Songs to Help Women Sing Better: Practice Tracks for Improving at Karaoke
Conditions for becoming a better singer.
Of course, acquiring correct and efficient vocal production is the most important point, but if you can’t apply the fundamentals you’ve learned to actual songs, it won’t amount to much.
To build that kind of “real-world ability,” it’s crucial to choose appropriate practice songs and, by singing them, develop the expressive skills needed to perform actual pieces.
In this article, I’ve selected songs that seem optimal for the goal of “getting better at singing.”
Even when someone says, “I want to become a better singer,” everyone’s current level varies, so I’ve chosen a wide range—from beginner-friendly songs to more difficult ones.
Some of the individual song introduction articles also include brief tips on how to sing them, so please use those as references and do your best to further improve your skills with the help of this article.
That said, the most important thing is to pick songs you love—the ones that make you think, “I want to sing this!” or “I want to be able to sing this!”—and enjoy singing them.
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- Easy Karaoke Songs for Women in Their 40s — Great Even for Lower Voices!
- Karaoke songs that are easy to sing even with a low voice (for women in their 30s)
[For Women] Songs That Help You Sing Better: Practice Tracks to Improve Your Karaoke (41–50)
Fighting My WayHatsuboshi Academy, Giga, Saki Hanami
This is a character song from the game “Gakuen Idolmaster,” known as Gakumasu, and it’s the solo track by Saki Hanami, whom my student called the final boss! I’ve tried singing this song at karaoke myself, but it’s definitely not something you can sing just by casually listening to it! The tempo is fast, and the melody comes at you in rapid succession, so unless you really listen closely and get to the point where you can hum along, it’s pretty tough to handle at karaoke.
In fact, Gakumasu has a lot of songs made by Vocaloid producers, so most of them are said to be quite difficult.
It’s a fun song to listen to on its own, and if you can sing it, it’s super cool and feels great! I recommend humming when you’re learning the song.
Don’t hum by pushing with your throat; try doing it lightly so the resonance hits between your eyebrows!
heartbeatMiyuki Nakajima
This is singer-songwriter Miyuki Nakajima’s 48th single, released in September 2023.
It was written as the theme song for the animated film “Alice to Therese no Maboroshi Kōjō” (Alice and Therese’s Illusory Factory).
Although Nakajima has had a long career as a singer, remarkably, this is her first-ever tie-in with an anime.
As of October 2023, she is 71 years old, and her undiminished vocal power is truly astonishing.
When performing this song, the most crucial point is how faithfully you can reproduce the song’s subtle vocal nuances—that’s what it ultimately comes down to.
The vocal melody doesn’t cover a particularly wide range, so in that sense the technical difficulty isn’t very high.
Precisely for that reason, though, it’s highly recommended as a practice piece for developing expressive singing technique.
Be sure to study the original track closely and give it a try.
As a personSuperfly
Superfly has many songs with a high vocal range, but this one is a cover of SUPER BEAVER, so the range is set lower than in typical Superfly songs.
If you’re a woman who wants to sing SUPER BEAVER’s “Hito to Shite,” the original might feel too low and make it hard to hit the pitches, so singing the Superfly version could make it easier to match the notes and get a higher score.
Listening through the song, it’s structured to build momentum from the A-melody into the chorus.
The last chorus modulates and goes even higher, but if you sing with energy, it becomes easier to project and stay on pitch, so I recommend riding the rhythm as you sing.
Never endsUru
“Never ends,” the theme song for the TBS Friday drama “DOPE: Narcotics Control Division Special Investigation Unit,” will be familiar to those watching the show.
The verse to pre-chorus range is set on the lower side, so try singing gently and carefully from the start without belting.
The high notes in the chorus go up to around D#5, but avoid forcing it—aim to deliver them cleanly in head voice like Uru.
There’s also a low note around C3 in the bridge, which may be low for many women, though lower-voiced female singers might find it manageable.
Sing gently without straining your throat.
usyama
Yama’s song “us” doesn’t have many high notes, so there aren’t any parts where you need to belt; overall it’s sung in a whispery style, making it very easy to sing throughout.
The general range is G#3–C#5, and the verses (A-melody to B-melody) are on the lower side, which suits lower voices well.
The chorus does include some higher notes around C5, but if you sing them lightly with a falsetto-like tone rather than belting, it’ll be easier to sing without strain and will fit the song’s atmosphere perfectly.
Try delivering it gently and smoothly!
Can I visit you with cream?I wish it could stay midnight forever.
For those who think, “I don’t just want to sing chest-voice mid–low songs; I want to sing falsetto-style songs too,” this track might be perfect.
The overall range is A#3–F#5, and while the bridge has some high notes, if you’re good with falsetto, you’ll find those parts feel great to sing! It’s not a song where you belt throughout, so keep your body relaxed and aim to resonate in your head, singing gently.
Also, since there’s a lot of falsetto, it’s important to clearly decide where to breathe and how to space those breaths.
Being mindful of breathing will also enhance your expressiveness and make the performance much better as a song! In the slightly fast-paced parts of the chorus, rather than enunciating each word sharply, lock into the rhythm.
When practicing, try fitting it to the rhythm first using syllables like “ta-ka-ta-ka-tan-ta.” Then, when you switch to the actual lyrics, sing so that the accents fall in the same places.
Monster IslandWednesday Campanella
This song, released on July 2, 2025, is used as the opening theme for Season 3 of the TV anime “Chibi Godzilla no Gyakushū” (Chibi Godzilla’s Counterattack).
The track centers on the low to mid range, with a melody that leans heavily on rap and spoken delivery.
In the pre-chorus and chorus, it suddenly takes on a more sung, stylish feel, which makes it really cool! Going back to the first verse: after the chorus, Utaha-san sings in a cute, talk-like manner, so let’s relax and go all-in on cuteness here! The vibe shifts dramatically from the next pre-chorus, and that contrast really works! There are more words packed in, and fitting them into the rhythm might be tricky, but if you stay calm, you’ll be fine.
Singing the chorus with a smooth, gently swaying feel brings out the atmosphere nicely! Since it hardly goes into the high register, once you learn it, it’s an easy song to sing!