A collection of Western songs with titles starting with “M”
In this article, I’ll be introducing a whole batch of Western songs whose titles start with the letter “M”! You probably don’t usually listen only to songs that begin with a specific letter, but that’s exactly why trying it might lead you to tracks you didn’t know before and spark new discoveries.
By the way, when it comes to English words that start with “M,” there are plenty that seem perfect for song titles, like “Mr,” “Mrs,” “Magic,” “Make,” and “Moon.” If you’re a fan of Western music, you might already have a few songs in mind.
With that hope of meeting some new tracks, please enjoy reading this article.
- A collection of Western songs with titles starting with “H”
- A collection of Western songs with titles starting with “L”
- A collection of Western songs with titles starting with “E”
- A collection of Western songs with titles that start with “O”
- A compilation of Western songs with titles starting with 'N'
- A collection of Western songs with titles that start with numbers
- A roundup of Western songs with titles that start with “R”
- [2025] A Compilation of Western Songs Whose Titles Start with A
- A compilation of Western songs with titles that start with 'S'
- A collection of Western songs with titles starting with 'G'
- A compilation of Western songs with titles starting with “U”
- A collection of Western songs with titles starting with “K”
- Collection of Western songs with titles starting with 'Y'
A compilation of Western songs with titles starting with “M” (161–170)
MY TOWN (feat. Loaded Lux)Joey Bada$$
Amid rising East–West tensions in today’s rap scene, New York’s Joey Bada$$ has released a new diss track.
Teaming up with battle-rap heavyweight Loaded Lux, the track delivers a fierce barrage of criticism aimed at West Coast rappers.
Rooted in a boom-bap style influenced by legendary hip-hop artists, it showcases the razor-sharp flow he displayed on albums like B4.
Da.
$$ and All-Amerikkkan Bada$$.
Backed by a heavyweight beat from Pro Era’s Kirk Knight, who also handles production, the track fuses its aggressive, East–West conflict–themed message with powerful sonics, shaping up to be a defining work of the 2025 hip-hop landscape.
MiserlouDick Dale
Featuring the duo Bananaman and Asuka Saito, the ad highlights that Style Free has zero carbs, making it perfect to drink with meals.
It also mentions that despite having zero carbs, it tastes great—and seeing the three of them smiling as they drink really conveys how delicious it is.
The background music is “Miserlou,” a tune often heard on TV and elsewhere.
Many people will recognize the guitar intro and the shout.
The song originally dates back to the 1950s, but Dick Dale covered it in a surf rock style in 1962, and it became a big hit.
Collection of Western songs with titles starting with 'M' (171–180)
MemoriesMaroon 5
A tear-jerking ballad released to the world by the quintessential American band Maroon 5 in September 2019.
Its gentle, soothing melody embraces the experience of losing someone dear and the memories that linger in the heart, resonating deeply.
Featured on the album Jordi, the song is an accessible piece based on Pachelbel’s Canon.
It is said to carry Adam Levine’s feelings for a close friend.
It was also used in the trailer for the Disney film The One and Only Ivan and in the final scene of Venom: The Last Dance, warming the hearts of many.
Sung as a chorus, each person’s emotions overlap, creating a profound impact on listeners.
Midnight at McGuffy’sDance Gavin Dance
Dance Gavin Dance, who continue to push the envelope at the forefront of the post-hardcore scene, have released the first single from their 11th album, “Pantheon,” in May 2025.
The band’s first track featuring new vocalist Andrew Wells strikes a perfect balance as Wells’s soaring clean vocals intertwine with Jon Mess’s powerful screams amid complex guitar riffs and irregular rhythms.
Rooted in their signature blend of post-hardcore and progressive rock, and effectively incorporating elements of funk, the release arrives alongside a dreamlike music video set against a desert landscape.
It’s a track that’s sure to shine on the band’s “Return Of The Robot Tour.”
My ImmortalEvanescence
A rock ballad that begins with a gentle piano melody and features Amy Lee’s crystalline vocals that resonate with the heart.
Released in 2003 by the American band Evanescence from their major-label debut album Fallen, the song is a poignant work depicting longing for the departed and the pain of farewell.
The quiet piano gradually builds into a full band sound, unfolding into a cinematic, grand atmosphere.
It was also included on the soundtrack of the film Daredevil and garnered such a response that it was certified Gold.
The song was nominated for Best Rock Video at the 2004 MTV Video Music Awards, and its dreamlike, black-and-white music video is another highlight.
If you’re performing it as a choir, you might make the most of the ballad-like first half and express it together with one heart.
More to LoseMiley Cyrus
Set against the beautiful interplay of piano and strings, a poignant love ballad weaves an emotional world.
American artist Miley Cyrus released this track as an advance single from her upcoming May 2025 album, “Something Beautiful.” Her outstanding vocals and the near live-take recording approach, rich with organic sound, vividly capture the feelings of facing the end of love.
On May 3, she drew even more attention with a surprise live performance at Casa Cipriani in New York.
The monochrome-themed music video symbolically portrays the journey from marriage to separation and is thoroughly compelling.
It’s a song you’ll want to play on a nighttime drive, during solitary moments, or when you’ve experienced the end of a relationship.
My Name Is MudPrimus
Swirling with psychedelic rhythms and eerie tension, this track is a shocking portrayal of dark human drama by the American avant‑garde rock band Primus.
Based on a murder sparked by a trivial quarrel between drug addicts, it blends funk metal and alternative metal to powerful effect.
A signature song from their 1993 album Pork Soda, it became a fan favorite, reaching No.
9 on the Billboard Alternative Songs chart.
Les Claypool’s slap bass, off‑kilter drum beats, and distorted guitar riffs weave a singular ensemble perfectly suited to themes of society’s shadows and human madness.
It’s a must‑listen for anyone wanting to experience a searing sound that channels anger and absurdity.