Easy-to-sing karaoke songs recommended for men in their 50s
By the time you’re in your 50s, many people hold some kind of position or run a business, and social engagements tend to increase.
You probably often find yourself in situations where you have to sing at karaoke, right? Still, considering the business discussions that may follow, you’ll ideally want to avoid straining your voice as much as possible.
With that in mind, we’ve picked out easy-to-sing songs suited for men in their 50s.
These aren’t just easy to sing—we’ve also chosen them with crowd-pleasing appeal at karaoke in mind.
Be sure to check them out!
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Easy-to-sing karaoke songs recommended for men in their 50s (41–50)
Another SaturdayShogo Hamada
Shogo Hamada’s classic “Another Saturday.” Although this song is renowned for being easy to sing, that doesn’t mean it has a narrow vocal range.
In fact, it spans a fairly typical range of mid1 C to mid2 F.
So why is it considered easy? Because the average pitch centers around mid2 A#, the so-called “A,” which sits in the middle area where humans find it easiest to produce sound.
The vocal line also has few dramatic rises and falls, so as long as you adjust the key properly, it’s a song with which anyone can aim for a high score.
Beard and BoobsUnicorn
One of Unicorn’s signature works, this song humorously portrays the wavering emotions caught between a salaryman’s job and his love life.
Tamio Okuda’s lyrical world shines as he deftly weaves in modern workplace relationships, from a young company president to the woman at the neighboring desk.
Released in October 1991, the track features an arrangement inspired by the grand sound of Electric Light Orchestra, with a striking use of synthesizers.
As the closing song on the album “Hige to Boin,” it brilliantly conveys the complex feelings of a man who can’t give up on love even while being overwhelmed by work.
It’s a perfect pick for livening up after-work karaoke with colleagues.
BambinaTomoyasu Hotei
Tomoyasu Hotei’s classic “Bambina.” Thanks to its performance on the popular YouTube channel THE FIRST TAKE, the song has recently gained support from a fairly young audience as well.
While it’s an up-tempo track with a rock ’n’ roll feel, the vocal range is quite narrow, so it’s easy for singers of any voice type to handle.
If there’s one potential challenge, it would be the long sustained note at the end of the chorus.
It features the highest phrase in the song, but even then it doesn’t require a mixed voice.
As long as you focus on staying in tune, it’s a song with solid potential for scoring high marks.
240 Million Eyes - Exotic JapanHiromi Go
Hiromi Go’s classic “240 Million Eyes – Exotic Japan,” which frequently appears on variety shows and the like, was an exceptionally original piece for its time.
Its arrangement features a song structure that hints at kayōkyoku within J-pop.
Partly due to those kayōkyoku elements, the song is confined to a fairly narrow range of mid1D to mid2F.
Regardless of gender, it should be singable without issue if you choose an appropriate key.
Like on that certain TV show, performing it with parody lyrics can make it even more exciting, so keep that in mind as you check it out.
I’ve always liked you.Kazuyoshi Saito
A lyrical love song filled with memories and lingering feelings from youth.
The gentle tones of the acoustic guitar and a voice that resonates in the heart quietly convey unfulfilled feelings and a love that passed by.
Kazuyoshi Saito’s tender vocals and guitar beautifully express nostalgia for the past and the emotions of the present.
Released in April 2010, it drew attention as the theme song for Shiseido’s IN&ON series commercials.
Since February 2017, it has also been used in Ito En’s “Oi Ocha” commercials, continuing to comfort many listeners.
It’s a song you’ll want to hum at class reunions or during long-awaited get-togethers, wrapped in fond memories.
Sing it with friends at karaoke, and its universally relatable lyrics will warm everyone’s hearts.
Winter is starting.Noriyuki Makihara
Makihara Noriyuki—fondly known as “Makkī”—is an indispensable figure when talking about the music scene of the 1990s and a genius singer-songwriter whose name is etched in Japanese music history, leaving behind many timeless songs.
His naturally smooth, unadorned, and expansive voice that reaches listeners’ hearts directly; melodies that are not swayed by passing trends; and lyrics that superbly capture vivid scenes and shifting emotions through simple word choices—his talent is universally acknowledged.
Among his many classics, the 1991 release “Fuyu ga Hajimaru yo” is relatively easy to sing, and the signature high notes typical of Makihara are somewhat restrained, making it a good recommendation for those who struggle with high registers.
Be mindful of the shuffle rhythm, and take care to stay on pitch!
Funky Monkey BabyCarol
A quintessential Carol song that wraps a straightforward love story in breezy rock ’n’ roll, remaining as vibrant as ever.
It portrays the protagonist’s pure feelings as he becomes captivated by his lover’s playful gestures, carried by a melodious sound.
Released in June 1973, it achieved an exceptional 300,000 sales for a rock band at the time.
Its edgy guitar riffs and rhythmic phrases left a significant mark on the history of Japanese rock.
The track was also included on the album “Funky Monkey Baby.” With its catchy melody and infectious rhythm, this song is perfect for getting hyped with close friends at karaoke.