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Misor Hibari’s Most Popular Karaoke Songs Ranking [2025]
Since debuting at the age of 12, she has been widely active as a “genius” across various fields, including pop songs, films, and stage productions.
In particular, “Kawa no Nagare no Yō ni,” with lyrics by Yasushi Akimoto, has become a nationally beloved song that everyone knows.
She has many other popular songs as well, which I will introduce.
Hibari Misora Karaoke Hit Song Ranking [2025] (1–10)
Crimson SunHibari Misora1rank/position
This work, which evokes both the passion of a blazing sun and the transience of a passing summer, left a striking impression as a new facet of Hibari Misora, the queen of the kayō music world.
In its lyrical world, a love that flares up against the backdrop of midsummer seas is skillfully depicted alongside a poignant premonition that it will one day come to an end.
Originally included as a track on the album “Song Is My Life: Celebrating 20 Years of Hibari Misora’s Career,” the piece received such an overwhelming response that it was released as a single in May 1967.
Its innovative sound, backed by Jackie Yoshikawa and the Blue Comets, drew major attention and went on to sell over 1.
4 million copies.
As a song emblematic of summertime in the Shōwa era, why not give it a listen during a seaside drive or when you’re in the mood to bask in slightly more grown-up summer memories?
Like the flow of a riverHibari Misora2rank/position
This is a memorable piece featuring a voice that gently reflects on life amid the passing seasons.
Like surrendering to the flow of a river, it conveys the importance of embracing both the joys and sorrows of life.
Released by Nippon Columbia in January 1989, the song was written by Yasushi Akimoto and composed by Masao Hirao.
It resonated with many people, earning the Gold Prize at the Japan Record Awards.
It’s a song that stays close to you when you want to calm your heart and gather your thoughts, or when you sense a turning point in life.
Blending nostalgic memories with a sense of hope for the future, it’s a heartwarming piece.
Festival MamboHibari Misora3rank/position
Hibari Misora’s classic “Omatsuri Mambo.” While this song falls under the enka category, it shares many elements with J-pop, and among Misora’s works, it’s one of the easiest to sing.
Its vocal range is somewhat broad at mid1 C to hi C, but the pitch movement isn’t very drastic, so overall it’s arranged to be easy to sing.
However, the tempo is relatively fast at BPM 120, so you’ll need decent articulation.
Even so, there are no highly demanding enka-style embellishments like complex kobushi, so it’s fair to say the song still firmly maintains its singability.
It’s a very lively, feel-good number that really gets the crowd going, so consider adding it to your repertoire.
a bright red sunHibari Misora4rank/position
The song “Makka na Taiyō” (The Crimson Sun), released in 1967, was performed by Hibari Misora together with Jackie Yoshikawa and the Blue Comets.
It was originally created for an album commemorating the 20th anniversary of Hibari Misora’s career, but thanks to strong praise among the staff and the encouragement of Misora’s mother, Kimie Kato, it was released as a single and became a massive hit, selling 1.
4 million copies.
The song, which sings of a blazing love lasting only a single summer, has since been covered by many musicians.
Its powerful rhythm is sure to lift the spirits of listeners.
Tangled HairHibari Misora5rank/position
This is a gem of a song released in December 1987 as the first work marking the phoenix-like comeback of Hibari Misora, a defining figure of the Showa-era pop scene, after a long period of recuperation.
Against the backdrop of waves surging and receding, the helpless feelings of a woman who does nothing but pray for the happiness of the lover who left her tighten the listener’s chest.
The image of her heart growing ever more emaciated as the seasons turn—so much so that the obi that was double-wrapped in spring becomes triple-wrapped in autumn and still has slack—is truly a breathtaking display of expressive power.
It is said this piece was recorded in one vigorous sweep together with an orchestra, and you can feel Misora’s extraordinary intensity in her vocals.
When you tackle this classic at karaoke, try to sing with a picture in your heart of the heroine’s deep sorrow and her earnest determination to face forward nonetheless.
It will surely resonate deeply with those who listen.
Love RadiantHibari Misora6rank/position
Ai Sansan, a signature song by Hibari Misora, the songstress who defined the Showa era.
Released on Hibari’s 49th birthday in 1986, it initially saw modest sales but later became a long-running hit and a true gem.
Its lyrics celebrate the joys and sorrows of life and the preciousness of love, intertwined with Hibari’s ever-deepening, mature voice that resonates deeply with listeners.
Evoking nostalgia for the past, hope for the future, and the preciousness of the present moment, this piece is perfect for reflecting on the journey of life.
Why not listen to it with someone special and share a heartwarming moment together?
Ringo OiwakeHibari Misora7rank/position
This masterpiece gracefully portrays a farewell scene alongside the landscapes of Tsugaru.
With white clouds floating over Mount Iwaki, peaches and cherry blossoms, and early-blooming flowers as the backdrop, a fragile, aching sentiment—like petals dancing in the moonlight—touches the heart.
Hibari Misora beautifully conveys a lyrical world through her distinctive melodic phrasing infused with elements of folk songs and enka, and her deeply expressive singing.
Released in May 1952, the piece was produced as an insert song for the radio drama “Ringoen no Shōjo” (The Apple Orchard Girl) the same year, and was later chosen as the theme song when it was adapted into a film.
It achieved an astonishing 700,000 sales and is known as one of Hibari Misora’s signature songs.
Highly recommended for those who cherish deep memories in their hearts or wish to experience the charm of traditional Japanese popular music.