Songs with titles starting with “E” [Great for karaoke and shiritori, too!]
When you hear “songs with titles that start with E,” what tracks come to mind?
It’s not always easy to think of them right away, is it?
After doing some research, I found many signature songs by artists and timeless classics beloved by fans for years.
From words like “eternity” and “smile” to memorable English phrases, there’s a wide range to explore!
In this article, I’ll carefully select and introduce songs with titles that start with E.
Feel free to use this as a reference not only when you’re wondering, “What songs start with E?” but also as a starting point for shiritori or picking songs for karaoke.
- Vocaloid songs that start with 'E'
- Masterpieces with titles that start with 'A'
- Songs whose titles start with “He.” Useful for shiritori or karaoke.
- A classic song with a title that starts with “Ru”
- Useful for song-title shiritori! A collection of songs whose titles start with “ze.”
- A roundup of songs with titles that start with “Me” (Melody, Merikuri, and more)
- Songs with titles that start with 'Ke'
- Songs with titles that start with “Su.” A collection of tracks useful for shiritori.
- A compilation of Vocaloid songs with titles starting with “He”
- Songs with titles that start with 'de'. Perfect as hints for karaoke or shiritori!
- A Must-See for Those in Their 20s: A Collection of Youthful Songs That Bring Back School Days
- [For Men] Cool, Popular Songs That Impress at Karaoke
- Songs with titles that start with a number. Useful for karaoke or playlist selection.
Songs with titles starting with “E” [Great for karaoke and shiritori too!] (41–50)
Engine God Final Lap -Type Evolution-Takayoshi Tanimoto, Sister MAYO, Kenichiro Oishi
An anthem of encouragement that colored the eve of the final battle in Engine Sentai Go-Onger, where the train-shaped Engines take center stage.
It’s the ending theme by Project.R, featuring shouted calls by Takayoshi Tanimoto, Sister MAYO, and Kenichiro Oishi.
Performed in a call-and-response format that distinguishes three new allies—Kishamos, Tiline, and Kline—the verses were rotated depending on the broadcast episode.
The lyrics evoke the sounds and speed of a running train, carrying a fiery message to charge through the final corner at full throttle.
Included on the January 2009 album “Engine Sentai Go-Onger Complete Song Collection: Song Grand Prix.” It’s a track you’ll want to play when you want to heighten the excitement before the climax or need a push on the day of a big showdown.
Engine Third Lap -AERO Dynamic CUSTOM-Takayoshi Tanimoto, Hideaki Takatori, Mayumi Gojo, Sister MAYO, Hideyuki Takahashi, Takafumi Iwasaki, YOFFY, Kenichiro Oishi
A high-energy rap number that brings together powerhouse singers from Project.R—such as Takayoshi Tanimoto, Hideaki Takatori, and Mayumi Gojo—as the ending theme for Engine Sentai Go-onger, which aired in 2008.
While distinguishing the Engines’ personalities through contrasting timbres and rhythms, the choral unity perfectly captures the appeal of a team of heroes.
It was also used as the ending theme for the theatrical feature Engine Sentai Go-onger: Boom Boom! Bang Bang! Movie, where it radiated the same celebratory power on the big screen.
It’s the perfect track for hyping up with friends or kicking off a morning with a burst of energy.
Engine Deity Second Lap -TURBO CUSTOM-Hideaki Takatori, Mayumi Gojo, Takayoshi Tanimoto, Sister MAYO, Kenichiro Oishi
Released in 2008 as the second ending theme for Engine Sentai Go-Onger, this track sung by Project.R and the Engine Kids charms with its concept of introducing the show’s mecha, the “Engines,” through upbeat rap.
Each machine’s catchphrases and traits are woven into onomatopoeia and rhymed lines, helping kids learn the character settings as they sing along.
Kenichiro Oishi’s four-on-the-floor dance beat, layered with brass and synth leads, creates a party-style sound designed for call-and-response excitement.
Issued as a single CD by Nippon Columbia in July 2008, it reached No.
39 on the Oricon Weekly Singles Chart.
The show also used a production trick of swapping out lyric stanzas each episode, making it a perfect song for children who want to dance and sing along in front of the TV.
Engine First Lap -Type Normal-Takayoshi Tanimoto, Sister MAYO, Kenichiro Oishi
A track by Project.R’s Takayoshi Tanimoto, Sister MAYO, and Kenichiro Oishi—seasoned talents who have supported the world of tokusatsu songs.
Built around an unusual-for-Super Sentai rap-centric structure, it packs the fun of showcasing each performer’s individuality and charm over a driving, exhilarating beat.
With call-and-response and back-and-forth vocals sprinkled throughout, it’s cleverly crafted so both kids and adults can get hyped together.
The coupling single with the opening theme, released in March 2008, debuted at No.
4 on the Oricon weekly chart, an unprecedented feat as the first-ever Sentai series theme to break into the Top 10.
It’s the perfect song for when you want to feel that rush of excitement to get moving, or to share energy with your friends.
ETERNAL WIND ~A Smile in the Shining Wind~Hiroko Moriguchi
This piece is the song performed by Hiroko Moriguchi as the theme for the film Mobile Suit Gundam F91.
It became her first entry into the top 10 on the Oricon Weekly Singles Chart, peaking at No.
9, and ranked No.
47 on the year-end chart.
Befitting a grand anime set in space, the lyrics carry prayers for peace and a message of hope, also giving it an anti-war dimension.
Though a mid-tempo ballad, its sweeping choruses and strings create a sense of scale that offers a powerful comfort to people living with the anxieties of the times.
It’s an iconic 1990s anime song that makes you want to overlay feelings of parting and reunion with loved ones, and thoughts about the future.
everlasting snowAimer
When it comes to the ballad queen of the Reiwa era, many people probably think of Aimer.
Among her works, the Christmas ballad I especially recommend is “everlasting snow.” The vocal range is a touch on the high side at mid2A to hiF, but it stays within a generally accessible range, and the pitch movement isn’t overly dramatic.
Overall, it’s a song that’s relatively easy to sing, but since the verses (A-melody to B-melody) feature frequent low falsetto, those who struggle with head voice might consider boldly raising the key to make the falsetto parts easier to produce.
8UP (feat. Yvng Patra)¥ellow bucks
Rapper ¥ellow Bucks, based in Nagoya.
His October 2025 collaborative track “8UP” with Yvng Patra is a number that grabs the ear with a trap sound woven from heavy bass and razor-sharp hi-hats.
Its hungry message—pushing the scene forward while staying connected to the next generation—stokes the listener’s fighting spirit.
It’s a hip-hop tune you’ll want to play when you’re looking to fire yourself up.