Karaoke songs easy to sing for men in their 60s, even for those who aren’t good at singing
We’ve put together a large collection of songs that are considered easy for men in their 60s to sing.
Since this article is aimed at people in their 60s, the selection mainly features songs from the 1970s to the 1980s, so you can also enjoy it as a nostalgic oldies special.
In this stressful day and age, why not head to karaoke once in a while, sing some beloved classics at the top of your lungs, and blow off some steam?
Some of the individual song write-ups include simple tips for singing them, so be sure to check those out and enjoy.
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- [For men in their 70s] A collection of easy-to-sing songs even for people who are tone-deaf
- Easy-to-sing karaoke songs recommended for men in their 50s
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- Karaoke songs you’ll want to sing for men in their 70s: Enka and nostalgic Showa-era pop
- Even karaoke beginners can relax! Easy-to-sing songs for men
- Popular Japanese songs among men in their 60s: recommended masterpieces and classic tracks
- A collection of nostalgic hits from the ’70s to 2000s that are perfect for livening up karaoke
- Karaoke songs recommended for men with low voices or who are good at singing in a low register
Karaoke songs that are easy to sing even for those who aren’t good at singing, recommended for men in their 60s (71–80)
Yokohama TwilightHiroshi Itsuki

This was mood kayō/enka singer Hiroshi Itsuki’s debut single, released in March 1971.
With this song, Mr.
Itsuki won numerous awards, including the Vocalist Award at the 13th Japan Record Awards and the Broadcast Music Award at the 2nd Japan Kayō Awards, and he also made his first appearance at the 22nd NHK Kōhaku Uta Gassen that same year.
It’s truly a classic of the Shōwa era and one of the quintessential local songs of Yokohama.
Melodically, it’s very easy to sing and to hum casually, so I think the key to delivering this song well comes down to how you handle the spacing between the words in the lyrics.
Ride the pleasant rhythm and try singing while cherishing each and every word of the lyrics.
festivalSaburō Kitajima

This is a single released by Saburo Kitajima in 1984.
It vividly portrays a prosperous harvest festival praying for an abundant crop and a bountiful fishing festival passed down to the next generation, capturing the hearts of festival-loving Japanese people.
He performed it six times on NHK’s Kōhaku Uta Gassen, and it has become one of Kitajima’s signature songs, enjoying great popularity in karaoke.
The One and Only Flower in the WorldSMAP

It was released in 2003 as SMAP’s 35th single.
Originally included on the album “SMAP 015/Drink! Smap!” released in July 2002, the song was written and composed by Noriyuki Makihara.
After being selected as the theme song for the Fuji TV drama “Boku no Ikiru Michi” starring SMAP member Tsuyoshi Kusanagi, it was released as a single.
It has sold over 3 million copies and is considered one of SMAP’s signature songs.
As long as the sun is in the skyAkira Nishikino

It was released in 1971 as Akira Nishikino’s third single.
It peaked at No.
3 on the Oricon weekly chart and became his biggest hit.
Thanks to the song’s success, he appeared for the second consecutive year at the 22nd NHK Kōhaku Uta Gassen.
It is one of Akira Nishikino’s signature songs and remains very popular for karaoke.
Subtly flashy (bling-bling, but nonchalant)Masahiko Kondo

Released in September 1981, this is the fourth single by Masahiko Kondo, a major Showa-era idol who rose to fame as part of the “Tanokin Trio” alongside Toshihiko Tahara and Yoshio Nomura.
There’s hardly any need for me to say more—if you’re a Japanese person in your 60s today, you’re sure to know this smash hit of Showa-era pop! No need for complicated commentary to sing this one—just belt it out and enjoy.
If you imitate Kondo’s gestures and hand movements while you sing, you’ll have even more fun!
Sorrow like snow

This song portrays the warmth of people felt amid winter’s cold, evoking a brightness within poignancy.
It was also used as the theme song for the drama “Ai to Iu Na no Moto ni,” and has long been loved as one of Shogo Hamada’s definitive winter classics.
The powerful layering of the band and chorus strongly suggests a hopeful feeling of moving forward.
Its gently ranged melody and relaxed tempo make it easy to sing, so be sure to fully grasp the emotions embedded in the lyrics as you perform.
The Sun Also Rises

This song evokes a refreshing yet powerful feeling, depicting the natural landscape unfolding before us and the hope to move toward the future.
From the opening, where the vocals soar boldly, a grand image of nature comes to mind, drawing you into the song’s world.
The lyrics’ vivid portrayal of the sun overlaps with the breezy sound, conveying a sense of receiving strength from the power of nature.
It gives the impression of quietly nurturing the hope for the future within oneself, so aiming for a relaxed vocal delivery that reflects this image will help emphasize the song’s atmosphere.






