Karaoke Popular Songs Ranking of back number [2025]

sea glassback number57rank/position

Sea Glass

Sea Glass, a renowned song by back number with its delicate melody, leaves a strong impression.

This piece is highly recommended for male singers with higher voices.

That’s because its vocal range is set on the higher side even among back number’s songs.

That said, it isn’t difficult: the vocal line is kept simple throughout.

While falsetto appears fairly often, the pitch movement isn’t rapid, so if you can produce falsetto and high tones without issue, you should find it easy to sing.

Paradeback number58rank/position

Parade

Parade, a signature hit by back number, exudes an energetic vibe.

This piece features a chord progression similar to one of back number’s biggest hits, Watagashi, and unfolds with melodies and vocal lines that feel familiar to Japanese listeners.

Above all, its most singable point is undoubtedly the narrow vocal range.

Since the vocal line develops entirely within the mid-range, it doesn’t depend on the singer’s range, making it easy for anyone to sing without difficulty.

Mr. Perfectback number59rank/position

Mr. Perfect

Back Number’s classic “Mr.

Perfect” is striking for its nostalgic vibe.

Although it was released in 2019, the melody evokes the band’s early years.

The song as a whole is arranged with a somewhat relaxed rhythm.

Naturally, the vocal line also keeps a laid-back tempo, so there aren’t any drastic jumps in pitch.

The vocal range isn’t particularly wide for a back number song either, so even those who struggle with high notes should be able to sing it to some extent.

Consider adding it to your repertoire.

Ritz partyback number60rank/position

Ritz Party

“Ritz Party,” included on their second album Superstar—their major-label debut—is a refreshing ensemble number whose very phrase may evoke a certain TV commercial for those of a certain generation.

With a narrow vocal range from the verse through the chorus and a relaxed melody, it’s likely easy to sing even for those not confident at karaoke.

However, since the pitch stays consistently high throughout, if high tones aren’t your forte, be sure to set the key to one that suits you.

my nameback number61rank/position

back number – My Name (full)

Boku no Namae o, a classic by back number released in 2016.

While it’s wrapped in a catchy melody, among the songs introduced here, this one might be a bit more challenging.

The main reason is the low falsetto that appears in the chorus.

Surprisingly, producing a piercingly high falsetto is relatively easy, but a soft, low falsetto is difficult—so those who struggle with falsetto may find this tough.

That said, it doesn’t appear often, and the notes are still within a range you can manage with chest voice, so if you boldly lower the key, the difficulty drops significantly.

City of Lightback number62rank/position

Hikarino Machi

Back number is notable for lyrics with a strong narrative quality.

Their superb emotional expression—so vivid it practically visualizes the story—is arguably their greatest strength.

A masterpiece where such lyrics shine is “Hikari no Machi.” Though the excellent lyrics may steal the spotlight, this song actually features a very catchy melody.

For a ballad-style track, it has relatively modest dynamic contrasts, and none of the parts require a particularly wide vocal range, making it approachable for those who aren’t confident singers.

For a back number song, there’s a slightly higher frequency of vibrato, so it might be a perfect choice as a practice piece for working on vibrato.

Supporting Actress Syndrome 2back number63rank/position

Jyoen Jyoyuushou 2

“Supporting Actress Syndrome 2,” included as the B-side of back number’s 14th single and signature song “Christmas Song,” is a sequel to “Supporting Actress Syndrome,” the B-side of their 7th single “Aoi Haru.” Even if you haven’t experienced it yourself, the storyline lyrics have a heart-wrenching poignancy that tightens your chest.

The catchy melody, set against an ensemble that creates an unsettling undertone, is addictive and sticks in your ears, making it easy to remember as a karaoke repertoire choice.

While the overall vocal range is narrow, there are many melodic leaps, so be careful not to miss the pitches.