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For rock fans too! Popular big beat groups and artists

For rock fans too! Popular big beat groups and artists
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For rock fans too! Popular big beat groups and artists

Slogans like “a fusion of rock and techno” are nothing unusual, and modern rock and pop almost always incorporate some electronic elements.

The style I’m introducing today, Big Beat, is a subgenre of techno music that sparked a boom from the late ’90s to the early ’00s.

Rather than rock bands adopting techno elements, it’s characterized by a sound that, from the techno side, boldly weaves in rock-like dynamism—think heavy breakbeats layered with loud guitars.

Take this opportunity to check out the key artists and groups in Big Beat—many of whom have achieved major global recognition!

[For Rock Fans Too!] Popular Big Beat Groups and Artists (1–10)

FirestarterThe Prodigy

The Prodigy – Firestarter (Official Video)
FirestarterThe Prodigy

When getting to know big beat, the first act you should be familiar with is The Prodigy, a band from the UK.

Their sound is characterized by a heavy, aggressive style that incorporates elements of drum’n’bass.

Their third album, The Fat of the Land, released in 1997, became a massive hit, selling over 10 million copies worldwide, and they performed at festivals in Japan such as Fuji Rock and Summer Sonic.

The late vocalist Keith Flint, who passed away in 2009, was also popular for his distinctive hairstyles and makeup, as well as his dynamic dance performances.

Right Here, Right NowFatboy Slim

Fatboy Slim – Right Here, Right Now [Official 4K Video]
Right Here, Right NowFatboy Slim

Fatboy Slim is one of the project names of British club DJ Norman Cook.

He is famous as a pioneer of big beat, characterized by beat-driven sounds that make your body move before you know it.

His music also incorporates elements of house and pop, and many of his tracks have a bright tone, such as Rockafeller Skank and Praise You, which is part of his appeal.

He performed at the 2005 Fuji Rock Festival and at the closing ceremony of the 2012 London Olympics.

Setting SunThe Chemical Brothers

The Chemical Brothers – Setting Sun (Official Music Video)
Setting SunThe Chemical Brothers

The Chemical Brothers are a British music duo formed in 1989 by Tom Rowlands and Ed Simons.

Their distinctive sound, which fuses breakbeats with rock, has been described as big beat, electronica, and digital rock, and it had a major impact on the music scene of the 1990s.

They often feature vocalists such as Noel Gallagher of Oasis and Bernard Sumner of New Order, earning strong support from rock fans as well.

Born too slowThe Crystal Method

Big beat is essentially a movement centered around musicians from the UK, where the genre originated, but The Crystal Method, the act featured in this article, is a unit based in Los Angeles, USA.

Formed in 1993 by Scott Kirkland and Ken Jordan, who were inspired by The Chemical Brothers, they raised their profile with the 1996 release of the hard-hitting big beat anthem “Keep Hope Alive,” which became a smash hit.

The track was later included on the soundtrack of the film The Replacement Killers.

Their debut album Vegas, released the following year in 1997, was also a hit, cementing their recognition as pioneering figures of American big beat.

Their explosive sound—melding the dynamism of loud rock, aggressive electro beats, and hip-hop-forged grooves with flavors of funk and acid house—is sure to resonate with rock listeners as well!

DoomsdayOverseer

Rob Overseer, a DJ and producer from the UK, is a musician whose work appears across a wide range of media, from films and video games to TV commercials and variety shows.

Since starting his career in 1995, he has released several EPs, but as for full-length albums, there’s only Wreckage, released under the name Overseer in 2003.

As mentioned at the outset, he operates more in the background as a professional composer, but his musical style is characterized by a particularly rock-influenced take on big beat.

He boldly incorporates rock guitars, delivers hook-laden vocal melodies, and of course serves up aggressive breakbeats; overall, though, including in song structures, the music leans more toward rock.

The release timing also put it outside the peak of the big beat boom, so it’s likely many fans of The Prodigy and The Chemical Brothers—as well as those who were into so-called digi-rock—missed this album.

This is a great chance to give it a fresh listen!

Ain’t Talkin’ ‘Bout DubApollo 440

Apollo 440 – Ain’t Talkin’ ‘Bout Dub (HQ)
Ain't Talkin' 'Bout DubApollo 440

Apollo 440 is a veteran group whose distinctive name combines Apollo from Greek mythology with the concert pitch frequency.

Formed back in 1990, they had been active on the UK dance music scene long before the big beat boom arrived.

The track that catapulted their name into the spotlight was the 1997 hit “Ain’t Talkin’ ’Bout Dub,” which sampled the iconic guitar riff from a Van Halen song and reached No.

10 on the UK charts.

Despite earning high praise for their remix work, they struggled to achieve mainstream success with original material—until this track finally brought them widespread recognition among music listeners.

Their 1999 release “Stop the Rock,” which also reached No.

10 in the UK and became a club hit in Japan within the big beat and digi-rock context, was inspired by Status Quo’s classic “Caroline.” Guitarist Noko, a close associate of the renowned Tomoyasu Hotei, brings a rock spirit to their aggressive breakbeats, making their sound approachable even for listeners who might be resistant to techno.

Bentley’s Gonna Sort You OutBENTLEY RHYTHM ACE

Bentley Rhythym Ace – Bentley’s Gonna Sort You Out
Bentley's Gonna Sort You OutBENTLEY RHYTHM ACE

Bentley Rhythm Ace—a band featuring Richard March, the former bassist of the pioneering group Pop Will Eat Itself, which fused electro beats with punk and rap—is an essential name when talking about big beat.

They released their debut album, Bentley Rhythm Ace, in 1997, scoring a smash hit as a forerunner of the big beat boom by reaching No.

13 on the UK charts.

Their second album, For Your Ears Only, released in 2000, did not achieve much commercial success, and the band effectively went on hiatus, but they reunited for live performances in 2010.

Their sound puts the sheer, no-questions-asked fun of dance music front and center, with samples freely drawn from every genre flying in all directions—perfect for anyone who just wants to dance without overthinking.

Their live shows incorporate live instruments like bass and drums, packing in solid rock dynamism as well.

This is precisely the kind of sound you can proudly call “big beat”—be sure to experience it!

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