[Recommended for women in their 30s] Japanese hit songs that hype up karaoke
Among women in their 30s, many probably find themselves with plenty of chances to go to karaoke—like girls’ nights with childhood friends you haven’t seen in a while, class reunions, or the third after-party at a wedding.
In this article, we’ll introduce easy-to-sing, crowd-pleasing song recommendations for women in their 30s who are unsure what to pick at karaoke, including tracks you listened to as a kid, hits from your teenage years, and recent songs.
Let’s look back on those nostalgic days you spent together and enjoy a great time with the songs that hold your memories!
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[Recommended for women in their 30s] Japanese hit songs that get the crowd going at karaoke (41–50)
BLUE BIRDAyumi Hamasaki

When it comes to artists who colored the youth of women in their 30s, Ayumi Hamasaki is probably the name that comes up most often.
Among her songs, the one I especially recommend as an easy pick for scoring high in karaoke is BLUE BIRD.
Although it feels like a refreshing and powerful track, it actually has a relatively narrow vocal range.
The few high notes that do appear are only in the upper-mid range at most, and they come and go quickly.
Considering its limited range and how easy it is to match the pitch, it’s definitely a song you can aim for a high score with.
[Recommended for women in their 30s] Japanese hit songs that get the crowd going at karaoke (51–60)
Follow MeE-girls

It was released in 2012 as E-Girls’ third single.
The song was used in the Samantha Thavasa “Samantha Muse ALL STARS” commercial and reached No.
2 on the Oricon Weekly Singles Chart.
The sharp choreography and the cute, well-styled members are wonderful, and it’s an up-tempo track that really gets people going at karaoke.
Unrequited loveAimer

From the title it might sound like an unrequited love song, but give it a listen.
It’s an irresistibly sweet and happy love song.
The lyrics portray mutual feelings rather than one-sided love, making you think, “They’re in a really good relationship.” Aimer’s voice usually has a soft, embracing quality, but the light rhythm and guitar sound give this track a different vibe than usual.
YELLIkimonogakari

A song with a warm singing voice and a melody that gently embraces the many feelings of youth, captivating listeners with its heartfelt resonance.
It delicately yet powerfully portrays young people who, though uncertain, are trying to take a step toward the future.
Released by Ikimono-gakari in September 2009, the song was selected as the required piece for the NHK Nationwide School Music Competition’s junior high school division, capturing the hearts of many students.
Many of you may remember singing this song with classmates and friends during your school days.
If you sing it at karaoke, it will likely bring back nostalgic memories and fill you with warmth.
5 seconds before I fall seriously in loveRyoko Hirosue

It was released in 1997 as Ryoko Hirosue’s debut single.
The song drew attention because Mariya Takeuchi handled both the lyrics and composition, and it was used as the NTT DoCoMo “Pocket Bell” commercial song and the theme song for the Fuji TV drama “Thursday Ghost Stories ’97: Evil Spirit Academy.” Despite being her debut, it reached No.
1 on the Oricon Weekly Singles Chart.
Sung cutely, it feels like it would bring back memories of the bittersweet romances of youth.
Summer is comingMaki Ohguro

It was released in 1994 as Maki Ohguro’s eighth single.
It reached No.
2 on the Oricon Weekly Singles Chart.
The lyrics portray an unmarried woman earnestly waiting for her yet-unseen prince, and the feelings of inferiority toward refined, debutante-like women resonated with many women.
It’s a song that unmarried women can sing with deep emotion and really get fired up.
Even when I become an old ladyChisato Moritaka

It was released in 1992 as Chisato Moritaka’s 16th single.
It was used as the theme song for the Nippon TV drama “Matta Nashi!” and, due to its lyrics, garnered strong support from women.
In particular, people in their 30s tend to be sensitive about age, so this song likely resonates with many on a very real level.
It’s also a crowd-pleaser at karaoke, with many listeners relating to it.






