Karaoke songs that are easy to sing even if you’re not confident in your pitch (for women in their 50s)
When you’re invited to go to karaoke with friends or coworkers, it’s hard to decline just because you’re not good at singing or you’re not a fan of karaoke, right? So in this article, we’ve gathered songs that seem easy to sing even for women in their 50s who aren’t confident singers.
If you’re going to sing, familiar tunes are best, aren’t they? With that in mind, we’ve focused on hit songs from the ’80s and ’90s, and we’ve also included some new releases by artists who were active back then! The article includes tips for singing as well, so please use it as a reference and enjoy your karaoke time! And for younger readers, we hope this helps you choose songs when you go to karaoke with people in their 50s.
- [In Their 50s] Ranking of Easy-to-Sing Karaoke Songs [2025]
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- [Karaoke] A roundup of songs that are easy for women to sing!
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- [Women in Their 40s] Even If You’re Tone-Deaf, You Can Sing! Karaoke Songs That Fit a Woman’s Vocal Range
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[Women in their 50s] Easy-to-sing karaoke songs even if you're not confident in your pitch (41–50)
Heavenly KissSeiko Matsuda
Seiko Matsuda has many famous songs, but for women in their early 50s, “Heavenly Kiss” may be the one that left the strongest impression.
Among her tracks, this piece is especially characterized by its refreshing melody, yet surprisingly its vocal range isn’t particularly wide.
The English lyrics in the chorus might be a tricky part, but as long as you can pronounce them clearly, it’s quite a singable song.
If you were on Team Seiko back in the day and are now in your 50s, why not give this one a try?
[Women in their 50s] Easy-to-sing karaoke songs even without confidence in pitch (51–60)
rainChisato Moritaka
Chisato Moritaka has left behind many classic songs as an idol.
She’s also well known for having many easy-to-sing tracks thanks to her vocal timbre and singing ability.
Among her works, the one I especially recommend for women in their 50s as an easy song to sing is “Ame” (Rain).
It was her 11th single and enjoyed nationwide popularity.
The key reason this song is so singable is its narrow vocal range.
Since Chisato Moritaka herself isn’t a singer with an especially wide range, there are no high notes in the verses, the pre-chorus, or the chorus.
On top of that, it’s built on a relaxed, easy-to-grasp rhythm, which makes it easier to catch the cue for the entrance.
Definitely give it a try.
A Midsummer Night's DreamYumi Matsutoya
Released in July 1993, this was Yumi Matsutoya’s 24th single.
It was also the theme song for the sequel to the drama that became a hot topic thanks to Shiro Sano’s chilling performance as Fuyuhiko—‘Zutto Anata ga Suki Datta’—with the sequel titled ‘Dare ni mo Ienai.
’ So even if you’re not a Yuming fan, many of you have probably heard this song.
The orchestral hit right before the chorus strongly evokes the sound trends of the era when it was released.
As is true of all the songs introduced in this theme, this one doesn’t require an extremely wide vocal range.
The melody is designed so anyone can sing it without strain, so if you just make sure not to lag behind the slightly bouncy rhythm, even those who aren’t confident singers should be able to pull it off nicely.
Lullaby of the Holy MothersHiromi Iwasaki
Released in May 1982, this was Hiromi Iwasaki’s 28th single.
It was also used as the ending theme for the two-hour drama series Tuesday Suspense Theater.
Initially, only one chorus was produced for the drama’s ending theme, but due to the strong response after the broadcast, the rest of the song was quickly created and it was released as a single—so the story goes.
As you’d expect from a song by Hiromi Iwasaki, who was renowned for her vocal ability, this track can be a bit challenging for those who aren’t confident singers.
That said, the composition itself isn’t particularly difficult, so even people who don’t sing often should definitely give it a try.
To achieve the powerful high notes in the chorus like Iwasaki herself, you might need to take some vocal training lessons.
If the high notes are tough, try lowering the key.
Don't give upZARD
This was ZARD’s sixth single, released in January 1993.
It’s a textbook example of a hit from the golden age of 1990s J-pop, and as of 2020, there are probably few women in their 50s who haven’t heard it.
Many people likely have memories associated with this song, too.
With Izumi Sakai’s friendly voice and singing style on the original track, and given that the music industry at the time was strongly focused on the karaoke market—prioritizing songs that are “easy to sing at karaoke”—this is a number I can confidently recommend even to those who aren’t confident singers as a great karaoke pick!
RomanceHiromi Iwasaki
This was Hiromi Iwasaki’s second single, released on July 25, 1975.
It sold over 900,000 copies, making it a true classic of the Showa-era kayōkyoku genre.
As of 2021, I’d wager there isn’t a single woman in her 50s who hasn’t heard this song.
It predates the emergence of what was then called “new music,” which grew out of folk singers, and it very much carries the feel of a song composed by seasoned professionals.
In that sense too, it’s a masterpiece.
For better or worse, every detail is meticulously crafted—truly the work of pros! Be sure to enjoy it at karaoke as well!
Don't give up on your dreamsTakako Okamura
“Don’t Give Up on Your Dreams,” released in 1987 by singer-songwriter Takako Okamura—who was also active as part of the female vocal duo Amin—won broad support across generations, even being included in middle school music textbooks at the time.
The richly melodic synth lines unfold over a lively rhythm.
Because the song maintains a steady tension throughout, it’s recommended for those who struggle with adding dramatic dynamics.
It’s a message song that cheers on everyone doing their best in everyday life.
Aim for a supple, relaxed vocal tone and give it a try at karaoke.