A roundup of songs with titles starting with “Re.” Great for karaoke shiritori too!
How many songs that start with “Re” can you think of?
It’s surprisingly hard to recall them on the spot, isn’t it?
In this article, we’ve put together song titles that start with “Re,” focusing mainly on J-POP.
There’s even a karaoke shiritori game, so some of you may want to know songs evenly across all kana or add to your repertoire.
Feel free to use this as a reference.
You might even find yourself thinking, “Oh right, there was that song too,” and feel a touch of nostalgia.
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- A roundup of songs with titles starting with “Re.” Great for karaoke shiritori too!
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- Songs with titles that start with “Chi.” Useful as hints for word-chain games!
- Songs with titles that start with “te.” Perfect for shiritori karaoke or song-title shiritori!
- Songs whose titles start with “Do” – Solo Karaoke / Song-Title Shiritori
- Vocaloid songs that start with 'Ru'
A roundup of songs with titles starting with “Re”. Perfect for karaoke shiritori too! (181–190)
Ready SteadyGiga
Ready Steady features vibrant choral work by Hatsune Miku, Kagamine Rin, and Kagamine Len.
Vocaloid producer Giga wrote it in 2020 for Project SEKAI COLORFUL STAGE! feat.
Hatsune Miku.
The track is dance music with a heavy beat reminiscent of trance and electronica.
On TikTok, a dance video of Akito Shinonome, a character who appears in the game, drew significant attention.
It’s a song that beautifully blends the uniquely mechanical vocals of Vocaloid with deep electronica.
Ready For Your LoveGorgon City ft. MNEK
A collaboration between Gorgon City, a British electronic music production duo, and singer-songwriter MNEK.
Released in 2014, this deep house track was inspired by Laid Back’s 1989 track “Bakerman.”
Let It PunkHEY-SMITH
HEY-SMITH is a ska-punk band formed in Osaka in 2006.
Although they went on hiatus in 2015, they returned even more powerful after a lineup change.
Led by vocalist-guitarist Shuhei Igari, they are a five-piece band.
Their self-produced summer festival is also very popular, and we highly recommend attending.
Ready to JumpHey! Say! JUMP
Hey! Say! JUMP is an eight-member idol group whose name originates from the idea that “all members were born in the Heisei era and will leap high through the Heisei period.” “Ready to Jump,” the opening track of their digitally released EP P.
U!, available worldwide, features a cool ensemble spotlighting human beatboxer SO-SO.
The stylish melody and dance performance evoke a sense of readiness to compete on the global stage thanks to their polish.
It’s a modern dance tune that we hope will reach listeners who haven’t known Hey! Say! JUMP until now.
LeonidsHiroshi Watanabe
He’s a techno musician with a background in studying synthesizers at Berklee College of Music.
His works under aliases like KAITO and TREAD are excellent, but releases under his real name, Hiroshi Watanabe, feel even more emotional—highly recommended.
His style is characterized by majestic soundscapes that evoke a wide range of memories from the sounds themselves.
LENSHIROYUKI ARAKAWA
A producer at the forefront of Japan’s techno scene, he is the owner of the cutting-edge techno label SPECTRA.
He has achieved remarkable milestones, including collaborations with Frank Müller and releases on Toolroom, the world’s leading tech house label.
His hallmark is his live set, characterized by a diverse soundscape that shifts from melodic to banging.
The View Through the Lens feat. Kodai Yamamoto (CV: Yoshitsugu Matsuoka)HONEY WORKS
The song “The View Through the Lens feat.
Koda Yamamoto (CV: Yoshitsugu Matsuoka)” is included on the 5th album Suki sugite yabai: Confession Executive Committee Character Song Collection.
It’s a track featuring Yoshitsugu Matsuoka, who plays Koda Yamamoto in the Confession Executive Committee series, and its lyrics sweetly capture the feelings and scenery that change with love.
Overall, the key is low and the vocal range isn’t wide, making it easy to sing, but since the chorus sustains slightly higher pitches, adjust the key on the karaoke machine beforehand if it doesn’t suit your range.
Also, be careful of the many interval leaps, which make it easy to miss notes.