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Enka Singers Most Popular at Karaoke [2025]

We’ve put together a ranking of popular enka singers, from legendary veterans who have supported the enka world for many years to promising up-and-coming talents.

It’s common to be unsure what song to sing when you go to karaoke, isn’t it?

In those moments, try using this ranking as a reference.

Enka Singers Most Popular at Karaoke [2025] (1–10)

freezing rainAkio Kayama8rank/position

A signature work by Akio Kayama that poignantly sings of the heartache of unrequited love through the figure of a woman enjoying a solitary drink at a bar.

This classic captivates many fans with its bittersweet vocals and richly expressive delivery.

Released in 1977 as his debut single, it has gradually seeped into people’s hearts over time.

In 1983, it won the Long-Seller Award at the Japan Record Awards and is highly regarded as a beloved song of the Showa era.

With a light, folk-tinged melody, the key is to value rhythm and hold back overt power, emphasizing restrained emotion over force.

For karaoke, try singing up to the chorus as if speaking to the listener, and have fun by getting friends to handle the tricky parts.

Dotonbori SentimentYoshimi Tendo9rank/position

[MV] Yoshimi Tendo / Dotonbori (Tonbori) Ninjō (Full Ver.)
Dotonbori Human Drama Tendo Yoshimi

Yoshimi Tendo is an enka singer highly acclaimed for her live performances.

With first-class qualities across the board—vocal power, expressiveness, and fine techniques such as kobushi—she also has songs that are relatively easy to sing.

Among them, the one I especially recommend is Dotonbori Ninjo.

It’s a robust enka number with the flavor of Kawachi Ondo, but most of the kobushi are the type that undulate at the start of each phrase, so it’s not particularly difficult.

Of course, if you aim to replicate every detail, the difficulty is high; however, since most of the Kawachi Ondo-style kobushi occur in the lower register, anyone who can control pitch in the low range should be able to sing it without issue.

By the way, the reading of the title is not “Dotonbori Ninjo,” but “Tonbori Ninjo.”

North TavernTakashi Hosokawa10rank/position

Takashi Hosokawa is one of Japan’s finest vocalists.

Early in his career he pursued a path as an enka singer, but after studying under Michiya Mihashi, who came from a folk song background, his already high-level singing ability grew to a monstrous level.

Among that, he has also actively taken on catchy songs, making him an extremely popular figure among enka fans.

Among Hosokawa’s songs, the one I particularly recommend for its crowd-pleasing energy and ease of singing is “Kita Sakaba.” While the overall range is set on the higher side, the range itself isn’t very wide, so you should be able to sing it if you adjust to the right key.

The song features a structure typical of enka, showcasing scale movements of two notes or more with kobushi (melismatic turns), but since the kobushi don’t continue in rapid succession, their difficulty is relatively low.

Instead of projecting your voice forward, try to produce it with the sensation of it piercing through from the crown or back of your head; doing so will bring you quite close to the original, so give it a try.

Karaoke’s Most Popular Enka Singers Ranking [2025] (11–20)

Brother ShipsIchiro Toba11rank/position

Ichiro Toba “Kyodai-bune (Brothers’ Boat)” (Official Audio)
Brother Ship Toba Ichiro

This work was sung as the debut song by Ichirō Toba, who was born and raised in a fisherman’s family.

With a powerful yet wistful voice, it expresses the bonds among men of the sea and their feelings for their families.

Released in August 1982, it became a million-seller and later was performed seven times on the Kōhaku Uta Gassen, making it a classic.

The overall pitch is on the lower side, making it approachable even for those who struggle with high notes.

If vibrato is difficult, try focusing on clear enunciation to convey the lyrics distinctly.

It’s a recommended song for livening up a karaoke session or for singing with heartfelt thoughts for someone special.

America BridgeYutaka Yamakawa12rank/position

This is a 1998 song by Yutaka Yamakawa, the younger of the star brothers from Toba City in Mie Prefecture.

His older brother is Ichiro Toba.

It’s amazing that both brothers have hit songs, isn’t it? “America Bridge” is another name for Ebisu Minami Bridge, located between Ebisu and Meguro Stations on Tokyo’s Yamanote Line.

Tokyo has its own local songs, too.

To aim for a high score with this song, make sure you can feel the 6/8 time.

If you get left behind by this rhythm, scoring high won’t even be the issue.

Once you’ve got the 6/8 down, pay attention to matching the words with the melody.

Then—like magic—you’ll find it’s surprisingly easy to sing, and it becomes more and more enjoyable.

Savor the chorus’s melody and lyrics that are unique to 6/8 time, and sing with pleasure.

The high score will naturally follow.

Life is full of ups and downs.Chiyoko Shimakura13rank/position

A song that captivates the heart with lyrics that candidly portray life’s joys and sorrows, paired with Chiyoko Shimakura’s rich, velvety voice.

Released in 1987, the track was performed on the following year’s Kouhaku Uta Gassen, propelling her into the spotlight.

The melody blends pop and enka into a distinctive style that is both approachable and profound.

While the chorus climbs a bit in pitch, the overall range is narrow, making it accessible even for beginners.

The lyrics resonate especially with those who have a wealth of life experience, yet they carry a universal message that will speak to younger listeners as well.

I’ve fallen for you.Ishihara Junko14rank/position

Junko Ishihara “Have Fallen in Love” Music Video (1 Chorus)
I've fallen for you, Junko Ishihara.

Junko Ishihara’s classic “Horemashita.” Released in 1988, this piece marked her memorable debut and is still beloved by many fans today.

While it inherits elements of enka, the song as a whole features an easy-to-sing vocal line reminiscent of kayōkyoku.

In particular, the kobushi (ornamental vocal turns) are very easy—there are no difficult kobushi in this piece at all.

They’re limited to, at most, a one-step pitch change, so anyone with experience singing enka should be able to perform it with ease.