Karaoke songs that make it easy to score 100 points [for women]
With the rise of K-pop in recent years, the difficulty level of Japanese music has risen significantly.
In karaoke scoring—where pitch control is paramount, especially because melodies now tend to jump more drastically—there seem to be far fewer songs with which you can realistically aim for a perfect 100.
So this time, we’ve selected easy-to-sing tracks, focusing on recent releases, that you can target for a 100! We’ve also included concrete technique explanations from a vocal coach, so be sure to read through to the end!
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Karaoke Songs That Make It Easy to Score 100 [For Women] (41–50)
I Want to Eat Naan (feat. Yuki Kaai)Yukopi
Composer Yukopi is known for a comical style that leaves a strong impression.
Their music has a cohesive sound, and they consistently release quirky, surreal, and cute tracks.
Among Yukopi’s songs, the one I especially recommend as being easy to score a perfect 100 on is “I Want to Eat Naan (feat.
Kaai Yuki).” While Yukopi has released hit songs like “Strong Wind All Back,” “Pig Thunder,” and “Waking Palm Tree,” this track has a much narrower vocal range compared to their previous works.
There are no high notes, the tempo is steady, and there are no long sustained notes, making it a song that’s very easy to score a 100 on.
Karaoke Songs That Make It Easy to Score 100 Points [For Women] (51–60)
Flower of loveAimyon
It’s Aimyon’s 14th single overall, released in June 2023.
It was chosen as the theme song for NHK’s first-half 2023 morning drama series “Ranman.” It’s a gentle song with a pleasantly soothing acoustic guitar sound.
Because it’s such a gentle piece, the vocal melody is also very familiar and easy to remember, so it might be easier to aim for a perfect 100 when singing it at karaoke.
Pay attention to how the falsetto (head voice) is used in the chorus and try singing it with that in mind.
Feverish DemonI wish it could stay midnight forever.
The vocal range is A#3 to E5, and the song is generally on the higher side, but if you basically sing gently with a falsetto-like tone, it should be easier to hit the pitches and you might even aim for a perfect score! If you use only falsetto you might get wobbly and tired, so be sure to focus on diaphragmatic breathing and core support to keep your voice steady.
The rap-like part before the chorus might not even have a pitch bar, but it’s a cool section, so enjoy singing it while riding the rhythm! It’s a bit of a fast song, so don’t forget to breathe, and do your best with the falsetto!
Get OverNEK
NEK! is a girls’ band known for their authentic rock sound.
It’s pronounced “Neki.” While many girl bands are indistinguishable from J-pop, they excel at genuine hard rock.
Among their songs, the one I especially recommend for easily scoring a perfect 100 is “Get Over.” The melody is gritty hard rock, but the vocal line is exquisitely soft, making it a track where even those not used to rock can achieve a perfect score.
Things that have formKo Shibasaki
This is Kou Shibasaki’s sixth single overall, released in August 2004.
It was used as the theme song for the TBS drama “Crying Out Love in the Center of the World.” It’s a ballad with a very beautiful melody and a straightforward arrangement, and the vocal range used in the melody is manageable for most average female singers, so I think it’s relatively easy to score 100 at karaoke.
Throughout the song, be mindful to sing with careful vocalization and pronunciation.
pure whiteFujii Kaze
Assuming you can match the key solidly, I also recommend this song, “Masshiro.” As Fujii Kaze’s new release currently getting a lot of attention, it contains none of the R&B or soul elements he excels at; instead, it’s crafted throughout with a soft, dream-pop-like sound.
Consequently, the vocal lines are less demanding, and there are virtually no sections with dramatic pitch jumps.
The overall range is narrow as well, making it a song where even women can comfortably aim for a perfect score.
Fiancé-kkyunano
Ano-chan, who’s everywhere on TV.
As a singer, she performs under the name ano and has nationwide hits.
Among her songs, the one I especially recommend is “Iinazuke-kkun.” It’s crafted with a Chinese pop-like vibe.
It may sound high, but that’s due to ano’s vocal timbre; surprisingly, the song is built within a relatively narrow range.
The chorus is very catchy, and since there aren’t flips between falsetto and chest voice, it’s a track that makes it easier to score a perfect 100.