In the 2020s, what kind of image comes to mind when you hear the music genre “melocore”? Chances are, the bands and sounds you think of vary depending on your generation.
The heyday of melocore in the ’90s, the early 2000s boom of pop punk and youth punk, the mid-2010s onward pop-punk revival—each band has had its own sound.
In this piece, we focus on melocore—short for melodic hardcore—which has become established in Japan as the abbreviation for melodic hardcore, just as the name suggests.
We’ll also look at related styles like pop punk, selecting both veteran acts and rising younger bands drawing attention in the 2020s.
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[Western Music] Both Rush and Melancholy! Recommended Melodic Hardcore/Punk Bands [2025] (1–10)
All I WantThe Offspring

For Japanese fans of melodic hardcore, it’s no exaggeration to say they’re one of the most iconic bands! With their predecessor band formed in 1984, The Offspring are true veterans—an emblematic punk band from Orange County, California, and a group that boasts record-breaking sales far beyond the punk scene.
Their third album, Smash, released in 1994, sold 13 million copies despite being on an indie label, and 1999’s Americana also achieved an outstanding 11 million in sales.
Even people who aren’t into melodic hardcore have probably heard their hit Pretty Fly (for a White Guy), with its unforgettable “uh-huh, uh-huh” chorus.
It’s also fascinating that their frontman, Dexter Holland—known for his bright, resonant vocals—has a PhD and a background in the sciences.
Their sound remains firmly rooted in punk, and even into the 2020s they still deliver that quintessential melodic hardcore speed and energy—which is just insanely cool.
Start with the albums mentioned above, and if you like what you hear, dive into the rest of their catalog!
SaviorRise Against

Rise Against is a rare band that refuses to tolerate social injustice and corrupt power, maintaining an unabashedly political stance while also achieving commercial success.
Formed in 1999 by members who had previously played in other groups, they debuted on Fat Wreck Chords, led by NOFX’s Fat Mike, drawing the attention of melodic hardcore fans.
In their early days, their sound leaned hardcore with shout-heavy vocals, but around their stellar third album and major-label debut in 2004, Siren Song of the Counter Culture, they began incorporating wistful melodies and evolved toward a sound that also hinted at alternative rock.
Even so, their roots remain pure punk-to-hardcore, and their guitar tone continues to carry the solid, taut tension characteristic of hardcore.
Listening to the charismatic frontman Tim McIlrath’s voice, even non-punks should feel something stirring inside.
As an aside, in his younger days Tim played in a metalcore band called Arma Angelus with Fall Out Boy’s bassist and lyricist Pete Wentz, so check that out if you’re interested!
American JesusBad Religion

The absolute giants among giants—if this band hadn’t existed, the term “melodic punk” might never have taken root among Japanese music fans.
Formed in 1980, Bad Religion are a revered American punk institution, consistently admired by countless bands that followed.
They fused raw hardcore punk with wistful melodies, creating a sound that races forward yet brims with lyricism—their achievements are truly immense.
On top of that, guitarist Brett Gurewitz is the head of Epitaph Records, a prestigious label that launched many melodic punk bands.
In that sense, tracing the history of Bad Religion is practically synonymous with learning the history of melodic hardcore itself.
It’s also fascinating that frontman Greg Graffin, like the Offspring’s frontman, holds a PhD.
That background feeds into their distinct lyrics—thoughtful, at times employing challenging vocabulary—which is another reason they stand apart.
It’s hard to pick the definitive album from a career spanning over 40 years, but start with their classic third album Suffer (1988) and Stranger than Fiction (1994), their major-label debut.
Don’t call me whiteNOFX

If you’ve gotten into melodic hardcore and started looking for Western bands and albums, you’ve probably noticed that many of them were released by a label called Fat Wreck Chords.
NOFX, whose member Fat Mike founded Fat Wreck Chords, is one of the pioneering and defining bands of melodic hardcore.
Countless bands—including many from Japan—have been influenced by them, and it’s worth knowing that Fat Mike produced Hi-STANDARD’s early works, which were released through Fat Wreck Chords.
Their influence extends beyond sound to punk culture as a whole, but their style—political lyrics and blisteringly fast hardcore punk woven with melodic elements—is the very essence of melodic hardcore.
With such a long career, they’ve put out compilation albums, but I suggest starting with their 1990s releases, when multi-instrumentalist El Hefe joined and broadened their musical range—such as White Trash, Two Heebs and a Bean (released in 1992 during their Epitaph years) and their 1997 work.
First Dateblink-182

In Japan as well, many bands scored hits, and emerging from the late 1990s—what could be called the heyday of melodic hardcore—blink-182 helped open up a new era with a pop sensibility that went beyond straight-ahead, high-speed punk.
Countless bands in the 2000s pop-punk and emo scenes were influenced by them, and many musicians openly call themselves fans.
Their classic hit “What’s My Age Again?,” famous for its music video where they sprint naked through the streets, is a prime example.
While their early appeal partly lay in their crude, irreverent image, as mentioned, their musicality was never confined to early melodic-hardcore stylings.
They exploded in popularity because they had a flexible sound that drew on a wide range of influences and produced a wealth of outstanding songs.
Start with Enema of the State, released in 1999 after scene-defining drummer Travis Barker joined and which became a massive global hit, selling 15 million copies, and the similarly blockbuster 2001 album Take Off Your Pants and Jacket.
From there, check out their early, straight-ahead melocore-style works, as well as the albums released after original guitarist-vocalist Tom DeLonge left the band.
SoulmateNo Use For A Name

No Use for a Name, fronted by the charismatic Tony Sly—who sadly passed away in 2012 at the young age of 41—commanded a devoted following in the West Coast skate punk and pop-punk scenes.
Since their album debut in 1990, they continued to release music steadily, earning fervent support not only from fans but also from fellow musicians.
Their sound can rightly be called the quintessential and finest example of West Coast melodic punk.
Even on their debut album, Incognito, driven by raw early energy and youthful momentum, they showed impeccable taste by covering The Police’s classic “Truth Hits Everybody.” For a period, Chris Shiflett—now the guitarist for Foo Fighters—was a member, and the band’s fourth album, Making Friends, released during his tenure, stands as a masterpiece that defined their musical identity.
Tony’s superb vocals and melodies—combining masculine wistfulness with boyish vulnerability—and the band’s deft, uniquely crafted approach to melodic punk, which avoids both excessive pop sheen and overly hardcore edges, can be enjoyed on any of their releases.
That said, starting with the 2007 compilation All the Best Songs is a great idea!
Lifestyles of the Rich & FamousGood Charlotte

Good Charlotte are a definitive figure of the early-2000s pop-punk boom and a still-thriving, fully active band that has maintained enduring popularity well into the 2020s.
Guitarist Benji Madden—who’s also married to Cameron Diaz—and vocalist Joel Madden are twin brothers, and the band’s appeal has been boosted not only by their musical style but also by their roster of catchy, charismatic personalities.
In Japan, they became hugely popular under the nickname “Gusha,” and many people at the time started listening to Western music for the first time because of them.
The band members are well-known Japanophiles, and it’s nostalgic to recall how often they appeared on the covers of magazines.
Their sound is arguably more pop-leaning than punk, and their open-minded, genre-agnostic approach sometimes drew criticism.
But their attitude is undeniably punk.
Considering stories like the Madden brothers—raised by a single mother and having had a tough adolescence—running away from home with a Rancid album in tow, it’s clear that punk is in their roots.
Start by listening to their breakout hit and signature album, 2003’s The Young and the Hopeless, and dive into their music!





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