustrating; irritating; impatientSafe zone14rank/position

The band led by Koji Tamaki, Anzen Chitai, still enjoys steady popularity and has strong support among younger generations.

Among their works, the song I especially recommend is Jirettai.

From the very beginning, it’s a high-voltage piece that fundamentally demands a high level of vocal power and projection.

That alone would be fine, but the vocal line is surprisingly monotone, so to keep it from sounding like mere repetition, you have to add embellishments throughout—just like Koji Tamaki would.

For these reasons, it’s a perfect song for training your ad-libbing skills.