Songs with titles that start with “Su.” A collection of tracks useful for shiritori.
There are lots of words that start with “su,” like “smile,” “snow,” and “star,” aren’t there?
So, what songs come to mind with titles that start with “su”?
In this article, we’ll introduce songs with titles that start with “su,” which you can use for games like song-title shiritori.
There are many songs that use words starting with “su,” but precisely because there are so many, it can be hard to recall them when you need to!
Use this article to brush up on songs whose titles start with “su,” and put them to use in shiritori or at karaoke!
- A compilation of Vocaloid songs with titles that start with 'Su'
- Recommended for teenage girls! Easy-to-sing karaoke songs
- Even karaoke beginners can relax! Easy-to-sing songs for men
- Songs that start with “se”. Use them as references for shiritori or choosing tracks for karaoke!
- Masterpieces with titles that start with 'A'
- A roundup of songs that start with “So.” Perfect for word-chain games or picking karaoke tracks!
- Songs with titles that start with “Ri”
- Recommended for women in their 40s! Easy-to-sing songs for karaoke
- Songs with titles that start with “Sa”: a roundup you can use for shiritori or karaoke
- Songs with titles that start with “te.” Perfect for shiritori karaoke or song-title shiritori!
- A roundup of songs with titles that start with “pu.” Great for shiritori or picking songs!
- A compilation of Vocaloid songs with titles that start with 'Sa'
- Songs with titles that start with “Tsu.” Introducing famous tracks from the Showa to Reiwa eras!
Songs whose titles start with “Su.” A roundup of songs useful for shiritori (281–290)
Supernovaaespa
The dance performances of aespa, a four-member Korean girl group, are truly captivating.
Since their debut in 2020, they have quickly drawn attention with their unique concept and powerful performances.
In hit songs like “Black Mamba” and “Next Level,” their highly synchronized formations and strong choreography leave a lasting impression.
Their talent has been recognized globally, with wins at the Golden Disc Awards and being named one of TIME Magazine’s Next Generation Leaders.
Their sharp, must-see choreography pairs perfectly with their energetic, futuristic tracks.
They’re a highly recommended group not only for K-pop fans but also for anyone who loves dance.
Flower in DrunkennessFuyumi Sakamoto
Sakamoto Fuyumi’s song “Suichūka,” released in 2022.
Although Sakamoto Fuyumi studied under Futaba Yūrikō and has tackled challenging enka in her later years, she also works on catchier enka.
Among these, this piece is particularly easy to sing.
While there are some kobushi (ornamental vocal turns), the overall difficulty is low, and there are no repeated, dramatic ups-and-downs typical of elaborate kobushi.
The vocal range is somewhat wide, but even if your voice flips into head voice, it will sound like kobushi to listeners, making it easy to sing even for those with a narrower range.
I'll give you everything.Leon Shinhama
Born in 1996, Leon Niihama is an enka singer who made his debut on May 1, 2019—the first day of the Reiwa era.
His debut single, “Hanasanai Hanasanai,” reached No.
1 on the Oricon Weekly Enka/Kayō chart.
In the same year, he won the New Artist Award at the 61st Japan Record Awards, bringing fresh energy to the enka scene.
In 2024, he released “Subete Ageyou,” produced by Noritake Kinashi with lyrics and music by George Tokoro, achieving the remarkable feat of remaining in the Oricon Top 10 for 25 consecutive weeks.
He capped the year with his first appearance at the 75th NHK Kōhaku Uta Gassen, showcasing his talent to a wide audience.
While preserving the charm of traditional enka, his singing incorporates a modern sensibility, earning support from younger generations.
He’s a recommended artist even for those curious about enka but not yet familiar with the genre.
Songs with titles starting with “su.” A roundup of songs useful for shiritori (291–300)
My love was overflowing.Mosa o.
A heartbreaking yet gentle breakup song, where tender vocals and the guitar’s timbre seep into your soul.
The feelings of a woman who believed the “ordinary happiness” of everyday life with her lover would continue, only to find herself bewildered by how their relationship has changed, are spun with delicate, diary-like words.
Released by MIMOSA in September 2020, this work vividly portrays a complex state of mind where one-sided feelings, self-loathing, and regret intersect, resonating deeply with many listeners.
The earnest wish to return to happier times is overwhelming, making it a track that strikes a chord with couples who have experienced stagnation or separation.
If you’re struggling with a relationship with someone important, this song will surely be by your side.
slowdownerpotter's wheel
It’s a cool, fast-paced rock track.
Produced by Vocaloid producer Rokuro and released in 2018.
Its rhythmic drumming and addictive melody line are especially appealing.
The word choices in the lyrics are snappy, and they make you want to sing it yourself! Highly recommended when you want a high-energy song.
Since the key is quite high, try challenging it an octave lower!
I really like you.Miss Hanako
This work sings of love for Osaka with plenty of humor in Kansai dialect.
By comparing it with Tokyo, it comically showcases Osaka’s charms.
References unique to Kansai—like the Hanshin Tigers, Tengachaya, and Awaji Island—are sprinkled throughout, letting you feel Osaka’s vibe just by listening.
Released in December 1981, this song remains one of Ms.
Hanako’s signature tunes and is still beloved by many.
It’s recommended not only for people from Osaka, but also for anyone fond of the Kansai region or interested in Osaka’s culture.
It’s a sure-fire crowd-pleaser at karaoke, so give it a try!
SWEET PAINglobe
globe was a music unit that thrived in the late 1990s.
While they produced many hit numbers, there are also hidden gems among their work.
One of them is SWEET PAIN.
Unusual for its time, this track features a structure similar to EDM, modulating from the A verse to the B verse, and again from the B verse into the chorus.
The chorus uses the same chord progression as the intro, so rather than a whirlwind of developments, the modulations lead to a clearly defined landing point.
It’s incredibly natural on the ears, so if you haven’t heard it yet, this is a must-listen!