Popular Vocaloid divine songs [Vocaloid Ranking]

ParasiteDECO*2771rank/position

DECO*27 – Parasite feat. Hatsune Miku

Seriously, every track they put out is amazing, right? This song by DECO*27, a popular Vocaloid producer who’s been active at the forefront of the Vocaloid scene for a long time, was released in 2022.

It’s included on the album “MANNEQUIN.” Many people can probably relate to that double-edged feeling of wishing the person you like would notice your feelings, and then lashing out with a bit of poison because they don’t.

Those emotions are sung over a languid mixture rock sound.

Blessinghalyosy72rank/position

Blessing feat. VOCALOIDS (Collaboration)

This is an inspiring Vocaloid song that gives you the strength and hope to keep living.

Created by halyosy, a Vocaloid producer also known for “Sakura no Ame,” it was released in 2014.

A total of six Vocaloid characters sing in it.

The lyrics, addressed to halyosy’s nephew, carry a distinctive message.

It resonates with everyone’s heart, offering guidance for life.

No matter what future awaits, it makes you feel like you can stand firm and walk forward on your own two feet.

It hurts so much; I want to express my pain.EZFG73rank/position

[VY1 & VY2] I Hurt So Much, I Want to Hurt [Original MV] [1080p]

“Totemo Itai Itagaritai” is a song by EZFG, released in January 2012.

Its distinctive lyrics interweave the pain of mouth ulcers with the pain of love, leaving a strong impression.

Over an electronica-based sound, a duet by VY1V3 and VY2 blends harmoniously.

It’s a song I’d love people who feel deep-seated pain and inner conflict to listen to.

Included on the album “Cyber Thunder Cider.”

Poisonous possessivenessDECO*2774rank/position

DECO*27 – Toxic Possessiveness feat. Hatsune Miku

A shocking work that portrays a warped form of love.

Frenzied obsession and possessiveness are expressed through electronic sounds and Hatsune Miku’s translucent vocals.

The conflict of excessive affection—desperately trying not to lose someone so precious you can’t take your eyes off them, yet ending up hurting them—is woven with DECO*27’s characteristically deft word choice.

Included on the album “Conti New,” released in March 2014, this piece may prompt you to face your own emotions when your feelings of love seem on the verge of running wild or when you’re suffering from attachment to someone important.

Marshall MaximizerHiiragi Magnetite75rank/position

Hiiragi Magnetite – Marshall Maximizer / KAFU

You’ll find yourself irresistibly drawn in by the exhilarating, fast-paced melody.

Featuring KAFU, “Marshall Maximizer” by Vocaloid producer Hiiragi Magnetite is a 2021 release.

The low end that chases the rolling rhythm feels so good! The striking development in the pre-chorus works as a hook, which is exactly why the chorus hits so explosively.

It’s the kind of song that makes you want to let your emotions out and shout along first and foremost.

Perfect for when you want to get pumped up or need a push forward.

A high-speed tune masterpiece you’ll want to sing at karaoke right now!

Tinplate DanceHyuga Denko76rank/position

I did a solo acoustic performance of Buriki no Dance.

Addictively irresistible—a monumental pillar of Vocaloid rock! Hinata Denkou’s “BURIKI NO DANCE” was released in 2013.

Its high-speed progression becomes more and more addictive the more you listen; before you know it, your body starts keeping the beat on its own.

A distinctive feature of this song is that many sections, like the A melody, are built on a single chord.

While the simplicity demands technique in “how to express the song’s world,” the fact that there are fewer chords to memorize is a relieving factor, isn’t it?

Solar System DiscoNayutan Alien77rank/position

I did a groovy solo performance of the Solar System disco.

A Vocaloid song that makes you want to throw your fist in the air and sing along! NayutalieN’s “Solar System Disco” was released in 2017.

It’s an irresistibly catchy dance-rock-style love song.

The melody is so catchy that once you hear it, it won’t leave your head.

In the final key change, all the chords go up by a half step, so there are quite a lot of chords to memorize.

But that only happens if you try to play it with an “easy arrangement using a capo.” If you learn it with barre chords from the start, even when it modulates, only your fret positions change—the actual finger shapes you use to press the strings stay the same.

This is the perfect chance to master barre chords!