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Various ways to enjoy jazz: The appeal of the standard tune 'Autumn Leaves'

Various ways to enjoy jazz: The appeal of the standard tune 'Autumn Leaves'
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Various ways to enjoy jazz: The appeal of the standard tune 'Autumn Leaves'

Here, I’d like to talk about jazz vocals and share some tips to help you enjoy jazz.

In this article, we focus on the classic song that has been covered by various musicians around the world and exists in countless recordings, “Dead LeavesI would like to introduce the appeal of ”.”

Compare listening with the piano trio version

On that day, at that time, in that place

The art of the moment: jazz.

Even with the same song, if the musician changes, it can become a completely different piece in terms of atmosphere.JazzOne of the attractions.

Let's compare different recordings of 'Autumn Leaves,' a piece covered by many musicians and now a jazz standard.

I arranged them in order from the easiest melodies to understand at the top.

Oscar Peterson Trio

https://youtu.

be/2Xosb-tF2js

Because the theme clearly carries the melody, you can fully appreciate the “Autumn Leaves” material, and you’re overwhelmed by Peterson’s phenomenal virtuosity.

A very gorgeous image, proportional to the number of syllables.

Bill Evans Trio

https://youtu.

be/r-Z8KuwI7Gc

A masterpiece among masterpiecesPortrait In JazzIncluded in “”.

A piano that slightly deviates from the initial theme.

And the call-and-response between the bass and the piano.

After the piano solo finishes, there’s another bass solo, then from the last theme into the ending.

Keith Jarrett Trio

https://youtu.

be/5aX49fvYZk4

An intro that incorporates a melody.

From a faked theme, a piano solo.

And then it moves into a bass solo, followed by a call-and-response with the drums.

The ending finishes with a phrase reminiscent of 'Speak Low.'

Keith singing (growling?) while playing the piano.

If you listen to his CD with no prior knowledge, you’ll be surprised to hear, along with the performance, a strange voice (pardon the expression!).

Tommy Flanagan Trio

https://youtu.

be/JgoNJj7zGsM

An intro that incorporates melody, just like Keith Jarrett.

Tomihura (as it's often called) has a piano sound that feels urban and stylish.

Compared to their previous trios, the singing-like bassline leaves a strong impression.

The bass is Reggie Workman, the drums are Joe Chambers, and the drum section is a complete solo rather than a call-and-response.

Chick Corea Trio

https://youtu.

be/B6o-EA8yQOc

You can barely tell it’s “Autumn Leaves” from the first four notes of the melody, but it’s a fake that makes you think it’s a solo from the start.

Compared to Peterson, Evans, and Keith, there’s certainly a generational difference, but the vibe is completely different.

It features a bass solo and call-and-response with the drums, letting you enjoy each performer’s outstanding technique.

Personal taste certainly plays a role, but I can recommend Peterson, Bill Evans, Tommy Flanagan, and—just barely, perhaps?—Keith Jarrett as artists that even those who haven’t listened to much jazz can enjoy without resistance.

When it comes to Chick Corea, many people might get the impression that his music is 'difficult' to understand.

No, in fact, there may even be people who say they absolutely love it.

Irresistibly appealing to those who already love music or have experience playing instruments.PianistIt is.

There are many other wonderful pianists as well, but I narrowed it down to five to introduce.

Was there a performance that resonated with you all?

You might also like this.

The version included on Cannonball Adderley’s alto saxophone album “Somethin’ Else.”

It’s sold under the name Cannonball, but the shadow leader is,Miles Davis

Miles'strumpetIt’s a work with an excellent performance.

On piano is Hank Jones, on bass is Sam Jones, and on drums is Art Blakey.

https://youtu.

be/vl1IA0bFS5Q

From the very famous intro, Miles Davis’s trumpet is picked up.

A tone that evokes nostalgia.

Then it leads into the saxophone solo, followed by the trumpet solo.

Then it returns from the piano solo to the theme, and into the ending.

After a brief piano ad lib, it closes with the same phrase as the intro.

It unfolds like a feast of sound, as if you were watching a series of stories.

on a long autumn night

If you enjoy alcohol, feel free to have a drink while you do so.

For those like me who aren’t very strong with alcohol, enjoy listening to jazz while having coffee.

Please enjoy a blissful moment.

I hope this will serve as an opportunity, even in a small way, to enjoy jazz.

There are no genres in music; there is only good music and bad music.

by Duke Ellington

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