I want to sing songs that use a lot of falsetto—tracks that are also good for practicing falsetto at karaoke.
I want to be able to sing in falsetto at karaoke! But I don’t know how to choose practice songs… Many people probably share this concern.
In fact, when practicing falsetto, choosing songs with moderate melodic contours and a suitable range is the shortcut to improving.
In this article, we’ll introduce the characteristics of songs that are effective for practicing falsetto, as well as tracks that are easy to try at karaoke.
From songs you can tackle casually to ones that help you step up gradually, you’re sure to find options that let you practice enjoyably within your vocal range!
- [High-pitched warning!] Songs with high notes that are hard to sing
- Practice songs and reference tracks for mixed voice (for men)
- S-Rank Difficulty!? A Compilation of Songs with Wide Vocal Ranges
- [Karaoke] A roundup of songs that are easy for women to sing!
- [For Men] Cool, Popular Songs That Impress at Karaoke
- Practice Songs Helpful for Learning Mixed Voice (Middle Voice) [For Women]
- Recommended for great singers! A collection of impressive songs if you can sing them
- Recommended karaoke songs for male vocalists with high voices
- Karaoke songs popular with women that they want men to sing
- Even karaoke beginners can relax! Easy-to-sing songs for men
- [Karaoke] Songs That Make It Easy to Score High | From Classics to the Newest Hits
- A must-see for low-voiced women! Popular songs that are easy to sing at karaoke
- [Karaoke] A Special Feature on Vocaloid Songs That Are Easy for Men to Sing [I Tried Singing]
I want to sing songs with a lot of falsetto. Songs that are also good for practicing falsetto at karaoke (111–120)
beetle (specifically, a rhinoceros beetle)aiko

This is aiko’s fourth major-label single, released on November 17, 1999.
It was tied in as the ending theme for TBS’s “CDTV” in December 1999 and for Fuji TV’s “Jobireba!?” aiko is known for her very distinctive voice and singing style, and she further emphasizes that here by delivering a beautifully pure falsetto at the end of the chorus.
I feel this song is almost an ideal example of pinpoint use of falsetto.
If you sing it at karaoke, practice switching your vocal register smoothly at that part.
EverythingMISIA

This is MISIA’s seventh single, released in October 2000.
It was also the theme song for the Fuji TV drama “Yamato Nadeshiko,” and became a massive hit, recording the highest sales for a female artist in the 2000s.
I imagine most readers have heard it at least once.
As you’d expect from MISIA, who is renowned for her vocal skill and expressive power, this track lets you fully enjoy everything from delicate high tones in falsetto to powerful, dynamic low-range singing.
If you listen closely to the original and focus on how MISIA herself shifts her approach to high notes, you’ll find there’s a lot to learn.
cherry blossom colorAngela Aki

Angela Aki’s fifth single, released in March 2007.
It’s a beautiful ballad that evokes the gentle sunlight of spring, but according to Angela herself, it wasn’t created as a so-called “sakura song” or “spring song.” In this track, she showcases a very powerful falsetto in the high notes of the chorus and elsewhere, allowing you to fully appreciate her exceptional singing and vocal technique.
The way she switches vocal approaches from the final chorus through the closing section is especially brilliant.
It’s a must-try at karaoke for anyone confident in their vocal stamina.
Ca Va?Vickeblanka

It’s the third CD single by Japanese singer-songwriter Vickeblanka, released in June 2019.
By the way, the title “Ca Va?” is French for “How are you?” The song begins as a ballad with piano and vocals, then turns into an upbeat, black music–influenced dance number as the rhythm kicks in.
Alongside the powerful singing, the gentle, soft falsetto is used very effectively in places like the slightly quieter middle section and the chorus parts, making it, in a sense, a textbook example of how to use falsetto within a song.
PINK BLOODHikaru Utada

This is a digital-only single by Hikaru Utada, released on June 2, 2021.
It was selected as the opening theme for the NHK Educational TV anime “To Your Eternity.” Notably, this is reportedly the first time since her debut that Utada has provided the main theme for a TV anime series.
As is often the case with so-called R&B-style singers like Utada, the song is a treasure trove of beautiful mixed voice and falsetto, and this track is no exception—it lets you fully enjoy Utada’s gorgeous falsetto.
That said, there are also many sections sung in chest voice, including the so-called verse parts, where Utada’s innate vocal skill delivers exquisitely nuanced expression.
Overall, it’s a song with a relatively high level of difficulty for karaoke, but that also means it’s well worth the challenge.
Since the chorus parts make frequent use of falsetto, those who are good at falsetto might have fun singing it with friends and taking on the chorus parts.
canaryKenshi Yonezu

A track included on Kenshi Yonezu’s album STRAY SHEEP, released in August 2020.
It’s a beautiful ballad that seeps into the listener’s heart, showcasing expressive vocals that make excellent use of Yonezu’s gorgeous falsetto.
The contrast between his powerful high notes in chest voice and his beautiful falsetto creates a richly expressive performance.
I believe this song is perfect for practicing switching between falsetto and chest voice, as well as using mixed voice—especially in the chorus.
If you want to develop a wonderful falsetto, definitely try singing this song!
Tears of ThornsL’Arc〜en〜Ciel

Even during their current hiatus, the world-famous visual kei rock band L’Arc~en~Ciel continues to be played by many listeners.
From beautifully ethereal songs to intense and sensual tracks, they boast an exceptionally wide musical range.
Among their catalog, the song I especially recommend for its gorgeous falsetto is Ibara no Namida (Tear of Thorns).
It opens with a slightly African-inspired intro and transitions into a powerful, full-throttle chorus, with falsetto appearing in every section.
It’s a very challenging piece, but I encourage you to give it a try.






