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A collection of Western songs with titles starting with “I”

When it comes to English words that start with “I,” there are plenty that could make great song titles—beyond the pronoun “I,” you’ve got “If” for hypotheticals, as well as “Imagine” and “Idea,” among others.

In this article, I’ll introduce some classic Western songs whose titles start with “I.” I don’t think many people usually search for songs by narrowing down the first letter of the title, but that’s exactly why you might discover tracks you hadn’t noticed before.

Enjoy the article as you look forward to finding out what songs are on the list.

A compilation of Western songs with titles starting with "I" (221–230)

In My DarknessMONO INC.

MONO INC. – In My Darkness (Official Video)
In My DarknessMONO INC.

Known for their dark and melancholic worldview, the German gothic rock band MONO INC.

released a song in March 2025 that is a stirring portrayal of confronting one’s inner darkness and conflict.

Its new soundscape, featuring symphonic arrangements and grand choral work, also carries a gentle light that suggests a sense of salvation.

As the lead single from the album “Darkness,” this track looks set to become an important milestone for the band.

Chosen as the ending theme for a popular German TV drama, it has resonated with many through the synergy with the show’s story.

Even if you don’t usually listen to gothic rock, give it a try—it may become a source of support to help you through difficult times in life.

In MiseryWEDNESDAY 13

WEDNESDAY 13 – In Misery (Official Video) | Napalm Records
In MiseryWEDNESDAY 13

Veteran of the horror-punk scene Wednesday 13 will release his 10th album, “Mid Death Crisis,” in April 2025, marking the 20th anniversary of his debut.

Hailing from North Carolina, he has long delivered songs that deftly fuse sleaze metal and goth punk, wrapped in a dark yet humorous aesthetic.

On this album, he lays bare the anguish of relationships, deliberately choosing a direction that stands in stark contrast to a love confession.

Featuring a rock ’n’ roll sound woven from elements of punk, glam, and hard rock—and a guest vocal appearance by Taime Downe of Faster Pussycat—the result is a dazzling production.

It’s a track that rock fans should hear if they want to rediscover the appeal of straight-ahead rock ’n’ roll.

I Love The NightlifeAlicia Bridges

Alicia Bridges – I Love The Nightlife (1978)
I Love The NightlifeAlicia Bridges

The birth of a song that epitomizes the golden age of disco came in 1978.

Alicia Bridges, an American artist, delivered a dazzling dance number that vividly portrays a woman heading to the dance floor to mend a broken heart.

Infused with elements of Memphis soul, the track peaked at No.

5 on the Billboard Hot 100 and gained popularity around the world, including in Australia and the Netherlands.

It has been featured on numerous soundtracks and continues to be cherished across generations, appearing in films such as 1979’s Love at First Bite and 1994’s Priscilla.

It’s a song you can genuinely enjoy when you feel like cutting loose on the dance floor.

Instant ReplayDan Hartman

Dan Hartman – Instant Replay (Official Video)
Instant ReplayDan Hartman

It boasts an irresistibly catchy, addictive disco sound.

The August 1978 single released by American artist Dan Hartman after his solo debut rides an exceptionally danceable beat to express a desire to turn back time and relive moments with a lover.

Following his tenure with the Edgar Winter Group, his solo debut—where he also showcased his skills as a producer—left a vivid impression.

The upbeat melody that kicks off with a countdown swept through the disco scene of the time.

It became an international hit, reaching No.

29 on the U.

S.

Billboard chart and No.

8 in the U.

K.

Perfect for glamorous party scenes, drives, and any situation that makes your heart race.

I Can’t Stand the RainAnn Peebles

Ann Peebles – I Can’t Stand the Rain (Official Audio)
I Can't Stand the RainAnn Peebles

A shining masterpiece in the history of beautiful soul music was born from American artist Ann Peebles.

Released in July 1973, this Memphis soul classic opens with an inventive intro that takes the sound of falling rain as its motif.

The droplet-like rhythm played on electric timbales and the melody woven by a vocal that is both powerful and delicate sink deeply into the listener’s heart.

Later covered by numerous artists, including Missy Elliott and Tina Turner, it remains beloved around the world.

Enthusiastically praised by John Lennon, this gem of a ballad is an eternal classic that overlays the ache of unrequited love with the image of rain.

Give it a listen on a rainy-day drive or during a quiet night of reflection.

If You Want Me To StaySly & The Family Stone

Sly & The Family Stone – If You Want Me To Stay (Audio)
If You Want Me To StaySly & The Family Stone

This soul number is captivating for its comfortable bass-and-drum groove and uniquely languid vocals.

In June 1973, the American group Sly & The Family Stone released it as a single and included it on the album Fresh.

With a lineup that transcended racial and gender boundaries, the band made major contributions to the development of funk and soul music.

Their sound, both meditative and brimming with live energy, went on to influence many later musicians.

The song was also featured in the films Made in Heaven (1987) and Talk to Me (2007), and it continues to enchant a wide audience.

It’s a perfect track for relaxing and enjoying music at an easy pace.

A roundup of Western songs with titles starting with “I” (231–240)

I’ll Take You ThereThe Staple Singers

The Staple Singers – I’ll Take You There (Official Lyric Video)
I'll Take You ThereThe Staple Singers

This is a soul-stirring gem released in March 1972 by The Staple Singers, a gospel-soul group that epitomizes American music.

As a family band made up of a father and his children, their seamless harmonies and powerful groove captivate listeners and won’t let go.

Issued as a single from the album “Be Altitude: Respect Yourself,” the track was produced by Stax Records’ renowned Al Bell.

Recorded at Muscle Shoals Sound Studio in Alabama, it skillfully weaves elements of funk and gospel to convey a message yearning for a world free of racial discrimination.

It reached No.

1 on the Billboard Hot 100, and its breezy, body-swaying sound makes it a perfect recommendation for anyone who wishes for peace through music.