A Must-See for Men in Their 60s: Easy-to-Sing Karaoke Classics That Score High
Wouldn’t you like to sing your favorite nostalgic songs with even more enjoyment? Many adults probably feel the same way.
For those in their 60s who spent their youth during the period of rapid economic growth and the bubble economy, the hit songs of that era are priceless treasures.
Yet even with familiar tunes, you may feel frustrated when the range or phrasing doesn’t quite fit, making it hard to sing comfortably.
That’s why this time, we’re introducing songs that tend to score well—carefully selected from well-known classics with a focus on ease of singing.
You’re sure to find that one special song filled with memories!
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- Karaoke Popularity Rankings by Generation: 60s [2025]
Must-See for Men in Their 60s: Easy-to-Sing Karaoke Classics That Score Well (1–10)
Street Corner of BetrayalKai Band
The Kai Band, a group that gained popularity with a distinctive musicality that blends elements of Japanese kayōkyoku into rock.
Many men in their 60s were likely drawn to their unadorned, rugged sound.
Among Kai Band’s songs, one I particularly recommend is “Uragiri no Machikado” (Street Corner of Betrayal).
The song spans mid1 C# to hi A#, which is somewhat wide, but since the average pitch is quite low, anyone who can produce brief mid-to-high notes should be able to sing it without issue.
However, because there are relatively few rests compared to the many long tones, it’s necessary to make adjustments—such as lowering the key slightly or tucking the chin—to avoid over-projecting your voice.
ChinatownEikichi Yazawa
Eikichi Yazawa has produced many classic songs over the years.
There are likely many men in their 60s who have been fans since the Carol era.
Among his tracks, one I especially recommend is Chinatown.
The song’s vocal range is relatively narrow, from mid1 B to mid2 G#.
If you’re just following the pitch, it should be quite manageable.
However, because Yazawa employs a shout-infused singing style, trying to imitate that can make the difficulty skyrocket.
So, rather than sticking too closely to the original, aim to sing it in a comfortable key for you.
CheersTsuyoshi Nagabuchi
Speaking of Tsuyoshi Nagabuchi, I think he’s most popular among men in their 60s.
In fact, many of his fans seem to be from that generation, don’t they? His signature song “Kanpai” has a fairly narrow vocal range of mid1 D to mid2 G.
The tempo is relaxed as well, making it relatively easy to aim for a high score.
However, because low notes appear frequently, a certain degree of depth and low-end is required.
For men with higher voices to make it sound appealing, it’s best if they can produce a natural shout at the highest notes.
Must-See for Men in Their 60s: Karaoke Songs That Score High—Easy-to-Sing Classic Hits (11–20)
setting sunTakuro Yoshida
Takuro Yoshida is a pioneering figure among Japanese singer-songwriters.
As an artist who brought folk music into the mainstream, I believe he has many fans even among men in their 60s.
Among his songs, the one I particularly recommend for aiming at a high score is Rakuyō (Sunset).
Although the song spans a fairly wide vocal range for a male vocalist—mid1 B to hi G—its tempo is an unusually relaxed BPM 87, making it, overall, a song that’s relatively easy to score highly on.
RunawayRATS&STAR
When it comes to the groups that laid the foundation for soul music and R&B in Japan, Rats & Star surely comes to mind.
As their black-coated appearance suggested, they had deep respect for Black music.
Their song “Runaway” is one of their signature tracks, blending elements of Black music with kayōkyoku and J-pop into a very singable style.
The vocal range is relatively narrow, from mid1 D# to mid2 G, so as long as you focus on the groove, you should be able to aim for a high score.
Oh, sake!Ikuzo Yoshi
Men in their 60s are the generation that experienced the dawn of kayōkyoku, rock, and folk music, and they can also be said to be very familiar with enka.
In particular, many have deep knowledge of modern enka, which differs from those based on traditional folk songs.
The song I recommend is Yosh Ikuzo’s “Sake yo.” As an enka piece, it is very easy to sing, with no kobushi that require complex pitch ornamentations.
The vocal range is also not wide—mid1 C# to mid2 F—so even men in their 60s, an age when projecting the voice can become difficult, should be able to sing it comfortably.
unconsciously / without realizing itRyudo Uzaki
For men in their 60s, when it comes to no-nonsense male singer-songwriters, Ryudo Uzaki is likely the first name that comes to mind.
He has many classic songs, but the one I especially recommend for aiming for a high score is Shira zu Shira zu no Uchi ni.
This piece is set within a relatively narrow range of mid1 B to mid2 C#, and the vocal line maintains a gentle, even contour.
However, because it calls for expressive elements like shouts and breath control, if you want to show appeal beyond just scoring points, I recommend mastering overtones that are effective in the low to low-mid range.