[In Their 50s] Ranking of Easy-to-Sing Karaoke Songs [2025]

Embraced by the wintry windKyoko Koizumi8rank/position

"Embraced by the Wintry Wind" Kyoko Koizumi (VINYL)

This was Kyoko Koizumi’s 20th single overall, released in November 1986.

It was also used as the theme song for the film “Don’t Lay a Hand on My Girl,” in which Koizumi starred for the second time.

The lyrics and composition were by Toshihiko Takamizawa of THE ALFEE.

While Takamizawa is often associated with a high-tone vocal image, perhaps because this was a song provided for Koizumi, the vocal range used in the melody is kept very singable, and the melody itself is easy to remember and hum, so even those who aren’t confident singers should find it comfortable to perform.

That said, precisely because the vocal range is narrow, singing it too flatly can make it dull.

Please be mindful to create clear contrasts in your delivery—for example, by singing the pre-chorus (B section) with a bit more strength.

Girl AAkina Nakamori9rank/position

[Official] Akina Nakamori “Shojo A (from ‘Hajimemashite’)” [2nd Single (Released July 28, 1982)] Akina Nakamori / Shojo A

A signature song by Akina Nakamori that captures the feelings of a defiant young girl.

Released in July 1982, this track became a turning point in Nakamori’s career.

The lyrics, centered on the adolescent struggles and search for self, are conveyed through her voice, which is both powerful and delicate.

As her second single, the song played a crucial role in establishing her “bad-girl” image.

For women in their 50s, it may be a tune that brings back memories of their youth.

When singing it at karaoke, the trick is to relax a bit.

It’s also a great choice for the latter half of a night out with friends.

Even when I become an old ladyChisato Moritaka10rank/position

Chisato Moritaka – Even If I Become an Old Lady (’92)

This was Chisato Moritaka’s 16th single overall, released on June 25, 1992.

It was also used as the theme song for the Nippon TV drama “Matta Nashi!” As you’d expect from Moritaka, whose album “Hijitsuryokuha Sengen” caused quite a stir, this song has a very laid-back feel and is extremely easy to sing.

It was a big hit when it came out, so as of 2022, I imagine many women in their 50s fondly remember singing it at karaoke back then.

Being in your 50s is widely considered “middle-aged,” but I actually think it’s great fun to sing this song precisely after you’ve reached that stage.

Don’t overthink it—just enjoy yourself.

Blue airmailYumi Arai11rank/position

Blue Airmail Envelope / Aoi Airmail (2022 Ｍix)

A female singer-songwriter with a wide musical range who enjoys overwhelming support from men and women in their 50s and 60s, Yumi Arai—better known as Yumi Matsutoya.

Among her songs, one I especially recommend for women in their 50s is Aoi Airmail.

This piece is a gentle ballad that portrays thoughts of a lover far away.

With its relaxed rhythm, I think it’s very easy for women in their 50s to sing.

The vocal range is also narrow, making it a comfortable choice for late-night karaoke.

foreignerSaki Kubota12rank/position

Foreigner – Saki Kubota (Full)

A hit song by Saki Kubota released in October 1979.

With a Middle Eastern dulcimer used in the intro and elsewhere, and a title that suggests the same, the track evokes a strong Oriental image.

Incidentally, the subtitle “Theme of the Silk Road” was reportedly added later, inspired by the feel of the completed piece.

Structurally, it follows a classic Showa pop format: A part for the introduction, a B part (chorus) for development, and then a modified return to the A part for the close.

This makes it easy to remember even for people who don’t regularly listen to songs or music.

This may be the biggest difference between Showa-era hits and many contemporary songs, which often have more intricate structures and developments.

There aren’t any particularly difficult sections to sing, but it’s best to emphasize the contrast between the minor-key A part and the major development in the B part.

Rather than belting, singing with a bit of headroom—gently yet expansively—will suit the song better.

If the high notes are challenging for your range, try lowering the key a little.

applauseNaomi Chiaki13rank/position

Naomi Chiaki / Applause [Official Audio]

Naomi Chiaki, the songstress who epitomized the Showa era.

Unlike typical artists, her singing truly moved people, didn’t it? Among her songs, the one I especially recommend is Katsuai.

It’s a classic that needs no introduction.

In the original, it may sound like she’s using falsetto, but in fact it’s a softened middle voice, so even those who can’t produce falsetto should be able to sing it easily without belting.

If it feels low, I recommend raising the key by one or two semitones.

Don't give up on your dreamsTakako Okamura14rank/position

Takako Okamura “Don’t Give Up on Your Dreams” OFFICIAL MUSIC VIDEO

“Don’t Give Up on Your Dreams,” released in 1987 by singer-songwriter Takako Okamura—who was also active as part of the female vocal duo Amin—won broad support across generations, even being included in middle school music textbooks at the time.

The richly melodic synth lines unfold over a lively rhythm.

Because the song maintains a steady tension throughout, it’s recommended for those who struggle with adding dramatic dynamics.

It’s a message song that cheers on everyone doing their best in everyday life.

Aim for a supple, relaxed vocal tone and give it a try at karaoke.