Songs I want men in their 70s to sing: a roundup of tracks I'd like to hear at karaoke
When you go to karaoke, do you ever feel hesitant to sing only the songs you personally want, but also find yourself unsure what else to choose? In times like that, why not try songs that the people around you would love to hear? In this article, we’re introducing a selection of songs we’d love men in their 70s to sing—all in one go.
We focused mainly on well-known tracks that many people are likely familiar with.
There are plenty of songs that are especially cool when sung by men in their 70s, so please use this as a reference!
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Songs I’d like men in their 70s to sing: A collection of tracks I want to hear at karaoke (71–80)
brideNorihiko Hashida and Climax
Through the image of a bride boarding a night train to set off for her beloved, this song portrays the resolve and determination at a life’s turning point, as well as deep feelings for a loved one.
It is one of the representative masterpieces of Japanese folk songs from the 1970s.
Released as a single in January 1971, it was also performed at that year’s 22nd NHK Kōhaku Uta Gassen.
Its expansive, gently flowing melody feels wonderfully comfortable to sing.
It’s especially recommended for those who listened to it back in the day.
What a nice bath.The Drifters
This is a song that celebrates the charms of hot spring resorts, beloved from the Showa-era hit TV program “It’s 8 o’clock! Everybody, Gather Round!” The original version, sung by the Duke Aces, was themed around hot spring areas in Gunma Prefecture, and The Drifters covered it on the B-side of their debut single.
The lyrics were adapted to feature hot spring resorts across Japan—such as Noboribetsu and Kusatsu—expressing fondness for onsen through a lively rhythm and call-and-response shouts.
The song was used as the ending theme for both “It’s 8 o’clock! Everybody, Gather Round!” and “Drifters’ Big Laughter,” and it also appeared in a 1969 film.
Humming it together with older adults while reminiscing about hot spring trips can make for a heartwarming moment.
SaraiYuzo Kayama
This is a heartwarming classic that brings back nostalgic memories.
It delicately portrays the feelings of people who leave their hometowns to chase their dreams, and was created by Yuzo Kayama and Shinji Tanimura in November 1992 as the ending theme for Nippon TV’s “24-Hour Television.” Its title derives from a Persian word meaning a desert oasis or a staging post, and the soothing melody—like a spiritual homeland—leaves a lasting impression.
The piece was composed based on messages of love sent in by viewers from across the country, and even after more than 30 years, it remains deeply etched in many hearts.
It’s a recommended song for times when you want to quietly bask in memories or connect heart-to-heart with someone special.
Songs I'd like men in their 70s to sing: A collection of karaoke tracks (81–90)
If you're happy and you know it, clap your handsKyu Sakamoto
Its charm lies in the way you can enjoy it by expressing a heartwarming classic through full-body movement.
It’s a song that lets you share the joy of connecting with others along with a simple, familiar melody.
Released by Kyu Sakamoto in 1964, it became one of his signature songs alongside “Ue o Muite Arukou” (“Sukiyaki”).
Based on an American folk song, Toshito Kimura wrote the Japanese lyrics with wishes for peace and friendship.
A heartwarming experience in the Philippines inspired the creation of this song, and it is said to have spread through activities at the YMCA.
It has been widely used in films and commercials and has long been cherished in educational settings.
Why not enjoy clapping and body movements together with seniors and let the conversation blossom with fond memories?
a red handkerchiefYujiro Ishihara
This is a narrative song that gently portrays the spring scenery of Japan’s northern country.
Against a backdrop of blooming acacia flowers, Yujiro Ishihara’s voice, depicting a bittersweet parting in love, leaves a deep, lingering resonance that touches the heart.
Released by Teichiku Records in October 1962, the work created a major buzz at the time.
In January 1964, it was also used as the theme song for a film of the same name starring Yujiro Ishihara, captivating many audiences alongside the movie.
Why not hum along and relive fond memories together? You’re sure to spend a lovely time as you recall days gone by.
Please enjoy a relaxing moment immersed in music under the gentle spring sunshine.
Blue MountainsIchiro Fujiyama
Released in 1949 as a duet by Ichirō Fujiyama and Mitsue Nara, this celebrated song symbolizes Japan’s postwar recovery and hope.
The lyrics, written by Yaso Saijō, overlay the dreams and aspirations of young people onto images of beautiful mountains, while the music was composed by Ryōichi Hattori.
Accompanied by fresh, vibrant vocals, it conveys expectations for a new era, like flowers blooming after a harsh winter.
It was also used as the theme song for a film released the same year based on a work by Yōjirō Ishizaka, and in 1989 it was ranked No.
1 on NHK’s “200 Songs of the Shōwa Era that Remain in Our Hearts.” This piece is a song that, while evoking fond memories, allows older listeners to reminisce together about the topics of that time.
TokyoTakajin Yashiki
Released in March 1993, this mood-kayō song fuses tearful enka with sophisticated urban pop.
Through Kansai-dialect lyrics, it movingly portrays a romance and breakup with a man she met in Tokyo, along with her complex feelings toward the city.
Takajin Yashiki was an artist who was active mainly in the Kansai region, also serving as a host of the popular program “Sei! Young.” This piece became a hit as requests on cable radio surged, ultimately selling a total of 600,000 copies.
In live performances, he would sometimes change the place name in the chorus to match the concert location, valuing a sense of unity with the audience.
When singing it at karaoke, it’s recommended to sing at an easy, relaxed pace while thinking of your hometown and the special people you’ve met.