A roundup of songs for men in their 30s to sing [’90s–’00s tracks]
Many men in their 30s may find themselves unsure about what songs to sing when they go to karaoke with a woman.
In this article, we’ll introduce a selection of songs we’d love for such men to sing! We’ve chosen tracks from the late 1990s to the 2000s—songs that will likely feel nostalgic for people in their 30s and are also popular with women—so please use this as a guide for your song choices.
This time, we focused on ballad-style songs, so sing them smoothly and coolly.
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Songs 30-something men should sing: A roundup of 90s–00s tracks (21–30)
Song of JoyMONGOL800
MONGOL800 is a band from Okinawa.
While they have numerous hit songs such as “Chiisana Koi no Uta,” I’d like to recommend a slightly more niche track here: “Yorokobi no Uta.” Unlike most of their songs, this one features a reggae-style rhythm with distinctive off-beats on the 2 and 4.
The vocals are calm and somewhat languid, and since there aren’t many long sustained notes, it should be easy to sing even for those who aren’t confident in their vocal power or lung capacity.
Be kind to othersTHE BLUE HEARTS
This song has no intro and starts singing right from the beginning.
The first note is E4, a mid-range pitch, so if you take a good breath and prepare before the song starts, you’ll likely produce a steady voice.
It begins without the backing band, so practice repeatedly to align the timing of the lyrics with the point where the band comes in.
Once you get past that, strong drums kick in, and if you listen closely to the backing track while you sing, you’ll be able to ride the groove.
The average pitch used in this song is C4, so overall it’s not high.
If you clearly separate each phrase and take a breath each time, it should make it easier to keep the rhythm.
The call-and-response parts in the song are energizing, so sing them with gusto! To avoid straining your throat, try projecting your voice as if you’re aiming into the distance.
You’ll likely find your voice comes out comfortably!
GO!!!FLOW
GO!!! by FLOW, one of their signature songs and the opening theme for the anime NARUTO.
With its driving momentum, it’s a staple in their live shows and feels very band-oriented.
The song structure builds excitement—verse (A) to pre-chorus (B) to chorus—making it a very satisfying listen.
The vocal range, D#3 to B4, is accessible for the average male singer, but be cautious: the pitch rises slightly at the start of the B section, so avoid forcing your voice and straining your throat.
At a brisk tempo of 135 BPM, it’s highly rhythmic, and the chorus features FLOW’s signature rap.
Since FLOW has two vocalists, try trading lines with a partner or getting the crowd involved when you sing it!
A third of pure-hearted feelingsSIAM SHADE
Although they disbanded once in 2002, SHIAM SHADE has captivated fans with several temporary reunions.
This signature song of theirs is widely known as the ending theme for the TV anime Rurouni Kenshin: Meiji Swordsman Romantic Story.
Its structure is very straightforward: the chorus comes first, followed by verse A and verse B, building excitement.
The beginning of verse A hits the song’s lowest note, D#3, which might be a bit low even for male singers.
Be careful not to let your voice get muffled in this part.
Another challenging aspect of the song is the rhythm.
In the chorus, if you sing it in a typical 4/4 feel, it won’t lock in with the backing drums and will sound flat.
Try singing it with a driving triplet feel instead—you’ll sound much cooler! It may be difficult until you get used to it, but definitely give it a try.
greenCHEHON
CHEHON’s “Midori,” known as an anthem of weed-themed reggae, seems at first like a whisper of love to a woman, but it actually sings about a man’s love for herb.
The melody is crafted into a warm, gentle reggae vibe.
Since it’s performed by a deejay, the vocal line is relatively easy, with a modest range, and the reggae-typical offbeat on the 2 and 4 is set to a very graspable riddim.
It’s also a well-known track, so be sure to check it out.
DepartureFUNKY MONKEY BABYS
FUNKY MONKEY BABYS’ seventh single, “Tabidachi” (“Departure”).
Released in 2008, it didn’t become an explosive hit, but it still enjoyed moderate success: it was chosen as the theme song for the film “Bokutachi to Chuzaishan no 700 Nichi Sensō” (The 700 Days’ War: Us and the Police Officer) and reached No.
10 on the Oricon weekly chart.
Men in their early 30s may find it familiar.
In short, the song features a fairly simple, uniform vocal line with very gentle pitch movement.
However, it contains a fair number of long notes and the overall range is somewhat high, so it’s necessary to set the key so you can sustain long tones at a relatively high pitch.
The beauties of nature — flowers, birds, wind, and the moon (a poetic expression appreciating nature’s elegance)Ketsumeishi
Ketsumeishi is a music group that sparked a hip-hop boom in the overground scene in the 2000s.
Known for many songs about love and friendship, they’re recognized as a hip-hop group that won over a broad mainstream audience with approachable rap.
Among their tracks, “Kachou Fuugetsu” is particularly easy to sing.
The rap elements are relatively subdued, and the song as a whole is arranged with a melody that has a somewhat Okinawan folk vibe.
The vocal range is narrow and the vocal lines are simple, but there are many sustained notes in the chorus, so you need to pay attention to vocal power and key adjustments.