Recommended for women in their 60s! Easy-to-sing Japanese karaoke songs
Karaoke is popular across all ages, and of course many women in their 60s also have plenty of chances to go.
But when you actually get to the karaoke place, do you ever find yourself wondering which songs to sing? If you’re thinking, “I don’t really know recent songs, and to be honest I’m not that good at singing…,” I’ll share some recommended tracks for you! I’ve selected songs that seem easy to sing, focusing mainly on tracks from around the 1970s—the era when many people in their 60s spent their youth.
If you’re not confident about karaoke, songs with a slow tempo are recommended.
Some of the songs are more challenging, but they’re all well-known, so for the difficult ones, let’s sing together with everyone!
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- Karaoke Popularity Rankings by Generation: 60s [2025]
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- [2025] Recommended Karaoke Songs for Women in Their 70s: From Enka to Showa-Era Kayōkyoku
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- Top Karaoke Hits and Popular Band Rankings for Lively Nights in Your 60s [2025]
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Recommended for women in their 60s! Easy-to-sing Japanese karaoke songs (21–30)
Message of RougeYumi Matsutoya
Rouge no Dengon, a famous song by Yumi Arai released in 1975, is a work that embodies the cheerful vibe of 1970s Japanese pop music, maintaining a bright and gentle tone throughout.
The vocal range is typical of Japanese pop, with a lowest note of mid1 G and a highest note of hi C.
Since the hi C appears twice in the chorus, if you’re not comfortable with falsetto, it’s a good idea to lower the key with this section in mind.
It’s a big hit at karaoke, so consider adding it to your repertoire.
MPRINCESS PRINCESS
This work, which portrays the aching feelings of heartbreak, is one of PRINCESS PRINCESS’s signature songs.
Written by the band’s drummer, Kyoko Tomita, based on her own experiences, the lyrics express lingering attachment after a breakup and the poignant emotions that remain even when you want to forget but can’t.
It was included on the 1988 album “LET’S GET CRAZY” and released as a single the following year.
Since then, it has been featured in NHK’s morning drama series “Dandan” and the premium drama “Last Night’s Curry, Tomorrow’s Bread,” further boosting the song’s recognition.
Characterized by a calm, ballad-like melody and sentimental lyrics, it’s also appealing for being easy to sing at karaoke.
Why not sing it slowly while thinking of someone important to you?
Fall in LoveAkiko Kobayashi
It was the theme song for the TBS TV drama “To Wives on Friday III: Falling in Love.” Thanks to this drama, the term “Kin-tsuma” (Friday Wives) also became popular.
The song is slow-tempo and very easy to sing, but be aware that most of the second verse is in English.
If the setting isn’t too solemn, it might be fun to sing the English parts in your own style.
It’s a song that will definitely bring back memories, so please use it as background music when reminiscing.
confessionMariya Takeuchi
Mariya Takeuchi is a female singer who has created many famous songs with her distinctive vocal timbre.
Among them, the one I especially recommend for its alluring sensuality and poignant mood is “Confession.” This piece sits in a fairly low range, essentially no different from an average male vocal.
While the overall range spans slightly wide—from mid1 D# to hi B—the lower tessitura actually makes it easier to sing for women in their 60s, whose voices tend to grow deeper.
It’s not a rowdy, party-style song, but it will definitely spark excitement through a strong sense of nostalgia.
Roppongi HeartbreakAnn Lewis
Ann Lewis’s signature song “Roppongi Shinju.” A rock number that symbolizes the bubble era, it became a nationwide hit, helped by its strikingly mismatched title pairing Roppongi with “double suicide.” Notably, the song has a very narrow vocal range, with the lowest note at mid2 D and the highest at hi A.
While the nature of the rock style calls for a slightly raspy, shouted delivery, the narrow range and mid-tempo BPM make it an excellent choice for aiming at high karaoke scores.
Be sure to add it to your repertoire.
The way homeHiromi Iwasaki
Hiromi Iwasaki’s classic “Ieji” (The Way Home).
Her voice has had a pleasantly mature timbre since her youth, and it particularly shines in lyrical songs like this.
The song’s range spans mid1 E to hi C#, which is fairly common for female vocals.
The tail end of the chorus requires a bit of lung capacity, so be sure to take a deep breath at the preceding break point before singing through it.
This section has a similar vibe to Shizuka Kudo’s “Koi Hitoyo,” so intentionally singing with a lighter touch can also work well.
Detective StoryHiroko Yakushimaru
The classic film “Detective Story,” starring Hiroko Yakushimaru.
This piece was released as the movie’s theme song.
When it comes to Hiroko Yakushimaru’s vocals, her enveloping, gentle voice is distinctive, and this song showcases exactly that.
Overall, the vocal line has little fluctuation, and the range is kept relatively narrow.
It may feel slightly high, but you can handle that with key adjustment, so consider adding it to your repertoire.