Karaoke Crowd-Pleasers Ranking [2025]
Have you ever struggled to decide what to sing at karaoke?
It’s important to pick songs that are easy to sing and crowd-pleasers, but ultimately, choosing songs that match your own taste is what matters most.
I’m sure you’ll find some great tracks here that will get everyone hyped.
Feel free to use this as a reference.
- [20s] Karaoke Crowd-Pleasers Ranking [2025]
- [Teens] Karaoke Crowd-Pleasers Ranking [2025]
- [For People in Their 40s] Ranking of Easy-to-Sing Karaoke Songs [2025]
- Karaoke That Gets Everyone Pumped: Latest Rankings [2025]
- [30s] Karaoke Popularity Rankings by Generation [2025]
- [2025] Songs You Can Add Chants to at Karaoke: A Roundup of Crowd-Pleasers
- Top Karaoke Rankings for Men [2025]
- [Women] Popular Karaoke Rankings [2025]
- [30s] Karaoke Songs That Get Everyone Hyped: 2025 Ranking
- [Teens] Ranking of Easy-to-Sing Karaoke Songs [2025]
- Exciting Japanese karaoke hits: Latest rankings [2025]
- [Male] Top Karaoke Crowd-Pleasers Ranking [2025]
- [Women] Karaoke Crowd-Pleasers Ranking [2025]
Karaoke Crowd-Pleasers Ranking [2025] (41–50)
Goodbye ElegyMasaki Suda43rank/position

This is one of Masaki Suda’s signature rock songs, written and composed by Huwie Ishizaki.
The melody is very straightforward and easy to remember, so I think anyone can sing it.
I love this song too and always sing it four keys higher, and it’s more than enough to get the crowd going! The intro is cool right from the start, so it’s guaranteed to hype everyone up there.
Many people have probably heard the chorus as well, so people around you are likely to sing along! As for tricky parts, I’d say the end of the second chorus and the last chorus, where the high G#4 notes keep coming.
It’s kind of heartbreaking if you don’t nail that part, so let’s make it sound awesome! Take a solid breath and resonate the sound inside your mouth.
Try singing as if you’re shooting a beam from your mouth, vibrating the inside as you sing.
Also, to make matters worse, the lyrics there use the harder-to-pronounce “na” and “ma” lines in Japanese, so be conscious of projecting more strongly than you think you need to!
GLORIAZIGGY44rank/position

ZIGGY is one of the rock bands that sparked the band boom of the ’80s.
Their hallmark sound was influenced by LA metal and bad-boys rock, and they were especially known for their upbeat songs.
Speaking of ZIGGY’s classics, isn’t “GLORIA” the first that comes to mind? The vocal line in this song spans a fairly narrow range, from mid1 G to mid2 G, and the pitch movement isn’t very dramatic.
There’s a hi C used as a vocal embellishment, but since this is an ad-lib section that doesn’t earn extra points in karaoke scoring, you don’t need to stick to the original pitch there if the height is too demanding.
LOVE&JOYYuki Kimura45rank/position

A single packed with the exhilarating appeal of Eurobeat! Yuki Kimura’s clear, soaring vocals fuse perfectly with Daisuke Asakura’s energetic production to create a high-speed dance track.
Riding a BPM of 173, its bright, forward-looking message evokes a moving sensation, as if a rainbow were arcing across the listener’s heart.
Released in July 2000, the song captured many hearts as the theme for the TV drama “Daisuke Hanamura.” It reached No.
24 on the Oricon Weekly Singles Chart and achieved total sales of 116,000 copies.
Perfect as BGM for highway or mountain-pass drives, it’s also ideal when you need a boost for a tired spirit.
Grip the wheel and set off on a special musical journey to this rhythm.
Shut up.Ado46rank/position

A punk rock sound that thrusts to the forefront, with a roar-like vocal that sent shockwaves through the music industry and a forceful, almost violent melody.
This shocking work channels, with explosive energy, the sense of dissonance young people feel toward society and their determination to resist the expectations and oppression around them.
As Ado’s major-label debut, the track was released digitally in October 2020 and received high acclaim across the board, including winning the Breakthrough Song at the M Television VMAJ 2021.
It’s a song that gives courage—powerfully pushing the backs of those who struggle to express their true feelings and worry about others’ eyes and judgments.
dogwood (flowering dogwood)Yo Hitoto47rank/position

This is one of Yo Hitoto’s signature songs, known for its heartfelt lyrics and warm melody.
Released in February 2004, it spent over 136 weeks on the Oricon charts.
Chosen as the theme song for Nippon TV’s “Tuesday Suspense Theater,” it garnered wide support across generations.
Written with a wish for peace, the song is often performed in romantic settings and at weddings, and remains a karaoke favorite—recognized as one of the most-sung songs of the Heisei era.
For women in their 30s, if you have a chance to reunite with old friends, why not let this song spark a trip down memory lane?
LOVE YOU ONLYTOKIO48rank/position

TOKIO’s debut single, released in September 1994.
The lyrics, which strikingly portray an earnest love tinged with hesitation, are infused with unwavering affection and passion for the other person, gripping listeners’ hearts.
It was also used as the opening theme for season 3 of the Fuji TV anime “Tsuyoshi Shikkari Shinasai,” earning widespread support.
In December 1994, the group made an appearance at the 45th NHK Kōhaku Uta Gassen, setting a record for the fastest invitation—just three months and ten days after their debut.
The melody and lyrics make it a pleasure to sing at reunions and gatherings with friends.
It’s a song that lets everyone have fun and get excited while reminiscing about the pure love of their younger days.
Sugar Song and Bitter StepUNISON SQUARE GARDEN49rank/position

UNISON SQUARE GARDEN is a band well-known in the anison scene.
They’ve created many anime songs, but among their works, “Sugar Song and Bitter Step” is arguably one of the most popular.
This track was released as the ending theme for the hit anime Blood Blockade Battlefront and enjoys outstanding popularity within the anison community.
While the vocal range is on the higher side at mid1 F# to high B, it’s not extremely wide.
With fewer breakpoints and fewer long tones in its structure, it’s a song that’s quite easy to sing for fun at karaoke.





